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Entries in childhood (16)

Friday
Dec042015

14 Days Until That Galaxy Far Far Away

I have successfully avoided much information about (Episode VII) Star Wars: The Force Awakens in an effort to preserve a pre-internet style excitement for the new film. No, scratch that. I've done so in an effort to generate excitement since I felt none. Unlike the rest of the internet I remember all too painfully how godawful the last three movies were. *shudder* As for the new film, I've only seen the first trailer and only know character names because no matter how hard you try to say "pure" and go in cold, information will be absorbed from the 24 hour news cycle.

But truth: the nostalgia is finally getting to me and I'm officially excited. It must be all the appearances of Carrie Fisher, Mark Hamill, Harrison Ford in my news feeds even if the articles go unclicked to stay pure.

That caption to the left "The 'Star Wars' Kids" -LOL!

If you've been reading The Film Experience for a long time you'll know that The Empire Strikes Back (1980) was a formative experience as a kid. By the time Return of the Jedi (1983) came out, half of my bedroom was covered with magazine collages of ewoks, Jabba the Hut, Yoda, Darth, Luke and Han. Princess Leia in her gold bikini dominated, duh! The actressexuality came fast and early before I even knew what it was. 

On a scale of 1-100 how excited are you to have the Force awakened? 

Thursday
Aug202015

Goodbye Lovely Batgirl Yvonne Craig (1937-2015)

[sniffle]

I've probably told you this before but when I was a child and they used to show reruns of the old Batman series on tv, I would tense up during opening credits. If the image to your left did not appear I would run outside to play. That sudden Batgirl swing with a kick (who knew that kicks made a "BONG!" sound?) meant that she would appear in the episode and even if I'd seen the episode before I would always watch again.

So yesterday when I heard the news that Yvonne Craig, one of the first celebrities I ever crushed on -- before I even understood what crushes were -- had died of cancer I couldn't even write about it. I needed time to process...

Click to read more ...

Friday
Sep052014

Robert Wise Centenary: The Curse of the Cat People (1944)

It's Tim. September marks the centennial of famed director Robert Wise, winner of Oscars for the musicals West Side Story and The Sound of Music among several other classic films, and the members of Team Experience are going to spend the next several days revisiting work from the entire range of his career. And what better place to start than at the very beginning: 1944's The Curse of the Cat People, which was Wise's directorial debut, taking over from Gunther V. Fritsch, when the project fell behind schedule. It's part of the legendary run of movies produced by Val Lewton's horror-oriented B-unit at RKO, a studio where Wise had already logged time as an editor (cutting both Citizen Kane and The Magnificent Ambersons, no less). But it's not, itself, a horror movie, despite being the sequel to Cat People, one of the canonically great horror films in history. And despite Wise having a terrific hand for horror, as he'd first prove with his third feature, the Lewton-produced The Body Snatcher.

The Curse of the Cat People is, rather, a sort of psychologically realist fairy tale, taking its title (which RKO forced upon Lewton, though giving him the freedom to make any plot he wanted to under that name) to the most symbolic, abstract extreme possible. It involves Oliver Reed (Kent Smith) and his wife Alice (Jane Randolph), the heroes of the earlier film, moved to the New York suburbs with their six-year-old daughter Amy (Ann Carter), who's having a problem separating fantasy from reality lately. And the audience is forced into having much the same problem, when Amy wishes for a friend and gets one in the form of Irena (Simone Simon), whom devotees of Cat People might recall was Oliver's first wife. The one who transformed into a panther when she got sexually aroused, and is dead now.

Click to read more ...

Tuesday
Apr292014

Tribeca: The Best Film I Saw Was "Bad Hair" (and Other Oscar-Related Thoughts)

I hope this is Venezuela's Oscar entry!

This article is an expansion of a brief piece originally published in Nathaniel's column at Towleroad

The best of the LGBT lot at Tribeca this year was surely Love is Strange, which I reviewed at Sundance. I didn't see all the gay titles but that's a safe assumption since Ira Sach's drama about newly married seniors (John Lithgow & Alfred Molina) who lose their longtime apartment is already feeling like a future classic. But though the other titles I took in were lacking, Mariana Rondón's spanish-language Bad Hair is a worthy runner-up to Love is Strange's crown.

The film opens next month in Venezuela and it would be a worthy Oscar submission from that country which has yet to secure a Best Foreign Language Film nomination. A submission is certainly possible as Rondón was submitted once before for Postcards from Leningrad in 2007 and most countries tend to favor directors they've previously embraced with submissions. [More...]

Click to read more ...

Thursday
Jul142011

My Magnificent 'Aliens' Obsession

Kurt here.

Some boys of a certain persuasion – which is to say young gay cinephiles – may have found themselves a kindred, tuneful spirit in Fanny Brice, or fed their fabulous longings with [insert stereotypical icon here]. More power to 'em. For me, though, it was always about Ellen Ripley, Lt. First Class. For my boundless Ripley love, I have to at least partially thank a cocktail of deep-seeded denial and flamboyance rejection, as I was much more prepared to accept an angry woman with a gun as my savior than a ballad-belting showboat. I didn't want Schwarzenegger, but I wasn't ready for Cher. And I certainly have no regrets.

Since I wasn't donning feather boas, I'm sure my parents didn't think much of it when I began strapping toy rifles together with all manner of black plastic tubes and electrical tape, so as to recreate that shell-firing, flame-throwing, grenade-launching monstrosity that Ripley uses to resurface the industrial spaces on LV-426 (if memory serves, a black snorkel was even used as an extra gun barrel). I doubt I tripped their gaydar when I put two four-legged ottomans flush against the living room chair, then proceeded to crawl on the floor, weapon in hand, through my improvised air shaft.

 

Was I in drag? No. But make no mistake – I was diva-channeling.

 

 

Aliens, far and away my favorite action movie of all time, was also a liberating gay outlet long before I knew I was gay. That inherent gay need to fall headfirst in love with glorious females of outsized character was more than fulfilled by this watershed movie of womanly badassness. And my obsession with it spread well beyond playacting with plastic rifles. I regularly whipped up drawings of Ripley and those H.R. Giger beasties (I dug up some of them for this post).

 

I was close with these twin brothers at one point, and our friendship was pretty much based on our mutual Aliens enthusiasm – that, and the fact that they had all the action figures, even the yellow power-loader thingie. The twins' backyard was home to many an Aliens reenactment, with each of us alternating the role of James Cameron (“Okay – you be Hudson, and you be Vasquez!”). The guys never knew I was actually getting my Barbie on.

 

Her highnessMy mother was pregnant with my sister when she went to see Alien with my dad in 1979 (needless to say, she henceforth had a nightmare-filled pregnancy). This story has never made much sense to me, as I'm certainly the one who seems to have been psychically willed into Alien Saga obsession from the womb, not my sister. My sister doesn't even like SigWeavie. “She's ugly,” she says. (Oh yes, she did.)

 

Of the many gifts I've received from this franchise, the most cherished is a lifelong interest in Sigourney (who is not ugly, Heather). You'll see in the doodles that I was particularly fond of her jawline, which, by my hand, is ridiculously pronounced. I like to pretend that this masculine feature had a hand in getting Siggy the job in the first place, and I don't even know where to begin in addressing the sexual themes I suddenly realize it might represent for me. That's a lot of implications for one little post...

 

All this, and I haven't said a lick about Aliens's greatness as a film. I have no idea how many times I've seen it, and it's a long movie to have watched so repeatedly. I can honestly say there's not a single part that bores me, not even the mess hall conversations or the Ripley-can't-sleep prelude. This is a film that gets up, gets going and keeps going. It is notable for so much more than its titular nemeses, yet I can't pick a better creature feature (for Best Shot, which I sadly didn't participate in, I choose the pan that reveals the enormity of the alien queen, in her lair, on her throne – it's absolutely jaw-dropping). I think the best way I've ever heard Aliens described is that it has a beating heart – a racing pulse that's palpable. I'd say that it's certainly close to my heart, but that might sound kinda gay.