Giulietta Masina @ 100: Cabiria's perfect ending

by Cláudio Alves

Born 100 years ago in San Giorno di Piano, Giulietta Masina is one of the most indelible faces of Italian cinema. She started her career as a theatre and radio actress but, by the time her husband Federico Fellini made the transition from screenwriter to film director, Masina was ready to follow him on the journey to the big screen. Despite having worked for other such notable auteurs as Rossellini and Wertmüller, Masina's legacy is defined by her husband's pictures. He immortalized her in more ways than one, both creating film monuments to her humanity, and using their marital strife to create many a celluloid drama...

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Martin Scorsese on Fellini and the devaluing of movies as "content"

If you want your love for cinema reenergized you'll want to head to Harpers to read Martin Scorsese's wonderful essay on Federico Fellini and his 1960s heyday and artistic influence. Though much of the essay is a love letter to cinema and Fellini himself (and I Vitelloni, La Dolce Vita, and 8½ in particular) Scorsese also sticks his neck out again to comment on today's cinematic landscape. He always runs into trouble when he does this because people are so quick to misinterpret or take notions out of context or dismiss artistic concerns as "get off my lawn!" generational warfare. But art is for everyone of all ages and it's important and we should always rise up in its defense. That's not being 'out of touch,' that's simply caring about something deeply!

Take this bit for example, in which he discusses streaming culture and the way it devalues movies as "content" a business term, no longer an artistic one...

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Italy chooses "Notturno" (Plus Italy's robust Oscar history)

by Nathaniel R

Italy has chosen Gianfranco Rosi's highly acclaimed documentary Notturno (which we reviewed at the AFI fest) to represent them at the Oscars from 25 Italian films that were submitted for consideration. Italy previously submitted his 2016 documentary Fire at Sea (which was not nominated for International Film but did score in Documentary Feature). Perhaps emboldened by Honeyland's double nomination last season for Best Documentary and Best International Film, more countries than usual have submitted documentaries this year hoping to repeat that historic double. That said, only three docs have ever been nominated in this particular category: Waltz with Bashir, The Missing Picture, and Honeyland.

As we've seen in past Oscar seasons, Italy skipping over The Life Ahead for their submission entry is not at all a deterrent for Sophia Loren's Best Actress campaign. Movie stars and world famous directors operate by different rules, if you know what we mean...

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The Donald Sutherland essentials

by Cláudio Alves

I don't know about you, but I love to find which people share the same birthday as me. That's especially true of artists who I admire. It's not like sharing a birthday means a whole lot, but it's nice to know that there's something in common between you and one of your idols. In my case, birthday twins include the cinematic genius Wong Kar-Wai, the fabulously talented Diahann Carroll, the eternal gangster James Cagney, Weekend star Tom Cullen, Best Supporting Actress nominee Barbara O'Neil, Sibyl director Justine Triet, and, of course, this piece's focus, the great Donald Sutherland. Our special day was just yesterday. 

Despite never having been nominated for a competitive Oscar (he received an honorary in 2018), Donald Sutherland can be counted among Hollywood's most respected thespians. With a career spanning from the 1960s to now, full of memorable hits and influential classics, complex performances, and scene-stealing turns, Sutherland is an actorly institution all by himself. In honor of his 85th birthday yesterday, here goes a list of some of the movies anyone must watch if they're fans of the actor… 

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Fellini @ 100: "Amarcord"

A few volunteers from Team Experience are revisiting Federico Fellini classics for his centennial. Here's Eric Blume...

 

Federico Fellini’s 1975 film Amarcord is considered the culmination of his style and artistry, the “most Fellini” of Fellini films, the one that won him his last (of four) Best Foreign Film Oscar, as well as prizes from the New York Film Critics and National Board of Review as director of the year.  And he never made a film afterwards that rivaled its success or connection with audiences... 

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