Golden Horse Nominees Include Two Oscar Contenders

Subtitled fare always seems to consume me in September and early October as the Foreign Language Submission List for Oscar takes shape (it's not quite official yet but the submission deadline has passed). This is also the time of year when The Golden Horse, the preeminent Chinese/Taiwanese film awards, announce their nominations. Rather than a huge Academy vote, the Golden Horse is determined by a jury. Andy Lau who starred in Hong Kong’s Oscar submission A Simple Life last year and is best known internationally for two hits from the Aughts (The House of Flying Daggers and Infernal Affairs which was later remade into The Departed) is the president of this year’s jury. 

Caught in the Web, China's Oscar submission, was apparently not eligible.

BEST PICTURE NOMINEES

• Beijing Blues -a police procedural 
• Mystery - is the leader with 8 nominations. It's a thriller from Lou Ye, who is most known for erotic dramas like Summer Palace and Cannes hit Spring Fever.
• Life Without Principle - This Johnnie To film about a loan shark is Hong Kong's Oscar submission this year.
• Gf*Bf -a decade long love triangle between three intimate friends with some gay elements. I included the trailer below
• The Bullet Vanishes  -a period piece and whodunnit

Flying Swords of Dragon’s Gate, which recently played in the states, won some technical nominations but none of the headline categories. 

Best Actor
Nick Cheung – Nightfall
Ching Wan Lau – Life Without Principle
Joseph Chang  - Gf*Bf
Chapman To –Vulgaria
Nicholas Tse –The Viral Factor 

Taiwan's Oscar submission "Touch of the Light" was only nominated for Best Actress

Best Actress
Baihe Bai –Love is Not Blind
Lei Hao - Mystery
Denise Ho –Life Without Principle
Lun-Mei Gwei – Gf*Bf
Sandrine Pinna –Touch of the Light

You can see the rest of the nominees at the official Golden Horse Awards site.

NYFF: "Bwakaw" is a Film Festival's Best Friend

Seventy year-old Rene (Eddie Garcia) is an elderly gay man who fits quite neatly into the crowded movie trope of "Grumpy Old Man." He doesn't have a lawn but he'd clearly want his neighbors to get off of it if he did. He doesn't seem to love anyone or anything other than his dog Bwakaw.

Eddie Garcia and Princess star in "Bwakaw", an Oscar contender from The Philippines

They say that a dog is a man's best friend but I don't think that it's usually meant quite so literally.  Rene is so grumpy that you aren't always sure he loves his faithful canine shadow. In one stinging heartbreakmidway through the film a veterinarian asks him "don't you ever touch your dog?" and it occurs to you that you've rarely seen him do so.

But Bwakaw isn't a demanding girl. She follows Rene everywhere he goes… except inside his house. She's been banned for making a mess the last time she was there and one imagines that was long ago; Rene doesn't let things go easily. He still sleeps, for example, in his boyhood home and he's still quite attached to all of his mother's things including her devout Catholicism though he isn't religious himself (This dichotomy informs several of the film's sharpest comic beats but that's a topic for a much longer piece.) So each night Bwakaw curls up sadly in the dirt at the bottom of the stairs leading to the sad man's bedroom and waits until morning to see her master again.

It's important to note here that Bwakaw the dog is a sandy girl. She'd be barely perceptible from Bwakaw the movie, with its terminally washed out light, colorless rooms, and graying characters, were it not for her happy trot and zest for life. Her name translates to "Voracious" though she's curiously slim and bony for a dog that likes to eat. 

Initially it's not at all clear why this film, a true gem from director Jun Lana and an absolutely worthy Oscar submission, is titled as it is. Bwakaw is not so much an active participant as a shadow, or a sidekick if you're feeling generous. For a good hour the film is little more than a perceptive character study -- not that those aren't welcome -- of a lonely gay man who's angry that he missed out on a full life.  In many ways Rene is a shadow in his own movie. Most of the colorful subplots, broad comedic bits, and vibrant personalities belong to other members of the cast.  Rene's "friends" (I use the term loosely given that he's consistently at odds with most of them) are two flamboyant gay men, a co-worker planning a trip to Canada, a rough taxi driver, a local priest who hears his confessions, and a woman losing her memory in a nearby old folk's home.

But when Bwakaw becomes ill Rene is finally shaken out of his ornery complacency and gradually begins to feel his life again instead of just planning for his death. The film beautifully and fluidly shifts to compliment his journey, letting more light and color and vibrancy into the images.

Many "feel good" inspirational movies boost the spirit synthetically by glossing over life's darkest moments or wishing them away with tunnel vision on the triumphant stuff. Rene's story, however harsh and lonely in its particulars, contains far richer inspiration at its core. Rene is so focused on mortality that he keeps forgetting to live but there's no point in climbing in the coffin before your time. Embrace whatever tiny happiness comes your way. Live. B+/A-

Related Pages
2012 Foreign Film Oscar Submissions Pt. 1: Albania to Italy
2012 Foreign Film Oscar Submissions Pt. 2: Japan to Vietnam
Foreign Film Finalist Prediction List just a little guesswork 

More NYFF
Lincoln's Noisy "Secret" Debut
The Paperboy & the Power of Nicole Kidman's Crotch 
Frances Ha, Dazzling Brooklyn Snapshot
Barbara Cold War Slow Burn
Our Children's Death March 
Hyde Park on Hudson Historical Fluff 

NYFF: "Barbara" Cold War Slow Burn

Michael C. here with another dispatch from the New York Film Festival. This time it’s Barbara, Germany’s submission to the Foreign Language Oscar race. 

When you read as many movie reviews as I do you begin to pick up on certain code words critics will occasionally use, not unlike the way a real estate agent will describe an apartment as “cozy” instead of  “so small you have to open a window to use the microwave.” The reviews for Christian Petzold’s Barbara, for example, will no doubt refer to its “deliberate pacing” or its “slow-burning tension”. They will praise the admirable “subtlety” of the storytelling. All of these descriptors are accurate, no question, but they also dance around a simple blunt truth, which is that for long stretches Barbara is more than a bit boring.

Critics are forbidden to come right out and say this. First, because it makes the writer sound like he or she has zero attention span and wishes the film had more car chases and velociraptor attacks, and second, because the word is so damning it essentially negates the rest of the review. Might as well post the words DON’T SEE THIS in “Man Walks On Moon” sized letters if you are going to bring the word boring into the discussion.

In point of fact, Barbara is quite a good film...

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"Fill The Void", "The Clown" and "After Lucia" Join the Very Crowded Foreign Race

Brazil, Israel, and Mexico -- three countries that have yet to produce an Oscar Foreign Film champ despite a small handful or two of previous nominees -- have now joined the fast-growing list of Oscar's subtitled contenders.

The tally now stands at 35...42 films 44 films and 4 finalist lists!

 Which means we've only got about 20 films left to hear about officially before the list is complete. October 1st is the deadline for submissions and in mid October Oscar will provide us with the official list which will usually contain a few surprises -- either a last minute film switcheroo, a disqualification, or a country that hadn't publicly announced suddenly surfacing on the list. Let's look at our new contenders and their countries nominee history after the jump.

Israel's New Contender: FILL THE VOID by Rama Burshtein which gives us an intimate look at the Hasidic community in Tel Aviv.

Israel's Nominee History - 10 noms / 0 wins
with links to Netflix pages -- all but one available for rental!
1964 Sallah
1971 The Policeman
1972 I Love You Rosa
1973 The House on Chelouche Street (instant watch!)
1977 Operation Thunderbolt
1986 Beyond The Walls
2007 Beaufort (instant watch!)
2008 Waltz With Bashir
2009 Ajami (instant watch!)
2011 Footnote 

Brazil's New Contender: THE CLOWN is about a father (Paulo José) and son (Selton Mello, also the director) who work together as clowns in the circus. The son no longer thinks himself funny and wants to settle down. 

Brazil's Nominee History - 4 noms / 0 wins
with links to Netflix pages if available
1962 Keeper of Promises
1995 O Quatrilho
1997 Four Days in September
1998 Central Station is by far the most universally beloved of Brazilian Oscar contenders even netting a well deserved Best Actress nomination for Fernanda Montenegro. In any other year it would surely have been a winning entry but it had the timing misfortune of going up against Life is Beautiful which was that year's even bigger foreign crossover hit, winning 3 Oscars on the big night (Actor, Foreign Film and Original Score) from its hefty 7 nomination tally which included Best Picture and Best Director nods.

Mexico's New Contender: AFTER LUCIA by Michel Franco is about high school bullying and was a hit at Cannes where it won the Un Certain Regard sidebar

Mexico's Nominee History - 8 noms / 0 wins
with links to Netflix pages -- unfortunately spotty
1960 Macario
1961 The Important Man 
1962 The Pearl of Tlayucan 
1975 Letters from Marusia 
2000 Amores Perros (instant watch!)
2002 The Crime of Father Amaro
2006 Pan's Labyrinth 
2010 Biutiful (instant watch!) 

WHO IS LEFT TO ANNOUNCE?

Plenty of countries in South America and Asia as well as three European biggies. The three countries with the mightiest Oscar stats that have yet to announce this year are...

 Denmark everyone assumes it will be the festival hit costume drama A Royal Affair... which has won acting awards and critical favor. So why haven't they announced that yet? Rumor has it they're announcing today so perhaps it's a done deal by the time you read this.  YEP. IT'S A ROYAL AFFAIR
Italy Reality had some buzz but NYFF is playing Caesar Must Die so it would sure be convenient... for me ;) ... if it were the latter.
Spain announces next Friday though they've already narrowed it down to three contenders. I'm hoping it's the silent black and white Snow White picture starring the internationally recognized Maribel Verdu (Y Tu Mama Tambien, Pan's Labyrinth, etcetera) because I like annual themes, don't you? See we're drowning in Snow White movies in 2012 -- you'd think this ancient story had just hit the public domain or something? -- so let's finally get a good one in the mix!

Foreign Oscar Updates. Will France Finally Win Again?

With France's official announcement that the blockbuster The Intouchables will be their Official Oscar submission for Best Foreign Film, is the race already over? Its global tally currently rests at an astounding $364 million dollars, most of that from overseas bank. The film hasn't been ignored in American arthouse theaters exactly but it's $9 million gross and mainstream appeal (it's even in the IMDb top 100) qualifies it as a major arthouse hit but no crossover slam dunk; roughly speaking it's a hit the way last year's foreign film winner, the instant classic A Separation, was or the way Beasts of the Southern Wild is.

French cinema has had a complex intermittently passionate long-distance relationship with Hollywood since cinema began and that is reflected in their Oscar success over the years both in this category and others. France leads all countries in most Foreign Film nominations by a wide margin (36 nominees to Italy's 26) but surprisingly they have not won since the Catherine Deneuve drama Indochine rocked US arthouses twenty years ago. Will this Gallic sort-of variation on Driving Miss Daisy (is that too dismissive?) be a lock for Oscar love or will last year's swerve towards critically prestigious international cinema signal a sea change to new glory days for the category? (Yes, I still have impromptu ecstatic flashbacks to A Separation's win)

OFFICIAL SUBMISSION CHARTS 2012 -- everything in one place as we do: posters, trailers, info. Pass it on.

Current Predictions - Australia, Austria, Denmark, France and Romania 
Albania through Iran - 15 official submissions (thus far... updates in progress)
Italy through Venezuala - 16 official submissions (thus far... updates in progress)

Amelie netflix illustration by Tim Hodge (click for original source)A collection of France's biggest Oscar hits if you'd like to catch up with a movie marathon at home... after the jump

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