FYC: Lisa Kudrow for Best Lead Actress in a Comedy

Team Experience sharing their personal Emmy dream picks every day at Noon. Here's Manuel on Lisa Kudrow...

For anyone who watched the criminally underseen first season of Lisa Kudrow’s The Comeback, you know how the former Phoebe Buffay created a portrait of an actress so intent on controlling her image and reclaiming her sitcom career that the dark humor and awkwardness of it all was perhaps too much to bear. If the first season was an excruciating exercise in reality TV satire, the second season was an indictment of Hollywood sexism that used the show’s meta structure (Valerie gets cast as the thinly veiled version of herself in an HBO show about the very show she starred in The Comeback’s first season) to force us to yes, laugh at Valerie’s seeming cluelessness but also to examine why and how those laughs are being elicited. There’s humor in Valerie quite literally living out the demented humiliations that a former writer thrusts upon her as part of making his HBO show “edgy” but with every laugh at Valerie (in a trunk full of snakes, standing awkwardly next to two naked women, going down on Seth Rogen) there was a performance that asked you to empathize with this yes, self-deluded character.

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The Toughest Emmy Quandary: Supporting Actress in a Drama Series?

We begin an Emmy FYC series tomorrow (Daily at Noon) since voting commences this month for nominations for the 67th Annual Emmy Awards. Emmy rules allow for 6 acting nominees per category. Though I shudder when any pundit suggests expanding lineups in any awards show -- it reduces the meaning if it's easy to get nominated -- if there were ever a convincing argument against honoring twice as many actors as usual, isn't it the 2015 Supporting Actress in a Drama Series field? 

THE FACTS
For the past three years the category has been almost exclusively dominated by five women. The 2012, 2013 and 2014 seasons saw a nominated shortlist that always included Christine Baranski (5 nominations for The Good Wife, 7 previous nominations with 1 win), Christina Hendricks (Mad Men, 5 nominations), Maggie Smith (4 nominations and 2 wins for Downton Abbey, 4 previous nominations with another win) and Anna Gunn (Breaking Bad, 3 nominations and 2 wins). Joanna Froggatt (Downton Abbey, 2 nominations) was usually in the lineup as well leaving very little wiggle room for other fine actresses. Essentially voters had one free spot each year that they were then quite fickle with. All but one of these five women are still eligible (Breaking Bad is finally off the air) which begs the question of how Emmy will deal with so many new and valuable players from freshman series or players who've been coalescing fans and momentum towards nominations without quite breaking in for other series.

Unless Emmy is willing to ditch one of their four beloveds (and it better not be Hendricks who had such a great sendoff in Mad Men and has been robbed in the past) there's only room for two newbies or returning players and there are a couple dozen of them (at least) to consider after the jump...

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HBO’s LGBT History: Citizen Cohn (1992)

Manuel is working his way through all the LGBT-themed films & miniseries produced and distributed by HBO.

Last week we looked at one of the greatest documentaries on the AIDS crisis ever committed to film, Common Threads: Stories from the Quilt (1988), and discussed HBO’s remarkably solid Oscar track record. This week, we enter the 1990s, a time when HBO’s clout when it came to made-for-TV movies was on the rise and when its stronghold on the respective Emmy category would begin: did you know that HBO has won the Emmy for Best TV Movie all but two times since 1993? It’s clearly poised to keep the streak going with yet another LGBT property, Bessie (reviewed).

Citizen Cohn (1992) [Watch here]
Directed by: Frank Pierson
Written by: David Franzoni
Starring: James Woods, Joe Don Baker, Joseph Bologna, Ed Flanders and Lee Grant

If you look at the early HBO TV movies you notice they favored (much like Lifetime does nowadays) real-life stories that were provocative in subject matter yet packaged in rather unremarkably-shot films. While the sophistication of historical retellings like John Addams, Recount and Game Change have become banner examples of what HBO Films can produce, its earlier iterations looked more like Citizen Cohn. The film does its homework and relentlessly shows Roy Cohn for the petty, petulant bully he was, both as a member of the McCarthy committee on investigations on Communist activity and as a divorce lawyer in New York. [More...]

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Grace & Frankie. Final Thoughts & Emmy Wishes

We recapped the first half of Grace and Frankie and then abruptly quit talking about it, but since it's been renewed, we should tie this up in a neat bow. As with other Netflix shows in the past like OITNB and Daredevil it didn't quite engage people in the blogging model as weekly series coverage does despite the fact that it was clear that most readers were watching. The problem, as documented in ongoing media hand-wringing and cultural conversations about binge-watching, is that nobody's ever on the same page. 

But on the other hand people do seem to have ended up on (mostly) the same page with Grace & Frankie in terms of its overall quality. More...

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Critics Choice TV Awards: Faceoff, Allison Janney, The Americans

Charlize giving a "Genius" award to Seth McFarlane. The title disturbs both of them. After the laziest weekend of all time in TFE HQ, we must jump right back to deep conversations on all the entertainment thingies that matter and some that don't. Who's to say which is which but you? This week I watched a lot of mindless TV as I vegged out (I have no idea why my body/mind absolutely rejected my normal blog 24/7 routine) so let's go with that first and talk about the Critics Choice TV Wins. They're the Emmy-like sibling branch of the BFCA (I am not a member of the former, just the latter). Thankfully they don't try to predict the Emmys at all the way my branch tries to predict the Oscars (sigh). They're totally willing to get behind TV shows that haven't a prayer with Emmy (note their win for The Americans which The Emmys consistently ignore) . This doesn't mean they don't still make annoying choices but at least you can tell they're voting from their hearts.

Drama
Best Drama Series: The Americans (FX)
Best Actor in a Drama Series: Bob Odenkirk, Better Call Saul (AMC)
Best Supporting Actor in a Drama Series: Jonathan Banks, Better Call Saul (AMC)
Best Supporting Actress in a Drama Series: Lorraine Toussaint, Orange Is the New Black (Netflix)
Best Guest Performer in a Drama Series: Sam Elliott, Justified (FX)

More winners and commentary after the jump...

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