Tribeca 2019: "You Don't Nomi"

Team Experience reporting from Tribeca Film Festival which wraps up tomorrow. Here's Nathaniel R

Of all the titles that I most looked forward to at Tribeca's 2019 edition, You Don't Nomi was at the top of the list. The debut documentary from Jeffrey McHale examines the cult fandom and critical rehabilitation (of sorts) surrounding Paul Verhoeven's trash-masterpiece Showgirls (1995). And readers, I was not dissapointed so much as seething with envy while watching it...

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Doc Corner: 'The River and the Wall'

By Glenn Dunks

The effects of the current administration on the psyche and the soul of American life have been well-documented in cinema. Documentaries about how Donald Trump has torn at the fabric of the country are almost a dime a dozen. Many have been great, and there will be many more until the day filmed entertainments cease to exist. It is a part of our cinematic lives now.

Less common as a subject is the effect the current administration is having on the land itself. That's surprising considering Trump and his cabinet are doing everything within their power to not just continue environmental genocide but speed it up. The soil and the water and the earth that surrounds us are at the heart of the evocative new documentary The River and the Wall...

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Tribeca 2019: "Ask Dr. Ruth"

Team Experience reporting from Tribeca Film Festival. Here's Jason

A personality-based crowd-pleaser similar to what we saw last year with Won't You Be My Neighbor and RBG, only with heaps more clitoral commentary, director Ryan White's Ask Dr. Ruth doesn't break any documentary molds. It's content to merely bring us the life story and work of itty bitty sexologist Dr. Ruth Westheimer. And Dr. Ruth's too warm-hearted (not to mention itty bitty) to go about straight-forwardly smashing molds anyway. The iconic personality is more content to sneak in, make you comfy, offer you a cookie or two, and ease all of your deepest secrets out first...

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Tribeca 2019 "Recorder: The Marion Stokes Project"

Team Experience reporting from the 2019 Tribeca Film Festival. Here's Jason Adams...

I always think of Amy Poehler's funny line on SNL about "soggy board-games and cat skeletons" when I think on the concept of hoarders. Sad people beside blackened sinks. But what if the hoarder's instincts turn out to be less a mental illness -- something more, grander? Recorder: The Marion Stokes Project uncovers that exception in a woman who obsessively recorded 35 years of news programming, from the Iran Hostages through 9/11 and up to Sandy Hook. And in the process the film argues that, as with superstition being science we just haven't yet confirmed, perhaps some of Marion's documentarian's madness wasn't madness, but prophecy...

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Doc Corner: Beyonce's 'Homecoming'

By Glenn Dunks

Reviewing a concert film can be tricky. The lines between what is merely a good concert with good music can become blurred with what is a good film. A concert film can quite easily be one and not the other (I will save you the examples), but to decipher what is what is an equation that it is all too easy to flub the maths on.

In the case of Beyoncé’s Homecoming, the numbers are a bit easier to put together as the film is more up front about its craft – tricky use of editing (those yellow/pink switches!!), the use of retro cinematography filters (Coachella ain’t Woodstock), scripted narration and so on. However, even when trying to filter out the rhetoric that often comes along as baggage with her, it’s easy to see that Homecoming belongs among the list of great concert documentaries.

It’s a joyous and exciting collage of sound and image from a moment in cultural history, a captivating two hours and 17 minutes.

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