The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Norton directs and co-stars with Bruce Willis in "Motherless Brooklyn"If you had asked me fifteen years ago who my favorite actor was, I surely would have said Edward Norton, though I’m not sure he’s worked enough since then to continue to hold that status. (My other choice of the time, Kevin Spacey, also bears reevaluation... for other reasons). With Edward Norton turning 50 today paired with the recent announcement that Norton’s Motherless Brooklyn, which he wrote and directed and stars in, will be closing out this year’s New York Film Festival, it’s the perfect time to take a look back at his career.
His feature film debut in 1996 in Primal Fear demonstrated an incredible ability to shift back and forth between different personas, earning him an Oscar nomination for his portrayal of an altar boy on trial for a brutal murder. Two years later, he scored a second Oscar bid for a more staggering and gradual shift in worldview as a reformed neo-Nazi trying to prevent his younger brother from going down the same path inAmerican History X. It took sixteen years for Norton to return to the Oscar lineup, this time in Best Picture winner Birdman as an actor who, by many accounts, is closest to what Norton is actually like on set, with a penchant for attempting to exert control even if he’s not actually the one in charge...
Chris here. I'm one of those oddball folks that considers Fantastic Mr. Fox as Wes Anderson's best film, so next year's Isle of Dogs has me very excited for the auteur to take another dive into the stop motion pool. And by the looks of the first trailer, Dogs will be very aligned to Fox's humor and visual aesthetic but with the added unexpected intrigue of its Japanese setting. The potential troublesome optics and use of language here gives me some pause, but we'll wait until the film arrives to access. Let's hope Anderson doesn't end up in the cinematic doghouse by delivering our worst fears here.
As you can tell from the poster, Anderson has assembled a massive cast even by his standards. Regular players like Edward Norton and Bill Murray are back, but can you believe this is his first collaboration with Scarlett Johansson and Greta Gerwig? Yoko Ono is also in the lineup if you aren't already fascinated enough.
But what a visual treat, even if it looks like it will be Anderson's most muted color palate. On the other hand: doesn't this trailer just remind you how thin this year's Best Animated Feature race is?
Team Experience is sharing favorite love scenes for Valentine's. Here's Josh...
It's a familiar and tested recipe to throw a beautiful period frock on an actress worth their weight in Oscars, and set her literary romantic troubles against a luscious location. Actressexuals and their mums will be clutching their pearls in the cinema on the first night it opens, and rewatching on DVD instead of reading the book for years to come. But let this not detract from The Painted Veil, the underrated and oscarless (not even nominations!) gem from 2006.
That divine poster image of Edward Norton and Naomi Watts drifting along the river is plucked from the films most beautiful scene. The scenes beauty is due in no small part to Alexander Desplat's score that rides the romance of the film perfectly. His 'River Waltz' which accompanies the scene echoes the films romantic arc, its gentle chords and progressive structure mirrors the very real struggle of Kitty and Walter as they have 'waltzed' around one another in a tricky marriage, peppered with early acts of deliberate cruelty. As they ease into the relationship, and let the rhythms of their new life together guide them, they become entwined and supportive partners. The score also playfully references Gnossienne No 1 by Erik Satie, a piece used in the film first diegetically playing in the party that Walter first swoons over Kitty passing him in the hallway, and then again as Kitty plays the tune on a rickety piano in the orphanage as he watches on. A moment of projected love, and a moment of genuine discovery of love.
And the scene is lusciously visual. Much credit to the location scouts for finding this location in the Guangxi Zhuang Autonomous Region in China. Wide blue eyed Naomi and her gorgeous lace parasol, and swoon worthy Ed Norton in a crisp linen shirt, set against those towering rock faces and sprawling bamboo. It's a smorgasbord of romanticism and a perfect antithesis from their first gruelling journey, one that Walter made them make on foot, to punish Kitty. This is a rare romance that let's us fall in love the same time the characters do.
Gothamist the first look teaser at Martin Scorsese's new HBO series Vinyl starring Bobby Cannavale (just how many tv shows are going to be about the music business post Empire? it seems like there's at least 3 new ones on the way from reports. This, Baz's, and Lee Daniel's second). Speaking of... Coming SoonEmpire Season 2 has a teaser i09 Agent Carter's villain in seaon 2 will be Madame Masque -- and get this... they're modelling her on movie siren Hedy Lamar!
Playbill Shoshana Bean singing "The Wind Beneath My Wings" - she's starring in the pre Broadway stage musical adaptation of Beaches Yahoo "Kirsten Dunst is tired, you guys" THR What if Werner Herzog directed Ant-Man? HAHA FSR 44 Fantastic Foursomes because the Fantastic Four aren't Signs and Sirens has a mean girl astrological note to Jennifer Aniston Variety Josh Trank blames studio for Fantastic Four's abysmal reviews E! Awww, matching foot injuries for Kelly Ripa and Marc Consuelos Coming SoonBlack Mass just got a bunch of character posters Playbill talks to Mamie Gummer about working with her mother and her recent stage appearances THR What if Werner Herzog directed Ant-Man?! HAHAHA
He can lift things 100 times his body weight but what does this achieve but to increase his burden, his capacity for suffering?"
Edward Norton Once Turned Green When You Made Him Angry... He is also angry about Oscar turning green. I know I know. I did not say anything about Edward Norton's rant against the monetization of awards season at IndieWire and surely you expected me too. So here we go.
While there is definitely too much politicking / campaigning and Oscar might do well to cut off a few of its competitors at the knees with tighter rules about campaigning, do we really want to lose a great deal of the Oscar coverage in the world? Again, as a reminder, it's the only time of the year when the media pays attention to films made for adults. I believe that the media frenzy would die down if there were less money to be made. And then were would movie culture be? Superheroes, dumb comedies, franchises and summer blockbusters already hog movie culture for the rest of the year. It's nice to have four months where people think about dramas and dramedies and ambitious auteur vehicles and traditional star vehicles and such. (Some of us -- the craziest ones -- would still obsess without money to be made as we have always... but most outlets would reduce coverage on these films if there were less money in it).
That said, I do understand why actors get frustrated; It's a huge chunk of their year when they would surely rather be acting or vacationing on their private island or whatnot. But there are easy solutions to that one like not showing up at every event but picking and choosing key ones. Everyone seems too afraid to miss anything which is silly because there are only a few essentials. Everything else is like cumulative effect and going to 7 things instead of 10 won't kill people's interest in you or your film or your chances at winning gold. That's my belief at least.
Yes No Maybe So Here's the red band trailer to Deadpool. I don't have the strength for a YNMS but perhaps you do for the comments section? I think I've been burned by Ryan Reynolds too many times and anything originally born from that awful X-Men Origins Wolverine risks being inexcusable from conception but bless him/them/someone for that joke at Green Lantern's expense
That's the question I keep asking myself about Best Supporting Actor. My Oscar-clogged brain works like that, taking flights of fancy when it finds true facts too boring to contemplate any further. J.K. Simmons could only lose the Oscar if he suddenly became a different person before ballots were due and was unmasked as a terrorist or a serial killer or what not. He's going to win because in addition to giving a big beloved performance, he is also very well liked. As with Patricia Arquette, it's churlish and unbecoming to root against a long time actor finally getting the role people will remember them by.
In any other year, though, this particular Oscar race would be a weird superhero collision between two very fine famous actors who both happen to get green when they're angry. Former Hulk Edward Norton vs. Present Hulk Mark Ruffalo. Both would have tremendously strong narratives for a win in that "They haven't won yet? But they're always great!" kind of way. But they'll both lose.
Silver lining: Perhaps if you tally the final votes in a month's time, their combined totals would beat Simmons? No never mind. He's too far ahead even for that.
See the Best Supporting Actor chart here! Find out how they got nominated*, how many films they've made, and vote on the poll for who "should" win - it's Reader's Choice.
*theorizing for entertainment purposes only - we can't read voter minds
Sunday, August 18, 2019 at 12:00PM 
Norton directs and co-stars with Bruce Willis in "Motherless Brooklyn"If you had asked me fifteen years ago who my favorite actor was, I surely would have said Edward Norton, though I’m not sure he’s worked enough since then to continue to hold that status. (My other choice of the time, Kevin Spacey, also bears reevaluation... for other reasons). With Edward Norton turning 50 today paired with the recent announcement that Norton’s Motherless Brooklyn, which he wrote and directed and stars in, will be closing out this year’s New York Film Festival, it’s the perfect time to take a look back at his career.
