The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
At Cannes the "Competition" titles get most of the press but there's another competition that runs parallel each year which often hides films that are just as strong --some years critics argue that they're stronger. Nadine Labaki (Capernaum) presided this year over the jury judging the 19 films in "Un Certain Regard." That's the program Cannes officials often throw distinctive or high quality films from newer filmmakers in since they reserve the main competition for (mostly) legendary auteurs or Cannes mainstays.
UN CERTAIN REGARD PRIZE
THE INVISIBLE LIFE OF EURIDICE GUSMAO (Karim Aïnouz, Brazil) We first started tracking this picture because it's from the queer Brazilian director Karim Aïnouz who made Futuro Beach, a movie that we liked at the time but obviously undervalued as it really lingers in the memory (I still find myself thinking about it regularly 5 years later). His new film, which won the hearts of Labaki and her jury, also features the legendary Fernanda Montenegro but hers is, alas, a supporting role...
Team Experience reporting from Tribeca Film Festival which wraps up tomorrow. Here's Nathaniel R
Of all the titles that I most looked forward to at Tribeca's 2019 edition, You Don't Nomi was at the top of the list. The debut documentary from Jeffrey McHale examines the cult fandom and critical rehabilitation (of sorts) surrounding Paul Verhoeven's trash-masterpiece Showgirls (1995). And readers, I was not dissapointed so much as seething with envy while watching it...
The Film Experience is very pleased to announce that one of our long-lost contributors, Michael Cusumano, is returning to the fold. After a few years off, he has a new weekly column launching Tuesday and new readers are in for a treat because Michael is a fine and insightful writer. We asked him about where he's been and what we can expect. Please welcome him back with open arms! - Nathaniel R.
Michael, where the hell have you been? We haven't seen you around these parts in 4 (gulp) years! We hope you've been having film experiences without us at least.
I’ve been living in New York doing my own creative writing. I needed to take a step back from online film culture and clear some mental space. I had tried to write a first draft of a screenplay and I ended up with a ranked list of all the meaningful glances in Carol.
You’ll be relieved to learn I still have plenty of film experiences, although I no longer feel the pressure to stay up to date with everything playing...
Have you ever wondered why Film Twitter is more fickle than critics? If you spend a reasonable amount of time there you’ll find deep pockets of hate among many non-professional critics for critical darlings as varied as Birdman, La La Land, even Black Panther. Critics, often dismissed as snobs or "the elite", actually appear to enjoy more films per year than other journos, pundits, and regular Joe or Jane cinephiles on social media. Critics are the only animals in our film bubble ecosystem who are forced to watch everything, even the bad ones. Others might skip the latest Adam Sandler romp or Netflix original dump, but critics (many of them anyway) see it all and I'm here to argue that it gives them perspective. Bad movies have a place, and can serve an under-discussed purpose, and that purpose is encouraging a greater appreciation for what the Inarritus and Andersons of the world are putting out there.
Art is subjective, yes, but most of the time we know a BAD movie when we see it. On the heels of SXSW, I was drowning in good cinema. Between Captain Marvel the week before, Jordan Peele’s near-masterpiece Us, and a few little gems I could find nowhere else, the festival had given so much yet deprived me of a proper palette cleanser. London Fields was it, a gonzo film noir so inept and ill-advised that I was left more than a little awestruck...
Thank you for all the votes for this weeks Supporting Actress Smackdown for the 91st Oscars - so many ballots for us to sift through with opinions so varied which is just how it should be and how we like it (if you forgot, we'll accept them today as well but they're due by midnight!) Due to behind the scenes technical stuff we'll be posting the Smackdown Monday night, but it's time to meet the panel. We cheekily asked them for their pics in the three chopping-block craft categories but then the Academy reversed course. We're sharing their votes anyway, because shouldn't you always know who people are rooting for in cinematography, editing, and makeup? We think so!
Picture: BlacKkKlansman Cinematography: A Star is Born Editing: BlacKkKlansman Makeup and Hair: Vice
Ginny O’Keefe was born and raised in Westchester, New York. She credits her love of film and television to her parents, since they let her watch pretty much whatever she wanted growing up. They also helped fuel her love of acting by frequently taking her and her two sisters into Manhattan to see Broadway shows. She graduated from Elon University in 2016, with a BFA in Acting and a minor in Communications. She now lives in Los Angeles working as an actress and hopes to write and produce her own films one day. Follow her on Instagram.
Picture: The Favourite Cinematography: Cold War Editing: The Favourite Makeup and Hair: Mary Queen of Scots
Robin Write is the Editor-in-Chief of Filmotomy, a movie site that promotes the likes of female filmmakers, independent film, world cinema, documentaries etc. He's been writing, thinking, breathing, watching movies for as long as he can remembe and still feeds the addiction that is the Oscar race for near-30 years - a truly hard habit to break.
Picture: The Favourite Cinematography: Cold War Editing: BlacKkKlansman Makeup and Hair: Border
Nathaniel R has been running The Film Experience since the first seacreature grew legs and walked ashore in prehistoric times. He was there when Wings won best picture of 1928. Kidding... but he does love Wings and he's been loving the Oscars for far too long!
Picture: The Favourite / Black Panther Cinematography: A Star is Born Editing: The Favourite / BlacKkKlansman Makeup: Border
Chris Feil writes regularly at The Film Experience (including his column on movie music called Soundtracking) and lives in Columbus, OH. He cohosts the This Had Oscar Buzz podcast and has also been published at Vice, Paste, and Decider. You can easily beetlejuice him into your conversations by talking about soundtracks, RuPaul's Drag Race, and WALL•E. He is remembering to notice the collateral beauty around him.
Picture: BlacKkKlansman Cinematography: A Star is Born Editing: The Favourite Makeup and Hair: Border
You know Murtada from his writing on TFE and as the co-host of our podcast. However one thing you might not know is that recently he recorded his first video interview; with rising playwright Jordan E Cooper whose play AIN'T NO “MO starts at The Public Theater on March 12th.
Saturday, May 25, 2019 at 7:03AM 
