Sunday, October 28, 2012 at 11:14AM Monty, my reluctant feline Oscar pundit, is usually bored by movies but these would absolutely terrify him!
More Horror Movies For Pets at Pleated Jeans. Funny stuff.
Monday, October 1, 2012 at 3:00PM Seventy year-old Rene (Eddie Garcia) is an elderly gay man who fits quite neatly into the crowded movie trope of "Grumpy Old Man." He doesn't have a lawn but he'd clearly want his neighbors to get off of it if he did. He doesn't seem to love anyone or anything other than his dog Bwakaw.
Eddie Garcia and Princess star in "Bwakaw", an Oscar contender from The Philippines
They say that a dog is a man's best friend but I don't think that it's usually meant quite so literally. Rene is so grumpy that you aren't always sure he loves his faithful canine shadow. In one stinging heartbreakmidway through the film a veterinarian asks him "don't you ever touch your dog?" and it occurs to you that you've rarely seen him do so.
But Bwakaw isn't a demanding girl. She follows Rene everywhere he goes… except inside his house. She's been banned for making a mess the last time she was there and one imagines that was long ago; Rene doesn't let things go easily. He still sleeps, for example, in his boyhood home and he's still quite attached to all of his mother's things including her devout Catholicism though he isn't religious himself (This dichotomy informs several of the film's sharpest comic beats but that's a topic for a much longer piece.) So each night Bwakaw curls up sadly in the dirt at the bottom of the stairs leading to the sad man's bedroom and waits until morning to see her master again.
It's important to note here that Bwakaw the dog is a sandy girl. She'd be barely perceptible from Bwakaw the movie, with its terminally washed out light, colorless rooms, and graying characters, were it not for her happy trot and zest for life. Her name translates to "Voracious" though she's curiously slim and bony for a dog that likes to eat.
Initially it's not at all clear why this film, a true gem from director Jun Lana and an absolutely worthy Oscar submission, is titled as it is. Bwakaw is not so much an active participant as a shadow, or a sidekick if you're feeling generous. For a good hour the film is little more than a perceptive character study -- not that those aren't welcome -- of a lonely gay man who's angry that he missed out on a full life. In many ways Rene is a shadow in his own movie. Most of the colorful subplots, broad comedic bits, and vibrant personalities belong to other members of the cast. Rene's "friends" (I use the term loosely given that he's consistently at odds with most of them) are two flamboyant gay men, a co-worker planning a trip to Canada, a rough taxi driver, a local priest who hears his confessions, and a woman losing her memory in a nearby old folk's home.
But when Bwakaw becomes ill Rene is finally shaken out of his ornery complacency and gradually begins to feel his life again instead of just planning for his death. The film beautifully and fluidly shifts to compliment his journey, letting more light and color and vibrancy into the images.
Many "feel good" inspirational movies boost the spirit synthetically by glossing over life's darkest moments or wishing them away with tunnel vision on the triumphant stuff. Rene's story, however harsh and lonely in its particulars, contains far richer inspiration at its core. Rene is so focused on mortality that he keeps forgetting to live but there's no point in climbing in the coffin before your time. Embrace whatever tiny happiness comes your way. Live. B+/A-
Related Pages
2012 Foreign Film Oscar Submissions Pt. 1: Albania to Italy
2012 Foreign Film Oscar Submissions Pt. 2: Japan to Vietnam
Foreign Film Finalist Prediction List just a little guesswork
More NYFF
Lincoln's Noisy "Secret" Debut
The Paperboy & the Power of Nicole Kidman's Crotch
Frances Ha, Dazzling Brooklyn Snapshot
Barbara Cold War Slow Burn
Our Children's Death March
Hyde Park on Hudson Historical Fluff
Bwakaw, LGBT, NYFF, Oscars (12), Reviews, The Philippines, dogs, foreign films Thursday, September 20, 2012 at 10:01AM 
Beautiful "Francine" poster illustrated by Michael GilletteMichael C. here. If I’m going to write about Francine I need to start by admitting that I’m not what one would call an animal person.
I certainly like animals. I appreciate their beauty and marvel at their grace... but from a respectful distance, preferably involving a high fence or some sort of indestructible leash. In close contact animals and I tend to put each other on edge, and from there it is a tension filled waiting game until claws make an appearance. As a result of this I was easily pulled into Brian M Cassidy and Melanie Shatzky’s Francine much the same way my debilitating fear of heights kept me riveted to Man on Wire. At one point during the film the lead character grabs a kitten in each hand and rubs them over her face like a healing talisman. I found the directness of this moment incredibly moving even though I would no sooner attempt it than I would try to hug the guy on the subway carrying on a heated disagreement with Jesus.
When we meet the title character, played in a nearly silent performance by Melissa Leo, she has just finished lengthy prison sentence for an unspecified crime. She is set free to reenter society like a domesticated animal returned to the wild once all traces of its survival skills have been erased. Francine no longer has the ability - or the interest it seems - to navigate the intricacies of human relationships. She opts instead to seek oblivion at every opportunity, including boozing, headbanging to a local metal band, and anonymous sexual encounters. It’s only when Francine begins taking in pets does she find something approaching peace. Her oasis in the uncomplicated love of the owner/pet relationship is the beating heart of this modest, but effective, character study.
The story tracks Francine’s metamorphosis into a Crazy Cat Lady. Her tiny house is soon overrun with pets of all species and Francine is dumping dog food directly onto floors covered layers deep with foul newspaper. But unlike those reality shows which hold up shut-ins for our judgment and ridicule, the filmmakers here ask for understanding and empathy, not shock and pity. We root for Francine to find some small measure of happiness even as her unbalanced behavior clearly approaches a tipping point.
It might take a few scenes for fans of Melissa Leo to adjust to her in this role. Her trademark has always been outspoken toughness, but as Francine she is downright mousy. We catch hints of the familiar brash Leo persona peeking through but we sense that if that used to be part of this character it was beaten out of her long ago. Jean DuJardin recently won an Oscar for his wickedly charming riff on silent acting but if you want to experience real silent acting, straight up, check out Leo’s work here.
I wish I could report that the directing team of Cassidy and Shatzky were up to the level of their star. It’s not that they fail Leo, so much as they fail to completely connect the audience to Leo's performance. They set out to tell the story visually with minimal dialogue, but in that case the images need to carry more weight than they do here. The indifferent shooting style and slack pacing keep the viewer too far removed from the main character. To their credit, the directors do have a sharp eye for observing character detail, and when all is said and done providing Leo with such a solid showcase certainly outweights any shortcomings. Francine is a moving little sleeper of a film.
(Warning: There is a very convincing sequence involving a dog being put down that will surely be excruciating for pet lovers to watch. Rest assured - it's not real.)
Francine, Melissa Leo, Reviews, cats, dogs Thursday, August 30, 2012 at 1:10AM [Editor's Note: Today's guest blogger is the actress Melanie Lynskey. Her new film, the Sundance hit "Hello I Must Be Going" opens on September 7th. Don't miss it! -Nathaniel R]
PHOTO TIME. I'm sharing photos
(see part 1 for Venice with Peter Jackson and the upcoming feature Teddy Bears)
Cast & Crew of "They Came Together". © Melanie Lynskey
This photo above is of me saying "How in the hell did I get so lucky?" It is from the set of They Came Together, which is a romantic comedy that was written by David Wain and Michael Showalter and directed by Mr. Wain. Back row L-R: me, Amy Poehler, our first AD Lyda Blank, Paul Rudd, Erinn Hayes, Cobie Smulders, Kenan Thompson (on arm of sofa) Front row L-R: Michael Showalter, Ed Helms, Jason Mantzoukas, David Wain. Funny funny funny people!!
The next three pictures are from the set of Hello, I Must Be Going. It comes out September 7th -- so soon!
