Pt 1 - Sizing up Netflix's contenders in all 23 Oscar categories

by Juan Carlos Ojano

It is already November and the pandemic rages on.  With moviegoing risky or unavailable movielovers have turned to streamers for their film consumption. The Academy has even acknowledged this shift in how we consume films by allowing films to qualify for the Oscars even if they only went streaming.  While the past few years have seen the rise of streaming wars (Amazon Prime, Hulu, HBO Max, Apple TV+, and Disney+, etcetera), nobody has been able to match the sheer quantity of content that Netflix has been producing or acquiring. Netflix could well dominate this awards season. But by how much?

Important Caveat: Do note that Netflix has not announced the entirety of its slate through February 28, 2021, the final day of eligibility for this Oscars; pieces are still moving and more films will probably show up. With that, here are Netflix’s contenders in all 23 Oscar categories...

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Soundtracking: Diane Warren's 11 Nominations

by Chris Feil

This year, songwriting legend Diane Warren scored her 11th nomination. Readers, er, listeners will know her stamp on big ballads and pop music from as far ranging of legendary artists from Celine Dion to Cher to Mariah Carey. Ballading has mostly been the name of her game, and she's one of the greatest contributors to the past quarter century of pop music because of it.

Despite her legendary status, recent years have had some Oscar obsessives confusing her Oscar history for an entirely sour one. It's true that this year's Breakthrough nomination shows a music branch defaulting to her good name (without yet offering a win) all while sometimes overlooking more prominent work such as Burlesque or even A Star is Born's butt song. Yet what also remains true is that she is one of the great unawarded yet multinominated crafts artists among Oscar history. If music is essential to our relationship to movies, then she's written so many of our memories.

To celebrate Warren, here's a ranking of her 11 Original Song nominations...

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Soundtracking: The 2019 Original Song Nominees

by Chris Feil

Right on schedule, the "why do we still have Best Original Song?" responses have arrived. While this year doesn't rank high among the greats in terms of quality, I, your resident Best Original Song obsessive, would argue that this year's crop of nominees is far from the worst. The most expected (or at least predicted) nominee left off the list was The Lion King's "Spirit", though we can all rest on the certainty that Beyoncé will one day be a nominee here. And then there is many folks saddest omission, Wild Rose's "Glasgow (No Place Like Home)", sadly from a small film that couldn't ultimately battle against bigger names and titles.

Let's break down the nominees and their potential to win...

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New Oscar Trivia courtesy of the fresh Oscar nominations

Here are some fresh statistics to ponder given the new round of Oscar nominations. If you can think of more records broken or equalled let us know in the comments so we can add them. Refresh your screens for updates!

ALL TIME RECORDS...

• Thelma Schoonmaker, received her 8th nomination for editing The Irishman. That's an all time record but she has to share it since Michael Kahn (who, like Thelma, is three time winner in the category: Raiders of the Lost Ark, Schindler's List and Saving Private Ryan) has also received 8 nominations in his career, most recently with Lincoln (2012) when he broke their previous tie for "most nominated".
• Little Women (2019) is now the most nominated adaptation of Louisa May Alcott's book ever filmed...

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Soundtracking: The 2019 Oscar Original Song Bake-Off

by Chris Feil

One of the biggest headlines among the Monday release of Oscar's shortlists among nine categories was a popstar omission from the season's splashiest musical. Yes, it turns out Taylor Swift will have to wait to lift up to Oscar's Heaviside Layer as "Beautiful Ghosts" (the original track she cowrote with Andrew Lloyd Webber from Cats) was left off the list of songs that will advance towards hopeful nominations. But perhaps "Ghosts" is a strong reminder that these days doesn't clear the runway for popstars or new songs for preexisting musicals as easily as we might expect.

But among the lineup of hopefuls are films huge and small, expected names and a few genuine surprises - and it may be a more competitive field than originally expected. Let's run down the fifteen songs that did make the lineup and their chances at a nomination...

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