Box Office "Rock"ed. How Was Your Easter Weekend?

Easter is quite a benevolent holiday what with the fluffy bunnies, pastel eggs and resurrection from the dead sans zombie feelings. But the world wanted big explosive violence and big muscled men at the movies. Does anyone remember on Monday how troubled GI Joe: Retaliation once was, what with the very expensive "oops, we're not going to release it after all!" that it went through last year.

The Rock was top of the box office.

1,000 + Screens
01 GI JOE: RETALIATION $41.2 *NEW*
02 THE CROODS  $26.5 (cum. $88.6)
03 TYLER PERRY'S TEMPTATION TO PUT HIS NAME IN EVERY TITLE  $22.3 *NEW* 
04 OLYMPUS HAS FALLEN  $14 (cum $54.7) 
05 OZ THE GREAT AND POWERFUL $11.69 (cum. $198.2) Review
06 THE HOST  $11 *NEW*  
07 THE CALL $4.8 (cum. $39.4) comment discussion
08 ADMISSION $3.2 (cum $11.7) on Tina Fey / on Paul Rudd
09 SPRING BREAKERS $2.7  (cum $10.1) False Advertising?
10 THE INCREDIBLE BURT WONDERSTONE $1.3 (cum. $20.5)

So the gamble to waste all that prep P&A last year and pull the movie last minute in 2012 for a safer spot pre-summer movie season in 2013 paid off. In very limited release I don't think you can say that wasting your early press and publicity efforts paid off at all.

Less Than 100 Screens
01 THE PLACE BEYOND THE PINES $.2 *NEW & REVIEWED* 
02 NO $.2 (cum. $1.3) Review
03 GINGER & ROSA  $.1 (cum. $.3)
04 FROM UP ON POPPY HILL  $.1 (cum $.2)
05 ON THE ROAD $.1 (cum $.4)

Ginger & Rosa and On The Road are two more pictures to add to the endless pile of "one week qualifiers" that have worked hard to win attention at festivals and on the Oscar circuit in one year only to not let anyone spend money on them until well into the following year when people have moved on and are confused when the movie is brought up again as a "new" film. It's a strange strategy that almost never pays off and yet distributors keep trying it! Eternal optimism.

For what it's worth both pictures have plenty to recommend them even if they aren't home runs: Ginger & Rosa is a completely rare beast - a thoughtful intelligent picture about teenage girls flinging themselves into politics and hormonal indulgences with a terrific emotionally expressive performance by Elle Fanning; On the Road is beautifully shot but more hit and miss with performances but man does Garrett Hedlund ever hit it as the object of everyone's erotic and creative attention. 

Linky Brown

Vulture "How to Hug a Puppy" by Tom Hardy
Cinema Blend one man Disney Princess meets real world musical... after the ever after part
Pajiba best performances from SXSW films 

CHUD Veronica Mars and the invention of "pay to pay for play" 
i09 producers "notes" on Blade Runner... which they hated 
NPR on real life Ginger & Rosas in the 60s  
Empire on the latest big project director shuffle - Ang Lee considering a Spielberg drop and Tom Hooper looking at the Sacha Baron Cohen Freddie Mercury biopic
Coming Soon star portraits from the final day of The Wolverine production. Hugh Jackman and the ladies
Guardian the writer of the fake Haneke twitter account on Michael Haneke

Finally, if you're in Gotham, you should know that PAM GRIER, Jackie Brown and Foxy Brown herself, is getting the weekend festival treatment at the Walter Reade right now. She'll be appearing tonight for an interview before the screening of Jackie Brown (coming up on "Hit Me") and also making a midnight appearance at Scream Blacula, Scream. On Sunday she gets a full hour interview with film clips. Tickets are still available for some of the shows. And if you haven't seen any of her 70s blacksploitation movies, you owe it to yourself to see at least one.

BIFA Gives an Early Boost to "The Best Exotic Marigold Hotel"

The British Independent Film Awards are what I like to think of, rightly or wrongly, as the UK version of the Gotham Awards... or maybe the Spirit Awards. British readers can correct that assumption in the comments if it's totally untenable. They've announced their nominations and on the heels of the EFA announcement this is more minor good news for Amour but I'm already off track. That's barely a blip story here since the awards focus (almost) exclusively on British Indies. Let's talk headline.

In terms of Oscar the biggest boost (i.e. more laurels for the FYC ads to tout) goes to the sleeper hit The Best Exotic Marigold Hotel which we should've figured would come back to life at year's end given how well liked slash comfy it is. It even doubles up on the Dames for maximum BAFTA/AMPAS pleasure.

BEST BRITISH INDEPENDENT FILM
Berberian Sound Studio
Broken
Sightseers
The Best Exotic Marigold Hotel
The Imposter

Broken, a film about a young girl who witnesses a violent attack, leads the BIFA nods with 9 nominations including 4 for acting. Marigold Hotel won 3 acting nominations. Complete list of nominations with commentary after the jump...

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NYFF: Lincoln's Unfinished Noisy Debut

Is DDL marching toward a third Oscar?I wasn't able to attend last night's "secret" -- we're stretching the definition--  Lincoln debut at the NYFF due to prior commitments but as I lined up for Sally Potter's Ginger and Rosa premiere at 9 it was clear that we would not be filing in anytime soon. Lincoln was running well over. It had supposedly begun at 6:15 and we were informed we wouldn't see our movie until 10:00 pm. For a few biophobic moments I wondered if Lincoln could really be 3 ½ hours long; much much longer than the Gettysburg address!  I can't confirm a running time but I imagine the stars bowing and blurbing "I loved working with ____" sucked up some of the 3 hours and 45 minutes that Lincoln filled the cavernous Alice Tully Hall.

As the Lincoln crowd exited, one woman who joined the Ginger & Rosa line was asked how it was.... After a long pause she unenthusiastically announced that the acting was great. And then...

It was obviously written by a playwright. A LOT of words."

Damn you, Tony Kushner. Hee!

The playwright behind Angels in America: A Gay Fantasia On National Themes, Only Those Who Guard the Mystery Shall Be Unhappy, and The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures has probably heard this particular complaint before but I imagine he feels a bit like Amadeus did when he heard "too many notes." (Remember that?)

LOTS MORE AFTER THE JUMP....

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TIFF Lineup: Female Directors & Prestige Adaptations

 Paolo here. We should probably give in and see what this year's Toronto International Film Festival has to offer! Toronto marks the unofficial start of awards season, inflating or deflating much hyped movies and performances. Speaking of which, the locals can experience the star power of actual would be contenders.  Within the space of ten days, TIFF gives its paying audience access to a year's worth of art house cinema - these movies will be trickling out in limited release for at least a year to come.

Fine reasons to be excited but I have more personal reasons, too. 

Reason no. 1 They're bringing back some classics.
They're under the Cinematheque programme, spotlightling restorations like Dial M for Murder in 3D, Loin du Vietnam - a collaborative anti-war project involving a handful on 1960's auteurs like Godard, Agnes Varda, William Klein Alain Resnais and (RIP) Chris Marker. There's also Roberto Rosselini's Stromboli and Roman Polanski's Tess, the latter being an adapation of a Thomas Hardy novel that I've been reading the past month or so. Which brings me to reasons two, three and four... after the jump.

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