Review: Come on, "Barbie," let's go party!

by Cláudio Alves

What does it mean to sell out? Some would decry Greta Gerwig's move from mid-budget indies to big studio fare as a modern example. This line of thought posits the director's fourth film, Barbie, as capitulation to the tyranny of big bucks, no more than a glorified toy commercial for "vacuous, hypersexualized dolls." But when you're actually watching Gerwig's movie, it's difficult to take the pink oddity as proof evident of any sacrifice of vision or integrity for the sake of profit. Barbie's too ambitious a creation - in terms of text, tone, performance, audiovisual stylings galore - to support such dismissive readings.

From beginning to end, the summer's biggest comedy bursts at the seams with ideas, saturated with the clear intent of a creative mind given free rein. It glows with the kind of resources seldomly bestowed upon women directors. That doesn't mean the picture's perfect, exempt from criticism, or its enthusiasm is without drawbacks. But, even if Gerwig can't quite have her cake and eat it too, she manages to share a personal, goofy, deeply idiosyncratic proto-existentialist dream with her audience. Better yet, she does it with the attitude of a kid, their favorite toy in hand, eyes widening at the playtime possibilities before them…

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Emmy Spotlight: "The Other Two" and the tradition of the 'lone writing nomination'

by Christopher James

The most joyfully surprising Emmy nomination of the year was a writing nod for The Other Two. This is the first (and unfortunately last) Emmy nomination for the uproarious satire. It was recently canceled amid workplace complaints towards creators Chris Kelly and Sarah Schneider. As Team Experience team noted, The Other Two is one of the more underrated shows in the past few years. It started at Comedy Central before moving to Max, nee HBO, for seasons two and three.

A lone writing nomination at the Emmys for an underappreciated show is actually somethign of a tradition. Why is this one special and what other fan-favorite shows managed a similar feat? Read on...

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First & Last 023

Can you guess the movie from its first and last shot?

The answer is after the jump...

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Emmy Predictions: Comedy Categories

By Abe Friedtanzer

Anthony Carrigan and Michael Irby in Barry

Whereas the drama series race can only bring back three of last year’s nominees, six of the comedy honorees are eligible again this year (Hacks and Curb Your Enthusiasm are the two that aren’t). It’s also the final season of heavyweights like The Marvelous Mrs. Maisel, Barry, and Ted Lasso  along with two other past nominees, Atlanta and Dead to Me. There’s a slate of new shows in contention, like The Bear, Wednesday, Shrinking, and Poker Face, and it’s important not to forget the show that’s on the rise and likely to be the one to beat this year: Abbott Elementary.

The true challenge of predicting these races is the number of nominees in each based on the number of submissions on the ballot, especially in comparison to the drama categories. Both supporting races only have seven nominees, not eight. Lead actor and actress have five, not six. And the directing and writing categories each have six, but one of the directing nominees has to be a multi-camera show (which has resulted in surprising nominees like B Positive and especially The Ms. Pat Show, which is eligible again this year). There are going to be many deserving shows and performers snubbed as a result, and it’s almost impossible to choose what will get left off and what will make the cut. But let’s try…

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TV Musicals: Schmigadoon (Apple TV+) & Grease: Rise of the Pink Ladies (Paramount+)

By Christopher James

TV is embracing the musical. Just this week, two new musical series premiered on different streaming services - season two of Schmigadoon (now tackling 60s/70s darker musicals) on Apple TV+ and Grease: The Rise of the Pink Ladies on Paramount+. Both series use previous musical IP as a launching pad for new stories, one a parody and one an “origin story.” While the level of success varies between the shows (hell, sometimes it varies episode-to-episode), it is wonderful to see new musicals with original songs streaming on our TVs in the same week...

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