Morning After. Three Globey Flashbacks, One Winners List

1. Miss Golden Globe y'all.

It's Andie Macdowell's daughter Rainey Qualley. She totally did a great job, directing traffic with those arms like she was born to work on a tarmac guiding 747s to their gates. I mean this in the nicest possible way because some Miss Double Gs totally shirk their navigational responsibilities. She was just not having people stand in the wrong spot.

2.  Uggie is Made of Ham

Not only was he pulling focus during the Best Picture speech, he was also working the red carpet, with or without Penelope Ann Miller as Vanna White. I hope he's being compensated well.

3. Laura Dern, a skinny Christmas Tree with THE FACE on top.

HAPPY HOLIDAYS!

Complete Winners List in case you missed it... I know I missed a few of these during the live blog.

MOVIES
Picture, Drama: “The Descendants.”

Picture, Musical or Comedy: “The Artist.”

Actor, Drama: George Clooney, “The Descendants.”

Actress, Drama: Meryl Streep, “The Iron Lady.”

Director: Martin Scorsese, “Hugo.”

Actor, Musical or Comedy: Jean Dujardin, “The Artist.”

Actress, Musical or Comedy: Michelle Williams, “My Week With Marilyn.”

Supporting Actor: Christopher Plummer, “Beginners.”

Supporting Actress: Octavia Spencer, “The Help.”

Foreign Language: “A Separation.”

Animated Film: “The Adventures of Tintin.”

Screenplay: Woody Allen, “Midnight in Paris.”

Original Score: Ludovic Bource, “The Artist.”

Original Song: “Masterpiece” (music and lyrics by Madonna, Julie Frost, Jimmy Harry), “W.E.”

TELEVISION

Series, Drama: “Homeland,” Showtime.

Series, Musical or Comedy: “Modern Family,” ABC.

Actor, Drama: Kelsey Grammer, “Boss.”

Actress, Drama: Claire Danes, “Homeland.”

Actress, Musical or Comedy: Laura Dern, “Enlightened.”

Actor, Musical or Comedy: Matt LeBlanc, “Episodes.”

Miniseries or Movie: “Downton Abbey (Masterpiece),” PBS.

Actress, Miniseries or Movie: Kate Winslet, “Mildred Pierce.”

Actor, Miniseries or Movie: Idris Elba, “Luther.”

Supporting Actress, Series, Miniseries or Movie: Jessica Lange, “American Horror Story.”

Supporting Actor, Series, Miniseries or Movie: Peter Dinklage, “Game of Thrones.”

Best in Show

At first I liked Uggie (The Artist) best but I'm starting to lean Arthur (Beginners). Less manic, more soulful!

God loves a terrier
yes he does
God loves a terrier
that's because
brown sturdy bright and true
they give their hearts to you

God didn't miss a stitch
be it dog or be it bitch
when he made the Norwich merrier
with his cute little 'derrier'
yes God loves a terrier!

-"Best in Show"

And may 2012 be the year of the cat! They need a good cinematic year.

DC Critics Love Movies About Movies... And Dogs

This year marked the 10th anniversary for the Washington DC Area Film Critics Association. What a mouthful their name is. Henceforth WAFCA which omits the DC part but they like it that way.  In their very first year they picked an odd duck for Best Picture by way of the Stiff With Prestige Adaptation Road to Perdition but since then they've hewed much closer to Oscar, only giving two top prizes to films that weren't eventually Best Picture nominees or winners (Eternal Sunshine and United 93). This year they went crazy for movies about movies... with dogs.

DC Film Critics are Dog People. The Artist and Hugo win big.

Let me be clear... In no way does my happy photoshopping imply that President Obama is a member of WAFCA though the Obamas are dog friendly. It's just me thinking 'bout DC and the movies.

Here are the WAFCA prizes...

Film The Artist
Director Martin Scorsese, Hugo
Actress Michelle Williams, My Week With Marilyn
Actor George Clooney, The Descendants
Supporting Actress Octavia Spencer, The Help
Supporting Actor Albert Brooks, Drive

Acting Ensemble Bridesmaids
Adapted Screenplay Alexander Payne, Nat Faxon and Jim Rash  The Descendants
Original Screenplay Will Reiser for 50/50
Animated Feature Rango
Documentary Werner Herzog's Cave of Forgotten Dreams 

"Skeletor" is a real healer in Original Screenplay winner 50/50

Foreign Language Film Pedro Almodovar's The Skin I Live In
Art Direction Dante Ferretti and Francesca LoSchiavo for Hugo 
Cinemagotraphy Emmanuel Lubeszki for The Tree of Life
Score Ludovic Bource for The Artist  

The Artist and Hugo are certainly starting the awards season off well. Given that they both opened for the Thanksgiving Holiday does this mean next Thanksgiving we'll see an even larger clusterfuck than this year's insanity?

How long do you think it'll be before one of the critics groups gives the Supporting Actress prize to one or all of the Bridesmaids? Monty didn't totally go for Bridesmaids but then he's not a dog person... er, cat. 

3 Notes on New Photos of "Frankenweenie"

My beloved cat has had some health issues this weekend so time has been short and I've been majorly occupied (hence Oscar chart update/ column delay). But here's a quick bit about a beloved fictional pet, "Sparky".

• Tim Burton's Frankenweenie, due in theaters less than a year from now, is a remake of sorts. That's all Burton does these days but at least this time he's reworking something from his own imagination. Frankenweenie was originally a short in 1984 and if you ever get a chance to see that one, do so. It was from the time frame when Burton was THE young director to watch, making magic every time... or every other time. Damn. Whatever. From 1982 through 1994 it was all spellbinding. I'd even throw 1996 in there but I realize Mars Attacks! isn't for everyone. ACK!
• I'm so pleased this will be a black and white stop-motion picture. With so many animated films debuting each year, it's good to have some variety. 
• Is there any other director who has never changed his hairstyle? 

• Speaking of awesome short films, Tim's Sparky looks just like Brad Bird's "Amazing Stories: Family Dog", doesn't he?
• Little Known Fact: Films about beloved animated pooches require awesome actresses in the soundbooth:Frankweenie (1984) had Shelley Duvall; Family Dog had Annie Potts; Wallace and Gromit and The Curse of the Were-Rabbit had Helena Bonham Carter; Bolt had Miley Cyrus;  the new Frankenweenie gets Winona Ryder and Catherine O'Hara !
• Are you a cat person or a dog person? And if so do you think your pet is fairly represented on film? 

NYFF: "The Artist" Is A Work of Art

The orchestra swells immediately. The retro credits practically shout the glory of the talent "MICHEL HAZANAVICIUS!", JEAN DUJARDIN!" "BERENICE BEJO!" (exclamation points ours -ed.) but the first telling words on the screen in The Artist are actually wittily posted on a sign, urging everyone to keep their mouths shut. 

Please Be Silent Behind The Screen."

George Valentin shows off at his big premiere

We are at the premiere of A Russian Affair, the latest from silent film star George Valentin (Cannes Best Actor winner Jean Dujardin) as he paces behind the screen waiting for the film to end. You can feel the tension as he waits for the audience reaction. The score drops out completely and we hear... nothing (Tension!). Then comes the audience's thunderous applause (Relief!) ... but we still hear nothing. This punchline in the absence of sound gives The Artist its first huge and knowing release of laughter. We can't hear the applause but we sure can see it in the joyous smile spreading across the star's face. That smile is already mirrored and multiplied by anyone watching this new gem.

George meets PeppyThe push and pull between what we expect to hear or see, and what comes instead is one of the great and consistent punchline joys of this silent film about silent films. Again and again the writer/director and his excellent cast (led with infectious verve by the Oscar-worthy Dujardin) will surprise and move us. Sometimes the magic comes through an unexpected camera movement or destination and sometimes through the physicality of the actors themselves and often by both at once. The laughs even come through sound -- though never in conventional ways; The Artist is, from start to finish, an exuberantly inventive homage to the movies such as they were and such as they are.

The story is both charmingly dated, and blissfully universal, which is to say contemporary; technology and tastes will always evolve and change and disrupt the status quo. George Valentin has the world at his (happy) feet in 1927 when the movie begins but by the time the 1929 title card arrives, he's already a dinosaur. He just didn't feel the asteroid's impact and hasn't yet felt the chill. Valentin laughs off his co-star's (Missi Pyle doing an intentional riff on Lina Lamont) sound test even though his director (John Goodman) warns him...

That's the future."

The future arrives, as it always does, through doors opened by the past. In 1927 Valentin gives a leg up to a complete nobody Peppy Miller (Bérénice Bejo madly winking and, well, peppy, filmed at 20 frames a second) by giving her a big fannish paparazzi moment. She makes the most of this flashbulb spotlight and lands a part in his next film A German Affair . In one of the film's funniest sequences, which sneakily lays dramatic foundation for the second act, we see them do several takes of an inconsequential dancing scene together. I won't spoil the many joys of the unfolding plot but let it suffice to say that it fondly recalls all rise and fall and pick yourself back up showbiz narratives particularly A Star is Born as Peppy's star rises (she's the new "it girl" in talkies) just as Valentin's falls. 

The future is coming

Though the film organically veers towards the sentimental in its second half, it has built such comic goodwill and affection that you don't mind laughing less as George's decline takes the film toward its heaviest dramatic moments. The Artist even risks the maudlin as Valentin keeps uncovering new rock bottoms but there's a beautiful simplicity in its heartbreak imagery. In one scene the once great star stands in front of a projector in his lonely home berating himself for being "stupid and proud"; he's now just a shadow on a smallish screen. Hazanivicious, to his credit, never stops blissfully and obviously cribbing from the best of Old Hollywood like Orson Welles, A Star is Born, Sunset Blvd., and Asta. Regarding the latter, The Artist's not so secret weapon iis its star dog "Uggy" -- a constant companion to Valentin -- who could be a direct descendant from that famous screwball comedy terrier. Best of all, Hazanavicius never settles for just one mood, usually gifting the images and scenes with multiple feelings. To cite but one example, there's a shot that highlights Valentin's disintegrating marraige to Doris (Penelope Anne Miller) which shows you three Valentin's: on the wall hangs a deified Valentin in oil portraiture, standing in front of him is Valentin the actual man realizing his wife is leaving him while holding a defaced photo of his movie star self in his hands (his wife has been scribbling on his headshot). Isn't that the archetypal private life of a celebrity actor in a nutshell?

The Artist in concept could have been a mere spoof, or a pleasant but insubstantial comic homage but Hazanavicius and his gifted team never settle, always reaching for bigger laughs, and delivering unexpected and immensely clever mise en scène. The actors are magicians, themselves. Despite the constant literal winking, as befits the era, they never figuratively wink at the material, which would take you outside of it. It's a movie of sincere and not ironic pleasure.

A retroactive time-travelling note to all selection committees of "future" film festivals in 2011: Always schedule The Artist as your Closing Night movie. It's an impossible act to follow and it'll send your audiences off with hearts soaring. They're return with pleasure the following year eager to see what you've programmed for them. When the movie opens in theaters they'll be returning, too. A

Jean DuJardin and "Uggy", a match made in heaven.

Re: the Oscars
The Artist is the best kind of Oscar contender in that it never once feels like it was built to hook the Academy, but it will surely prove irresistibly delicious bait nonetheless. Expect nominations across the board for what will surely be one of our Best Picture contenders. It's the only film this season aside from Martin Scorsese's Hugo that's so deeply infatuated with the history of the movies themselves, the very thing that the Academy was built to chronicle.