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Entries in foreign films (713)

Tuesday
Jul242018

TIFF Galas & Special Presentations Announced

by Nathaniel R

TIFF is around the corner y'all. Excited we are since it means the prestige film season and another round of Oscar madness is about to begin. For the first time TIFF has allowed The Film Experience two press passes so Chris Feil and Nathaniel R (that's me) will both be covering in real time for the whole fest from September 6th through the 16th. Today TIFF has announced the 47 films that will be featured in their Galas and Special Presentations sections. These are the two sections wherein you'll usually find the mainstream awards hopefuls shoulder-to-shoulder with more traditional festival fare and world cinema premieres. TIFF usually has hundreds of films so this is just the first announcement. 

The full list containing masterpieces and duds and everything inbetween (though we won't know which-is-which-is-which until we see them) is after the jump!

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Monday
Jul232018

Almodóvar has started shooting his next film!

by Nathaniel R

Pedro Almodóvar has begun shooting his next film which is called Pain & Glory, so we can expect it in 2019. This will be Penelope Cruz's sixth collaboration with one of the world's greatest directors (she previously headlined Volver and Broken Embraces and had supporting roles in Live Flesh, All About My Mother, and I'm So Excited). Antonio Banderas will also co-star, marking his 7th Pedro film. Other Almodóvar regulars appearing will be Kiti Mánver (6th time) and Julieta Serrano (5th time). Though Pedro pictures are usually all about the actresses occassionally he throws gorgeous men into the mix. And this looks like one of those times. In addition to Banderas in what we assume will be the lead role (?), we've got: Raúl Arévalo from I'm So Excited, Leonardo Sbaraglia (Wild Tales) and Asier Etxeandia (Ma Ma).

The movie will also be the feature debut for a young popular singer named Rosalía. She posted the following picture on her instagram...

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Monday
Jul092018

Bergman Centennial: Winter Light (1963) and the echo of First Reformed (2018)

Team Experience will be celebrating one of the world's most acclaimed auteurs for the next week for the 100th anniversary of Ingmar Bergman's birth. Here's Sean Donovan...

Perhaps none of Ingmar Bergman’s films do more to conjure clichés of what a ‘Bergman film’ is than 1963’s Winter Light. While Persona is undoubtedly the cinephile consensus choice for his best film, and The Seventh Seal or Wild Strawberries are his most widely-seen, frequently adorning college syllabi about the history of European cinema, the morose sadness for which his work became known feels most exemplarily expressed in Winter Light. The second part of a trilogy about “the silence of God” (starting out grim already), Winter Light’s infinite quiet, stark black-and-white cinematography, freezing cold exteriors, and tear-soaked monologues scream BERGMAN in capital letters. It’s strange viewing with which to start a hot summer weekday morning, but here we are. Though the severity of film that threatens to overwhelm you, it is my personal favorite of the Bergman canon, superbly acted and filmed with a brisk lightness that befits an auteur frequently in danger of getting weighed down in heavy-handedness. A freezing shot of aquavit on the rocks can knock you over and have you questioning the purpose of your life. 

Winter Light may be reaching new audiences this year as it has received a renewed relevancy from Paul Schrader’s First Reformed, an unofficial remake blatantly taking the premise and applying it to the contemporary United States...

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Sunday
Jul012018

Halfway Mark - Box Office Hits of 2018 (Thus Far) in Multiple Categories

by Nathaniel R

It's time for the annual "halfway mark" festivities. With the first six months of the year done, we are triggered to look back at one came before. To make this far more interesting than just "biggest blockbusters" we're listing the biggest hits of multiple categories. If we've written about them extensively, talked about them, or reviewed them, that's where the links take you.

Key: The totals are domestic as of estimates this weekend.Titles that still have life in them (i.e. are still in active release and not done or just about to leave) have up arrows next to them. OKAY THE LISTS. Ready? Let's go!

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Friday
Jun292018

Blueprints: "A Fantastic Woman"

To celebrate Pride Month, every week of June Jorge has been highlighting the script of a movie that focuses on a different letter of the LGBT acronym. For “T”, the last installment in this miniseries, he looks at the most recent Oscar winner for Best Foreign Language Film.

The LGBT experience encompasses all types of people, genders, nationalities, economic statuses, and every intersectionality in between. It doesn’t look one single way, and it certainly doesn’t feel like one, either. As the canon of queer cinema being to expand beyond one or two points of view, the ways in which film reflects this experience starts to get as diverse and colorful as the community itself.

So let’s take a look at A Fantastic Woman, the Oscar-winning Chilean film about a trans woman dealing with the loss of her partner, and the overwhelming grief and pressure that come with it. While it is a sobering portrait of a trans experience, it also effectively uses surreal imagery to portray the particular moments that Marina is going through. Let’s dive into two of them. 

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