Cosmopolis, or: The Absence of Feeling

Hello Readers!

Beau here, detailing my experiences with David Cronenberg's polarizing new feature, Cosmopolis. 

Let's jump right in.

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Tuesday Top Ten - Motion (Picture) Sickness

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JA from MNPP here. First off, my apologies to those of you with weaker constitutions. This might not be your sort of Top Ten list today. With that out of the way, want to know why I still won't eat cherries to this very day? Since it's "The Witches of Eastwick week"I think y'all can probably put two and two together. Take a giant silver bowl of them, stir in a trio of witchy women under the influence of one Big Bad, and shake thoroughly - out spills what might be the always game Veronica Cartwright's most memorable cinematic moment. (And this is a woman who has been terrorized by Hitchock's birds and phallically attacked by HR Giger's Alien, so she knows from memorable scenes.)

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You'd be excused for expecting it to be the walls and furniture to be what tumbles out of her mouth since she spends the first half of the scene devouring the scenery in a tour de force of bravura overacting, but the devil's in the details - that red-stained torrent of cherry pits is something you just don't forget, even 25 years later. (Watch the whole scene here.)

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So in it's honor, a list!

Here are 9 more cinematic spews... from Bridesmaids through The Exorcist

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Linkopolis

Movie|Line Noomi Rapace and Rachel McAdams take over for Kristin Scott Thomas and Ludivine Sagnier in the insta-remake of Love Crimes (read my Ludivine interview) now dubbed Passion 
Self Styled Siren and friends are hosting another For the Love of Film blog-a-thon (May 13th-18th) to raise money for a recently discovered fragment of White Shadow which was assistant directed by Alfred Hitchcock. I shall try to write a Hitchcock piece to join in.
NPR worries that James Cameron will be stuck on Pandora forevermore with Avatar sequels. I wouldn't worry. It takes him so long to make a movie, we'll be lucky if we get even two more narrative movies -- of any kind -- out of him.  

Animation Magazine Guillermo Del Toro will be co-directing a new Pinocchio movie and presumably be given all the credit for it (sigh). His soon to be unsung partner will be the Fantastic Mr Fox whiz Mark Gustafson so this should look lovely.
Stale Popcorn is working on a 1994 retrospective and has already covered Reality Bites, Blink, and Nell... all movies I loved back in the day. 
Hollywood and Fine has had its fill of Zooey Deschanel. Is she overexposed and overquirked now? 
Pajiba proof that every rabbit in the history of cinema has been evil.  Yes, even the boiled one in Fatal Attraction.
John August first person account of a year on the writing staff of Ringer. Interesting behind the scenes glimpse 

Avengers Mania
The Atlantic terrific piece on Scarlett Johansson's Black Widow in The Avengers and the challenge of being a woman in male entertainments
THR The Avengers sequel confirmed (duh) so it's 3 solo sequels over the next two years (Iron Man, Thor, Cappy) followed by another group effort. Why not a Black Widow / Hawkeye movie just to keep things just a tad fresher? I know there are people clamoring for a third Hulk movie since he stole the show but there's a reason he stole it. It's called "leave them wanting more"... something Hollywood is not good with once something's successful.  
Vulture times the six heroes to see who has the most screen time. They seem surprised by Black Widow's showing but I wasn't at all. It's Joss Whedon and he always makes room for strong women.

Cannes is Coming
In Contention Cannes Check Jeff Nichols' Mud (and the McConaughey Renaissance continues)
Little White Lies has predictions from four of their contributors. Good read. So much to think about. 
The Playlist amazing photoshoot of Robert Pattinson styled after older Cronenberg movies like Dead Ringers and Videodrome. 

Cronenberg. Cosmopolis. Can't Wait.

Since I neglected to share the Cosmopolis teaser when it first hit the net and we'll wait for the full trailer for our Yes No Maybe So treatment (obviously I'm an orgasmic yes... Cronenberg. Duh) so I thought I'd share my 9 favorite images from the teaser in sort of chronological order...though I lost track of them as they exploded orgasmically over my terrified/turned on eyeballs.

If anyone can make a Don DeLillo novel which takes place solely in the back of a car cinematic, isn't it David Cronenberg?

Robert Pattinson is painfully attractive ... which is painful to admit. Damn you, RPattz!

7 more increasingly freaky shots after the jump...

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Curio: David Cronenberg in 1988

Alexa here.  While I anxiously await getting out to see A Dangerous Method, I've been busying myself reading all the reviews, interviews (including Nathaniel's) and accompanying discussion of how un-Cronenbergian the film is.  Well, he's been accused of that before, hasn't he?  The first time I recall it happening was with one of my personal Cronenberg favorites, Dead Ringers, which, at the time, seemed to break from his previous, more pure genre films. Then, after reading in a recent interview that he attempted adapting Dead Ringers for television (yes, please!), I decided to dig up this old issue of American Film I've held onto, mostly for the Cronenberg interview it contains.  Here are some excerpts from the piece, written by Owen Gleiberman, which is an interesting read today, given the trajectory Cronenberg's career has taken since.

[As for the upcoming Dead Ringers], "I think it's a departure in the way it's perceived and the way I'm perceived. It's like doing a more intricate dance on the high wire but it doesn't feel like so much of a departure to me creatively, because I feel I'm dealing with the same themes I've always dealt with," Cronenberg says.

In a sense, what Cronenberg has done is bring the genre of bodily horror into the post-Freudian age. His most prominent innovation (it's linked to the gooey verisimilitude of his special effects) is making the sexual and fear-of-disease subtexts of studio horror films explicit, self-conscious, stripped of the reassuring distance of fantasy...If just about every Cronenberg film has hinged on the proverbial split between mind and body, with the body taking on a hideous life of its own, in Dead Ringers a human personality is itself divided into warring parts. "This is not a horror film. This is a relatively straight drama. I don't have a lot of trickery to hide behind."

Despite their fixation on disease, Cronenberg's films have dealt explicitly with sexuality as far back as They Came From Within. "It was very important that my twins are gynecologists. Somehow, it was the idea of two men forming a perfect unit that excluded everybody else. The twins share not only one woman in particular sexually, but they share their understanding of women and their study of women...I identify with all my scientists and my doctors, because I think what they are and what they do is very similar to what I do. And then I've always been very fascinated with how abstract elements, whether it's spirituality or sexuality, relate to physical elements of our life, which is to say, genitalia and brains and things like that."

"I think [Dead Ringers] really relates to all intense relationships in which things happen that have the potential to become liberating on one level but suffocating on the other level. And I think at that point you're talking about marriage, you're talking about parents and children. The twins become a metaphor for all those things."

[Editors' Note: In a moment of totally unexpected synchronicity, Nick's Flick Picks has also just written a piece on Dead Ringers (1988). Even if you haven't seen that Cronenberg masterpiece, you'll want to read it if you have any interest in the process of critics awards voting and the out-of-the-box choices various organizations make, only very occassionally, when it comes time to name the "Best". -Nathaniel]