Posterized: Romanian Cinema

by Nathaniel R

Whistlers, the Romanian submissions for this past Oscar race opened in a few US cinemas this past week (we reviewed it in November). It's a blackly comic noir that's been compared to the work of the Coens and it comes from one of the most celebrated Romanian New Wave auteurs, Corneliu Porombiou.

Romanian cinema was largely neglected and underfunded until after the fall of Communism in 1989. Things began to pick up after that. In the mid-Aughts the country's cinema became a critical cause with prize-winning films emerging with great frequency. The country's most acclaimed cinema is often categorized by gallows humor and incisive or satiric socioeconomic and political commentary.

For the second episode of this new season of "Posterized" and  "Making Waves" a retrospective of Romanian cinema currently playing a US tour, we've selected the (arguably) 15 most famous and/or acclaimed films from the country over the past 30 years. How many of these  have you seen? Don't feel bad if your number is very low (we haven't seen the majority of them either) but do you see anything you've been meaning to catch up with or that now piques your interest? 

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Sophia Loren Returns...

by Eric Blume

Variety recently announced that Netflix has acquired rights to an Italian remake of the 1977 Oscar winner for Best Foreign Film, Madame Rosa. Now titled The Life Ahead, it stars Sophia Loren in the Simone Signoret role, who this time "forges a bond with a 12-year-old Senegalese immigrant boy named Momo."

There's a lot to unpack here.  The original Madame Rosa movie is notoriously one of the worst winners of that Oscar category, and for good reason:  the movie is sentimental garbage.  This French film won over, among others, Luis Bunuel's challenging The Obscure Object of Desire and Ettore Scola's A Special Day, starring Marcello Mastroianni and...Sophia Loren...

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"Parasite" and the other most popular foreign film hits of our lifetimes.

by Nathaniel R

In lieu of the traditional box office charts for the holiday weekend, it's time to marvel yet again at how leggy Parasite (2019) continues to be. After its Oscar win a week ago it doubled its screen count and is expected to take in over $5 million this weekend once the actual money has been counted. So let's take a look at the very biggest international hits since box office stats began to be a commonly reported thing. Which foreign films were the all time biggest hits (since the late 80s)? For clarity we're talking about films that weren't in English but also weren't from the US which removes Mel Gibson's weird dead language projects like Passion of the Christ and Apocalypto, Clint Eastwood's Iwo Jima, and the recent Lulu Wang hit The Farewell among a few others. 

THE 25 HIGHEST-GROSSING INTERNATIONAL
FOREIGN-LANGUAGE FILMS
IN DOMESTIC RELEASE (1987-2019)

01 Crouching Tiger Hidden Dragon (Taiwan, 2000) $128
10 Oscar nominations including Best Picture. 4 wins. There will never be another subtitled hit as big as this one but what a glorious film to find up top. 

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Streaming Roulette: Honey Boys & Gates of Hell

by Nathaniel R

The mania of Oscar season completely detached us to what people might have actually been streaming at home. So let's get back to that with a short round of Streaming Roulette. If you're new to the site that's how we share new streaming offerings. We select a handful (or two) of titles and just randomly hit a place on the scroll bar to see what the film looks like - no cheating. 

If you'd like us to write up any of the new to streaming pictures (there's a huge list after the roulette) please share what you'd most like to talk about in the comments. Maybe we'll get to 2 or 3 of them? Ready? Let's stream...

The reviews were... like, I murdered their children or something. 

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Is the "One-Inch Barrier" Falling?

by Eric Blume

Since Parasite's historic Best Picture win this past Sunday, the heat surrounding it has not let up. Though the movie is already available on DVD and Blu-Ray, it will expand to 2000 screens this weekend in US theaters and a Criterion Collection release has also been announced (along with Memories of Murder, Bong's original breakthrough title). Given the hoopla, the industry trade magazines are falling over themselves to write stories about the change that may come for international titles.  The Hollywood Reporter has an interesting article proclaiming that we'll be seeing many more foreign film titles in the American marketplace in the next few years.

This article gives big credit to Netflix for "global programming" that is helping people get over the "one-inch barrier" (i.e., subtitles) that has plagued marketing of foreign product over the decades.  It's an interesting take...

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