Maleficent is Coming

Production began on Maleficent (2014) today. A movie we're both totally in for and dreading for very different reasons simultaneously. Of course pre-production has long been afoot as this new photo of the incomparable Angelina Jolie as Disney's best villainess attests. Oscar nominated costume designer Anna B Sheppard (Schindler's List) has been hard at work (obviously) along with the makeup department in replicating the dangerously sharp cheekboned, horned devil look.

Angelina "Maleficent" Joliedglksg

The film will star Angelina as Maleficent and Fanning the Younger as Sleeping Beauty along with Sharlto Copley (District 9), Sam Riley (Control), some Mike Leigh regulars and Juno Temple. Most intriguing is the slightly unexpected production team which boasts Sheppard (best known for WW II era prestige dramas rather than fantasies) Dean Semler on cinematography (better known for westerns like Young Guns and Dances with Wolves than fantasies). Screenwriter Linda Woolverton who helped pen two Disney classics The Lion King and Beauty & The Beast has the script duties though we might have to worry about yet another "backstory" retelling. Doesn't anyone love the inherent mystery of iconic characters anymore? I know I do.

poll by twiigs.com

Mad Men @ The Movies Knocks Out the Cobwebs

Only the most surface reading of Mad Men would suggest that it's The Don Draper Show. His (forged) identity is, like most identities at some point or another, a prison. But it's also a prism and if there's a single best thing about the show it's the way in which he is reflected in his protege Peggy Olson (Elisabeth Moss) and, to varying lesser extent, in the vibrant supporting cast. So it felt like a total gift when Mad Men's writing team chose to set their final scene (season?) together in a movie theater. Just for us, surely!

Don has had a rough week and heads there for solace only to find Peggy, who has recently flown his Sterling Cooper Draper Pryce coop already there. Don suggests it's far too early in her new job to be ducking out from work. To which she responds.

Just knocking out the cobwebs. Someone told me this works."

Movies to recharge, comfort, and shake out the writer's block? No wonder we can't get enough of this show.

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Review: "Snow White and the Huntsman"

This article was originally published in my movie column at Towleroad

"Fairy tale revisionism" has been rapidly climbing the Hollywood idea chart. In the past few years we've seen Alice in Wonderland, Rapunzel in Tangled, Red Riding Hood, and Snow White in Mirror Mirror (reviewed here).  There are several more on the way including Angelina Jolie as Maleficent terrorizing Sleeping Beauty Elle Fanning. This weekend Snow White returned to theaters for the second time in three months. Her timing is apt since the apple-munching princess is celebrating her 75th big screen anniversary (Snow White and the Seven Dwarfs premiered in 1937). Why so many fairy tales? Modern Hollywood thrives on branding so the more familiar the movie before it arrives the better. And what's more familiar than fairy tales?

Tale as old as time. 
True as it can be…  ♫

Oops wrong fairy tale. Regret to inform that Snow White and the Huntsman does not have a theme song sung by Angela Lansbury but let's borrow that song anyway as framing device. Snow White and the Hunstman does have a theme song but it's a less catchy dirge-like ballad. One of the seven dwarves coughs it out at a funeral until Florence and the Machine take over on the soundtrack as the heroes rise up against evil Queen Ravenna (Charlize Theron) in montage. 

But we're getting ahead of ourselves. If you can suspend your disbelief that Kristen Stewart is "the fairest of all them all" in a beauty contest with Charlize Theron, read on...

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Twins: "You and I... we're exactly the same"

Since we're celebrating twins until the stars move on from Gemini, I wanted to give a shout out to the figurative kind as well.

Due to sad circumstances offline I'm way behind on "Hit Me With Your Best Shot"  though I did watch Joan Crawford in Possessed recently to catch up. Crawford's camp icon status got me to thinking about the best camp masterpiece in the past 25 years, one that we already covered in the first season of the best shot series. (Showgirls is hard-wired into my neural pathways so it's very easy to access). The legendary so-bad-it's-good movie pits "Goddess" superstar Cristal Connors (Oscar-worthy Gina Gershon... and I'm 100% sincere) against naive crazyperson Nomi Malone (Razzie winner Elizabeth Berkley). Cristal insists repeatedly that they're one and the same, virtually identical. Nomi vehemently disagrees but the movie itself is in Cristal's headspace through and through.

The best shot from the movie? Cristal, Nomi, and Nipples after the jump...

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Divalinkious

Clothes on Film on every costume worn by Doris Day in Pillow Talk. Love it.
Felix in Hollywood Louise Brooks is looking at you.
Film Doctor on Dark Shadows. (Eek. I pforgot the promised pfeiffer pfriday posting). He says my pfavorite thing anybody has said about Michelle Pfeiffer recently:

America does not appreciate her enough... she deserves to be treated at least as well as France treats Catherine Deneuve

I've always felt the Deneuve/Pfeiffer comparison was apt. But the auteurs aren't biting or Pfeiffer isn't baiting. Deneuve, on the other hand who is 15 years her senior, is still making vital films for important directors. 

A New York Night *CONTEST* Sarah Jessica Parker is inviting you to her place if you win the contest to attend her Obama fundraiser. Yes, I entered. We need a sensible President and, more importantly, I need to be inside SJP's home!
Towleroad the Magic Mike pr blitz has begun. 
Time countsdown the 10 greatest movies made since the year 2000. Kind of an odd list -- very Oscar bestpicturey -- but lists are like pizza. Usually worth devouring even when far from satisfying. I'm in love with number•1

ways in which the upcoming Tonys are just like the Oscars
Gold Derby on the "precursors" the Drama Leagues. It may lock up the expected Tony wins.
Everything I Know... hates Ghost the Musical -- based on the hit movie Ghost (1990)-- and would like to remind Tony voters about about one of our Oscary pet peeves:

 I would like to remind the Tony voters that "best" design doesn't necessarily mean "most expensive" or "most complicated." Ideally, it would mean "design that works with the dramatic intent of the piece, enhancing the inherent effectiveness of the work, rather than hiding the fact that there essentially is no effectiveness." 

Amen. I haven't seen this musical but this is a standard awards group problem.

Oh what the hell. 2 more links to go.
My New Plaid Pants [nsfw] is always reminding me of hot things I've forgotten, like Game of Thrones' Nikolaj Coster Waldau doing Clive Owen in Bent (1997)
Rope of Silicon Ewww. what the hell with Matthew Fox's new body for Alex Cross. He plays a serial killer. (If you believe the movies, serial killer is practically as common a profession as waitressing!)