Erotic Thrillers: Part 1 – The Dawn of the Eighties

by Cláudio Alves

Mainstream cinema feels more sexless than ever. Even at the height of the Hays Code's second coming, sex had a place of pride in Hollywood, often sublimated into insinuation to avoid censorship. There's art to horniness, to making the camera a conduit of erotic reverie or a purveyor of desire, want itself synthesized as form. Sexual films can also be rich texts, telling us much about the times when they were made, the culture that created them, and the audiences that either embraced or repudiated the movie. Whether prurient or intellectual, there are many ways to engage with erotic cinema, especially when carnal craving collides with violence, and annihilation that goes beyond the ecstasy of an orgasm.

Erotic Thrillers is the theme of one of the Criterion Channel's latest collections, released right in time for the You Must Remember This podcast's new season - "Erotic 90s". After tackling the 80s last year, Karina Longworth is heading into a new decade, and we're going along for the ride. For the next few weeks, we'll explore all films in the Criterion program, taking a journey from 1980 to 1996. Let's begin the adventure with a Hitchcockian riff full of fucked-up notions of gender, a postmodern neo-noir, and an unlikely message picture… 

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you wouldn't be able to do these awful things to me if i weren't still in this Blog | But cha'aar, Link, ya'aar!

Boy Culture counts down 100 best Golden Girls guest spots - movie stars of yore!
The Daily Beast has an excellent piece on Tammy and Melissa McCarthy's career and body (also body of work) by Teo Bugbee
New Yorker thorough piece on the arguments for and against VOD for indies and the question of "cultural endurance" (I'm against VOD in general but I recognize that's probably because I live in NYC where I can actually see the movies and I think moviegoing is so much more immersive than watching things at home)

Me Says considers Notes on a Scandal (2006) the Whatever Happened to Baby Jane of our time 
Bad-Ass Digest on Exodus: Gods and Kings' 'white men with bronzer' cast. Will it finally crystallize the white-wash problem for people who still don't get it? 
Nathaniel R and have you seen that tacky black&white-in-color poster?
EW Dick Jones the voice of Pinocchio dies at 87 
Radar apparently Ryan Gosling and Eva Mendes are 7 months pregnant... I thought they broke up? I can't keep up with celebrity lovelives 
Cosmopolitan has a cool piece on top stuntwomen... stunts are on my mind alot given that it's blockbuster season and this piece a month back...
TFE an interview with Hollywood's top stuntman Bobby Holland Hanton
Movie Dearest interviews the screenwriter of the 80s shocker Crimes of Passion starring Kathleen Turner  

Finally, what do you make of this plea for a collaborative performance Oscar?

Outstanding Collaborative Performance: Andy Serkis and company from Press Play Video Blog on Vimeo.

On the one hand I absolutely agree that Andy Serkis needs an Oscar and I've been saying so since 2002. But, like Mark Harris, I don't think it needs to be a competitive one. Creating Oscar categories or changing Oscar rules due to one or two special things (like say a Batman movie directed by Chris Nolan or a really great year for animation) usually results in far more problems and undeserving honors than it's worth. I say bring back the special Oscar for cinematic achievements that don't have competitive categories. When I was a kid that was a semi-regular event and it was nearly always cool.