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Entries in foreign films (227)

Friday
Nov282014

Amir's Thank Yous

Editor's Note: I asked Team Experience to tell us what they're thankful for this year during the holiday weekend. Here's Amir in the cinematic spirit.

Amir here. As a quick browse through the comments sections on my box office columns can attest, many readers of this website think that I'm the Grinch. It's hard to blame them but the truth is that, if we move away from the dross that Hollywood offers in thousands of theaters, I enjoy quite a healthy relationship with contemporary cinema. Here, for a change of mood, is a positive, complaint-free post.

I'm thankful...

For, first and foremost, TIFF as an organization in Toronto, especially their year-around programming of older films and for the festival that doesn’t just bring great cinema to the city, but great people, too. (If not for this festival, how else could I attract Nathaniel and Nick to town for shared screenings and dinner?) The experience of having all my favourite fellow writers here at home for a few days is what I cherish most about cinema every year.

For courageous filmmakers, this year more than ever, for films like The Look of Silence, Closed Curtain, Citizenfour and Silvered Water: Syria Self Portrait; and for our modern auteurs raising the bar for themselves even further with great works like The Immigrant, Under the Skin and The Grand Budapest Hotel.

For Jake Gyllenhaal challenging himself with interesting roles (and, let’s be honest, thankful that we get to look at him) and Marion Cotillard who delivers masterworks with such frequency that we forget how complicated her performances really are (and, let’s be honest, thankful that we get to look at her).

For the discoveries of Gugu MBatha-Raw and Adam Bakri. And Jenny Slate crossing the border to films with a remarkable debut and for Elisabeth Moss reproving her brilliance on the big screen this time.

For Xavier Dolan finally directing his first good film – oh, look, there I go again, being cynical – and for smart, intelligent films like The Strange Little Cat and A Most Wanted Man.

For, most of all, Nathaniel for keeping me around here and for Team Experience for making compiling all our polls really fun. And you too, readers! If you’ve made it this far, know that I’m really grateful that you’re reading!  

-Amir

 

Related: Nathaniel gives thanks, Jose gives thanks 

Friday
Nov212014

Interview: Director Stefan Haupt of "The Circle" 

Jose here. This year's Oscar race for Best Foreign Language Film includes many films featuring gay characters or dealing with LGBT issues, one of them being Swiss entry The Circle, a documentary/drama hybrid that tells the story of the groundbreaking title publication, which became one of the most popular LGBT magazines in the post-WWII era. The film, opening in limited release today, focuses on the story of two members of the network that helped create The Circle, schoolteacher Ernst Ostertag and drag entertainer Robi Rapp, who not only survived the repression of the era (which included a serial killer who targeted gay men in Zurich) but eventually became the first same sex couple to get married in Switzerland.

I had the opportunity to talk to the film's director Stefan Haupt, about this landmark project and what Oscar could mean to help share this wonderful story. Interview after the jump...

Click to read more ...

Tuesday
Nov182014

Foreign Oscar Watch: Iran's "Today"

[This post is part of our continuing series on this year’s contenders for the Best Foreign Language Film Oscar. We're aiming to review (gasp) half of them. Here’s Amir with the Iranian entry, Today. He has also interviewed the director and discussed the film on his Iranian cinema podcast "Hello Cinema". - Editor]

Reza Mirkarimi is probably overdue for an Oscar nomination. Sure, his name doesn’t ring a bell for a lot of cinephiles and doesn’t carry the same weight as internationally renowned Iranian auteurs such as Kiarostami, Panahi or Asghar Farhadi, but consider this: He is the only filmmaker to have had his films shunned by both the Academy and the Iranian committee that submits them!

His first try for gold came back in 2005 with So Close, So Far, a meditative and moving portrayal of a broken father-son relationship. It was far stronger than all five of the eventual nominees but that was before voters in this category had begun to vote for what is actually best. Still, he had every reason to be hopeful in 2012 with A Cube of Sugar, a distinctly Iranian film with a regional flavor that surprisingly won awards at every festival it played at. Coming on the back of A Separation’s win, it was reasonable to expect the raised profile of Iranian cinema to help the film along the finish line. Yet, the Iranian committee submitted the film and boycotted the Oscars later on the same day! Remember that strange story?

So, two years on, Mirkarimi is back with Today, a consensus option that wasn’t exceptionally well received in its home country, but saved the committee a whole lot of political trouble compared to their other choices...

Click to read more ...

Sunday
Nov162014

Interview: Daniel Ribeiro on his Brazilian Oscar Submission

Over at Towleroad I interviewed Daniel Ribeiro on his international LGBT hit The Way He Looks. You can read that interview over there but I thought I'd share a few extra and Oscar-related bits here most of which I didn't include there for space reasons. And since we're among Oscar fanatic friends here at TFE...

Ribeiro, who hails from São Paulo and has seen his very first feature go from a Berlinale Teddy win to a multi-national release and finally Brazil's choice to represent the country at the Oscars.  He's thankfully very relaxed about his Oscar chances. He seems more pleased that Brazil submitted it at all than expectant of anything more. But "You never know" ... 

Here are a few excerpts from the interview...

Click to read more ...

Thursday
Nov132014

Foreign Submission Review: Panama's "Invasion"

Here's Jose to look at the first Oscar submission ever from Panama. They sent a documentary.



On the early morning of December 20, 1989, the United States invaded Panama. Under code-name Operation Just Cause, the US deposed de-facto leader Manuel Noriega and president-elect Guillermo Endara was sworn into office. Setting a precedent of inexplicable, unjustified foreign invasions under the command of presidents named George Bush, the Panama intervention was notorious for its lack of transparency; while US officials set the casualties tally at 500, local records report up to 7,000 civilians and soldiers who were never heard of again. Even more interesting is the fact that the invasion is simply something people don’t talk about anymore.

[More...]

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