Alida Valli @ 100: Star of The Third Man, Suspiria, and Hitchcock’s The Paradine Case

by Brent Calderwood

Alida Valli, who was born 100 years ago today in Pola, Italy (now part of Croatia), became a legend of Italian cinema in classics ranging in style from Luchino Visconti’s operatic epic Senso to Dario Argento’s supernatural slasher Suspiria. In a career that spanned 68 years, international directors were repeatedly drawn to her dark, inscrutable beauty and haunted green eyes. She's still admired by film lovers worldwide for three noir-tinged movies she made while abroad: The Third Man opposite Orson Welles (where she gets one of the most famous screen exits in history), Alfred Hitchcock’s The Paradine Case, and the French horror film Eyes Without a Face.  

In 1947, producer David O. Selznick invited Valli to Hollywood, hoping to repeat the success he’d had with two of his other European “discoveries,” Ingrid Bergman and Vivien Leigh. He gave her the full star treatment, even briefly abbreviating her name to the one-word “Valli” à la “Garbo” and having Hitchcock helm her first American picture...

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Animated Features of 2021... and first Oscar Predictions!

by Nathaniel R

This past year wasn't a particularly great one for animation but hope springs eternal and maybe we'll have a more competitive Oscar race next February? This will be the 21st year of the Best Animated Feature Oscar race. With 20 years of statistics we know what Oscar voters go for in this category and what they don't. They generally turn their noses up at sequels (unless they absolutely adored the first one). They will always honor at least one international title (but usually two) with a nomination, but they won't give them the win unless they absolutely have to. The animation studios Cartoon Saloon, Laika, and Aardman are widely respected by animators and will always be nominated if they're eligible... but it usually stops there as the wider voting body on the "win" defaults to big American studio animation and 70% of the time (literally) the wins go to the Mouse House for either Disney or Pixar titles. When it comes to animated titles from overseas they're a bit like they are with the Best International Feature category (even though it's different voters) in that they generally ignore Asian animation (with the exception of Studio Ghibli) and prefer European titles. 

With the recent announcement of the competitive line-up for the 2021 Annecy festival (one of the four most important animation events each year) we have a better sense of which international titles might crop up this year in the circles that love animated films. Surely at least some of these will submit to the Oscar race as well. So here's as many animated features as we could find that might delight animation-loving cinephiles this year

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Directors should get the Best International Film Oscar

by Cláudio Alves

While many aspects of the Oscar ceremony annoyed, quite a lot of elements worked to significant effect. Chief among them, the fact winners were allowed to deliver their speeches with no apparent time limit. I don't know about you, but I love long acceptance speeches, especially those that take me on a journey. On the comedic side, we have Daniel Kaluuya, who topped his inspiring sentiment with euphoric comments about his parents having sex. The miracle of life indeed. In contrast, Thomas Vinterberg delivered a gut punch when he spoke about his daughter's tragic death upon accepting the Best International Film statuette for Another Round. It was a great, heartbreaking moment, illuminating the pain that can exist behind fantastic art. 

Considering all that, it's a pity that the Oscar itself doesn't belong to Vinterberg, nor will it be credited as his victory. As it happens, this is the only category where the winner isn't a person…

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Almost There: Mads Mikkelsen in "Another Round"

by Cláudio Alves

AMPAS isn't particularly open to the celebration of non-English-speaking performances. Still, once in a while, one or two manage to score big with the Academy, even win gold. That might very well happen this year with Youn Yuh-Jung's Best Supporting Actress bid for Minari. However, that doesn't mean that 2020 didn't have lots of other great non-Anglophone turns ignored by Oscar. For instance, in the Best Actor race, Mads Mikkelsen might have come close to his first nomination for Thomas Vinterberg's Best Director and Best International Feature nominee, Another Round…

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Best International Feature: The Man Who Sold His Skin

by Cláudio Alves

For the past few months, I've been trying to watch as many Best International Feature submissions as I possibly can. For The Film Experience, I reviewed 33 of those titles, including nine of the 15 shortlisted films, with most of the remaining finalists being taken care of by other writers. Still, one feature remained unreviewed on Oscar nomination morning, and, as luck would have it, that very same production nabbed a somewhat surprising nod. I wish I could say I was happy about The Man Who Sold His Skin's triumph, but Tunisia's seventh ever submission and first nominee proved to be a disappointment…

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