Links: Captain Chris Evans, Fan Bingbing, and Queer-free Freddy

• THR A yummy Chris Evans cover story on Trump resistance, Captain America as the key figure that allowed the MCU to flourish, and his superhero-free future. He really wants to do a musical!
• Oh So Geeky fetishisizes the good captain with millions of gifs in this piece about his arc within the MCU and Avengers Infinity War in particular. So much Chris Evans this week!
• The Guardian For its Chinese release Bohemian Rhapsody has lost three full minutes (including all queer references, any mention of AIDS, and what sounds like the loss of one entire character - Mercury's boyfriend). The movie has made almost a billion worldwide. Maybe have some respect for Mercury's legacy, Warner Bros, and just not release it in China?

More after the jump including animation lawsuits, what's next for Alex Wolff, the end of Game of Thrones, and a must-read Fan Bingbing article...

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"Once Upon a Time in Hollywood" Teases

by Nathaniel R

After two absolutely hideous photoshopped posters (we can't even post them they're so ugly) we were beginning to worry about Quentin Tarantino's Manson-era Hollywood tale starring Leonardo DiCaprio and Brad Pitt (as a famous actor and his stunt double) and Margot Robbie as Roman Polanski's late wife Sharon Tate. But the teaser has restored hope...

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Interview: Rachel Weisz on "The Favourite" and why she hasn't peaked yet.

by Nathaniel R

Rachel with her BAFTAWhen we sat down with Rachel Weisz to discuss The Favourite, she was as intimidating as the Lady Sarah Marlborough. Not, we think, on purpose. Sometimes an actor so slays a role that, if you've never met them before and have a tendency to live for the movies, it's like looking straight into the character's eyes. Weisz, cool and measured, impeccably dressed, offered tea. Remembering Lady Sarah's own downfall, I chose water.

We'd both seen The Favourite just once at the time but were eager for round two. "I'm so glad you liked it," she cooed, if somewhat cooly. All business, and why not, ready for questions but not any question. Taking the hint I steered clear of the past though I couldn't resist a brief question about one early role (The Shape of Things), since it had been a rare chance and my first to ever see an actor do a role on stage and then watch them repeat it on film. She found it, "a bit hard, that particular one" citing the need for freshness and spontanity in filmmaking and "...we'd said the words so many times before."  But we were there to discuss The Favourite, and spontaneity and freshness are in no short supply in that electric movie. She even shared how they managed to get them.

She hadn't yet been nominated when we spoke but the honors would soon, quite obviously, pile up including a BAFTA win for Best Supporting Actress and the Oscar nomination. Our interview, edited for length, follows:

NATHANIEL R: You've had such a strong handful of years now: The Deep Blue Sea, The Lobster, Disobedience, The Favourite. But you won an Oscar 14 years back or so and I wonder if at that point, before these recent peaks, you thought 'well, what now?' 

RACHEL WEISZ: I mean, it’s a thing [The Oscar] that you never think will happen to you. I don’t really feel like I can rest on my laurels and it’s all over now. I just don’t feel like that. There’s so much to explore. Hopefully I get better at my job. I think the more work you do… well, for me, the more I've done, the more I’ve figured out what kind of work I want to do...

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The Ten Best Dance Sequences of 2018

Each day a new year in review list. Here's Dancin' Dan

If there was a common theme among the films of 2018 when it came to dance, it's the idea of losing yourself to the dance, of dancing as a trance-like state where either the viewer, the dancer, or both can shut everything else out and focus on this one thing. I think that's something we all could have definitely used in 2018, but it certainly wasn't all happiness and fun that was offered up for us to get lost in.

Before the countdown begins, though, a shout-out to three honorable mentions: Marina's disco fantasy in A Fantastic Woman (which was kind of last year but also kind of this year which makes listmaking INFURIATING), the climactic lighthouse sequence of Annihilation (which isn't technically a dance, but sure as hell feels like one), and this rightly cut but nonetheless adorable scene from A Simple Favor (Henry Golding has never been so adorable).

And now, let's get down and dirty...

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Let's dance

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