Doc Corner: Dancing About Architecture in 'The Proposal'

By Glenn Dunks

There is an architectural quality to Jill Magid’s debut feature. Appropriate since it is about architect Luis Barragán. Not that that has stopped bio-docs about artists before lacking an ounce of artistry, but Magid has transferred her talents over well to the cinematic artform; among all of the wonderful things that The Proposal has going for it, it’s one of the most beautiful documentaries of the year.

This is hardly surprising given cinematographer Jarred Alterman is one of the most exciting names in the field and whose work on Bisbee ’17 and Contemporary Color were among those films’ most valuable assets.

Barragán, who died in 1988, remains Mexico’s most celebrated and acclaimed architect and with this film it is not hard to see why. “The artist among architects”, he was called.

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Doc Corner: On the Ice with 'The Russian Five'

By Glenn Dunks

Ice hockey is not a sport I tend to pay any attention to. As an Australian, it’s barely on my radar outside of the movies. And even then, my mind only goes to the fab Canadian film Goon and Michael Ontkean’s jockstrap in Slapshot as worth the time (despite being of the generation, I was never much of a Mighty Ducks devotee). Still, I know a good story when I see one and like other documentaries about pro sports I could not give any less of a hoot about – titles like Senna and When We Were Kings, for instance – this new passionately-realized debut feature from director Joshua Riehl got me involved in its sport, its personalities and its man-made mythos.

And how! As a noted non-cryer at the movies, I can say I shed several tears by the end of The Russian Five and Its story of stubborn devotion, emotional anguish, and underdog triumph.

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Doc Corner: Global Politics with AOC, Herzog, and Gorbachev

By Glenn Dunks

Two new documentaries cover politics in very different ways. One pounds the pavement on the trail of a brewing political movement from a relative newcomer, while the other examines the legacy of a presidential icon as directed by a man with nearly 40 documentary credits (and dozens more dramas) to his name.

Knock Down the House and Meeting Gorbachev are a fascinating pair; the scrappy underdog and the classic image of government. Although they have almost nothing in common beyond the surface, they offset one another, their strengths highlighting the others’ weaknesses in a particular way. One stands above the other in quality and in the sly way that they interrogate the long shadow of history...

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Bentonville: Fearless stuntwomen, retiring post-masters, and troubled schoolgirls

Part 2 of 3

Playing in traffic... (Captain America: Winter Soldier) one of the daily jobs of Hollywood stuntwomen

Aside from the very first opening night activities at Bentonville, the first film I attended was a work-in-progress doc called Stuntwomen: The Untold Hollywood Story. The director April Wright is still working on the final cut so there's still time to get more focused (it was easy to imagine this as an even fuller miniseries as it's trying to covering a lot!) but whatever it'll be in its final form will be entertaining...

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Tribeca 2019: "The Projectionist" and "Circus of Books"

Here is Jason Adams reporting again from the Tribeca Film Festival.

Sex is disappearing. Look at the Ken-like plains of our Marvel Superhero pant-fronts -- or even look how sexless our superstars made the concept of Camp look at the Met Gala this week, as if horn-dog horniness doesn't go hand in hand with that over-heated sensibility. Paul Verhoeven's Showgirls: the true end of an era. On this theme two documentaries that played Tribeca last week looked back at two nearly extinct modes of orgiastic delivery -- the porn theater and the porn shop...

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