Advertisement
Oscar History
Welcome

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

Powered by Squarespace
What'cha Looking For?
Don't Miss This!
Comment Fun

Comment(s) Du Jour
Big Little Lies

"I am blown away by this miniseries." -Michael R

"Laura Dern's Renata is crazy but she reminds me of several professional women that I know in the San Francisco Bay Area." -Jono

"Loved the jarring editing this week, and the reveal of what Perry did with the toys..." - DJDeeDay

Interviews

Melissa Leo (The Most Hated Woman in America)
Ritesh Batra (The Sense of an Ending)
Asghar Farhadi (Salesman)

Keep TFE Strong

We're looking for 500 Patron Saints!

IF YOU READ THE SITE DAILY, PLEASE BE ONE BY DONATING. 
Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

Subscribe

Entries in Costume Design (213)

Tuesday
Feb162016

TV MVP of the Week: Younger, The Magicians, Grandfathered... 

I keep trying to get Team Experience to tell you what they're watching but they're weirdly shy about the small screen. But with the lines continually more blurred between screens we're trying to give television more room here. Nevertheless most of us do watch TV when we can squeeze it in between movies. 

Here's a few of our favorite things from the past week's viewing...

Patricia Field & Jacqueline Demetrio, Costume Design of Younger
Not since the glory days of Sex and the City has a show relied so beautifully on costumes (OK maybe Gossip Girl is up there, too) but in Younger they serve a purpose beyond aesthetics. Take for example the warrior-like costumes Miriam Shor's character wears, glittery armors, oversized jewelry and in one case a McQueen scarf that seemed to have the skulls of all her victims. That the very scarf was used by another character to reveal her weaknesses was pure brilliance.
-Jose Solis 

Gillian Anderson in The X-Files
We may quibble with the overall quality of this protracted sequel season of The X-Files but we should never complain about having more Gillian Anderson in our lives. [More...]

Click to read more ...

Friday
Feb122016

Interview: Sandy Powell on Color, Character, Carol, Cinderella, and Cate

Sandy Powell on the set of CinderellaSome people rush to movies if their favorite movie star's face is prominent on the poster. Others swear allegiance to directors. Obsessive cinephiles go for all sorts of reasons. One of ours at The Film Experience is Sandy Powell. If she's the costume designer, we're there, no questions asked. We sat through The Tempest (2010) just for her and trust me that that's devotion.

Meeting her in person earlier this season to talk Carol and Cinderella, which brought her her 11th and 12th Oscar nominations and could well bring her a 4th Oscar, was a personal joy. I had talked to her once before by phone but in person we were able to look at costume stills together and had a great conversation. This cinematic MVP was a fun, lively, and personable interviewee. I hope you enjoy the interview as much as I did. 

NATHANIEL R:  I intervewed you once a long time ago and I was really taken aback by something you said. You implied that you were surprised and amused by analytical readings of your work.

SANDY POWELL: I was talking about that today with Judy Becker and she said thing "I've learned so much about my work today!". People read things into it that you weren't consciously thinking about. But they're not bad things! You start thinking "maybe subliminally..." You start taking credit for it! 

A lot of the time you work so fast that you make snap decisions and you don't know what it's based on. I do work instinctively and intuitively. I don't sit and analyze. I don't think about the significance and "What shall I consciously put on her or him or her to convey that?"  I do what feels right. And quite often just by doing that you've got it right, you actually have given something so symbolism.

NATHANIEL R: Do you start thinking of full outfits while you're reading a script?

her answer and much more after the jump...

Click to read more ...

Sunday
Jan312016

Thoughts I Had... while staring at this photo from the set of "xXx: The Return of Xander Cage"

Thoughts I had in the order they came to me after the jump...


Click to read more ...

Friday
Jan292016

Beauty Break: Costume Design (Personal Ballot & Oscar Shortlist) 

We're about to wrap up the "traditional" portion of the Film Bitch Awards which are essentially Nathaniel's Oscar ballot were he to have one in every category. (There will be more awards each day until we're finished -- before the Oscars, mind you! -- but they're the fun "extras")

Oscar's costume branch and I were fairly sympatico on our shortlists this year differing by only two pictures. Yet citing only 7 pictures (all featured after the jump) feels stingy. Costume heavy period pictures like Macbeth, Crimson Peak, The Assassin and Brooklyn definitely had their moments. Two contemporary pictures worth noting for their clever work were Youth and Chi-Raq. And then there are the pictures that have one costume so special it's what you always think of later on when you're picturing the movie: that lime green slit-to-there dress in M:I - Rogue Nation, the perfect action hero simplicity of Chris Pratt's functional but very tight outfits in Jurassic World, the barely visible sight of Jennifer Jason Leigh under huge furry everything in The Hateful Eight, that stylish pilot jacket in Star Wars: The Force Awakens that traded hands and so on...

In short, if you don't love costumes -- get outta here! Let's celebrate the five Oscar nominees plus two Nathaniel nominated in his own awards after the jump. Crazy gorgeous photos ahead...

OSCAR'S COSTUME DESIGN NOMINEES

Click to read more ...

Thursday
Jan072016

Costume Designer's Guild Nods: Sandy Powell x 2. And More... 

It's Guild Week. The week when many artists get their hopes up for nominations since the guilds have so many categories for their particular craft unlike Oscar's mere 5 for the altogether. But since we love costumes, the more the merrier. Congratulations to the nominees who we'll discuss after the jump...

Click to read more ...

Thursday
Jan072016

The Revenant's Costume Designer Jacqueline West on Terrence Malick, Ben Affleck, and... Anaïs Nin? 

Jacqueline West at the premiere of The Revenant.© Frazer Harrison for Getty ImagesClothing was always in her blood though Costume Design came later. Two time Oscar nominee Jacqueline West (Quills, The Curious Case of Benjamin Button), the daughter of an avante garde designer, originally pursued fashion. After building a successful clothing line of her own her career made a sudden fate-filled turn in the late 80s via a favor for a personal friend, the director Philip Kaufman.

Her filmography in the subsequent 25 years has been a grab bag of film genres --  her latest The Revenant (2015) is a 180 from Henry & June (1990) you must agree -- but the consistent throughline is that she's in demand with the auteur set. She's worked repeatedly with Terrence Malick, David Fincher, Philip Kaufman, and Ben Affleck. The Revenant marks her first, though one assumes not last, collaboration with Alejandro González Iñárritu. To get in the right mindset, she drew on her personal history -- she was intimately familiar with the Hugh Glass story before Inarittu and Leo were all about making it for the screen-- and eventually read a ton of journals by fur trappers, including the invaluable "40 Years as a Fur Trader on the Upper Missouri.

Our conversation starts with The Revenant but you know yours truly won't let this talented woman go without talking Henry & June and other more glamourous gigs...

NATHANIEL R: You've designed many gorgeous movie costumes over the years but for The Revenant your challenge is so different. I imagine a lot of your job this time was making the clothes look disgusting!

JACQUELINE WEST: [Laughter]

NATHANIEL: They're overworn. They're muddy. They're bloody. [More...]

Click to read more ...

Wednesday
Jan062016

Odile Dicks-Mireaux on Enhancing Saoirse's Journey in "Brooklyn" / Reuniting with Rachel Weisz for "Denial" 

Odile Dicks-Mireaux. Image via Female FirstThe thing about Brooklyn is that everyone can relate to it. Stories of immigration touch almost everyone, or at least run through their family's DNA. Even the move from one state with a personality quite unlike your original home, can feel like a reinvention.  Nearly a year after seeing Brooklyn for the first time it's strange to think that I worried that people wouldn't connect to it! Who needs sensationalistic drama when a story is this really. When it's power can sneak up on you? 

I had the pleasure of discussing this universal resonance, and the job of defining Eilis (Saoirse Ronan) through her costume changes with the designer Odile Dicks-Mireaux, who herself related to the story. Her mother was French and her father British and they met, both immigrants, in Brooklyn in the 1940s, and built a life in a foreign country together. Odile is London based and was best known, prior to know, with her frequently BAFTA nominated work on British television miniseries like Gormenghast and Great Expectations though she's also designed Oscar nominated dramas like The Constant Gardener and An Education

Here's our interview. 

NATHANIEL R: I first saw Brooklyn at Sundance and I loved it but I remember feeling that I had no idea how people would react to it when it was released.  Which in retrospect was kind of foolish of me.

 ODILE DICKS-MIREAUX: You never know when you're making a movie how it's going to turn out and whether it will hit a nerve. Would it be too much of a simple story or too old fashioned? So it's been a real pleasure that it's resonated. [More...]

Click to read more ...

Page 1 ... 4 5 6 7 8 ... 31 Next 7 Entries »