TIFF: The Quietude

Nathaniel R reporting from the Toronto International Film Festival

Martina Gusman (Carancho) and Oscar nominee Bérénice Bejo (The Artist) are exceedingly well cast as loving sisters reunited when their wealthy father has a stroke in this sexy family melodrama from Argentina. The sisters are tight despite years of separation but they have dramatically different relationships with their mother (a commanding turn from Graciela Borges) who clearly favors one and disdains the other. Despite the capable and supremely sexy cast (Edgar Ramirez and Joaquín Furriel are the male love interests for the sisters... and, well, who wouldn't be interested?) and a few witty visual moments and firecracker scenes, the movie is a mixed bag. The character arcs don't fully land given the erratic quality of the screenplay.

And I'm not one to normally harp on "the male gaze," a triggering complaint now so frequently overused it's beginning to lose  meaning, but here we have a textbook example...

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TIFF Quickies with Gael García Bernal, Paprika Steen and more...

Nathaniel R reporting from the Toronto International Film Festival

Herewith very quick notes on five new films from world cinema, some with stars you'll recognize, that deserve lengthier word counts. That said, we're a week behind with TIFF reviews so we have to crank them out somehow -- better short-takes than no takes at all! 

Museo
The ever prolific Gael García Bernal continues to be a gift to world cinema. He has a small role in The Kindergarten Teacher (which... more on later) but fully carries Museo, a restless gem from Mexico. The movie begins with a formative father and son memory and memorable newsreel footage of an ancient statue being hauled across Mexico as a prized museum acquisition. Years later in 1985, the son Juan Nunez (García Bernal), or "Shorty," as his often derisive family calls him, remains obsessed with the story and robs the National Museum of Anthropology in Mexico City of 140 more mobile pre-Hispanic pieces...

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TIFF: Christian Petzold returns with "Transit"

Nathaniel R reporting from the Toronto International Film Festival

Fans of the haunting post-war German drama Phoenix (well loved right here), will want to check out the latest from one of Germany's greatest directors Christian Petzold. Like Phoenix, Transit is a story of lives tragically ruined by war and new identities emerging from the rubble. Transit isn't as much of an eery mystery as Phoenix, but it plays with similar themes. Our protagonist Georg played by the arresting, highly watchable Franz Rogowski (Happy End) initially appears to be an opportunist, doing two dangerous jobs for cash involving personal letters or actual transport for desperate people trying to escape attention in Germany on their way out of the country, and stealing another man's identity as his own ticket out. But our first impression is quickly complicated...

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Six More Foreign Film Oscar Contenders

by Nathaniel R

We're now up to 36 entries for Best Foreign Language Film, so  over one-third of the way to the full list. Of the six latest announcements The Heiresses has had the arguably highest profile at festivals but the Russian entry is the most "typically Oscar-like" in subject matter, though that thankfully matters less than it once did, even in the foreign category. 

• The Great Mystical Circus Brazil
  A century in the life of a family of circus owners. This is the 7th time Brazil has submitted a film by Carlos Diegues. He's their most frequently submitted director but none of his submitted films have been nominated. 
• Graves Without a Name Cambodia
  Rithy Panh created Cambodia's only Oscar nominee (the brilliant documentary The Missing Picture). This is another doc on the same topic: the Kmer Rouge and genocide
• Polyxeni Greece 
  The plot sounds intriguing. A young Greek orphan with a lust for life, is adopted and raised by a wealthy Greek-Turkish couple, unaware that people are plotting and after her large inheritance. Greece used to automatically submit the winner of the Thessaloniki Film Festival but those awards have since been abolished. The new big prizes for Greek films are the Hellenic Film Awards (often referred to as "the Iris" like we call the Academy Awards "Oscar"). They began in 2010 with Dogtooth as their first winner but winning the Iris (which Polyxeni did) doesn't automatically get you the Oscar submission since the submission is now decided by a committee. 
• Sunset Hungary
  It's László Nemes' follow up to his Oscar winning debut Son of Saul. He's gone further back in time from World War II in the previous picture to just before World War I for this story of a young woman who wants to be a milliner in a hat shop previously owned by her parents.
• The Heiresses Paraguay 
  Lesbian drama about a formerly wealthy woman restarting her life after her longtime partner is imprisoned. Among its several festival prizes is the promising Best Actress win at Berlinale.
• Sobibor  - Russia 
  A true story of a prisoner uprising at an extermination camp in Russia during World War II.

Related:
FOREIGN FILM PREDICTIONS
FOREIGN FILM SUBMISSION CHARTS

Burning, The Cakemaker and more join the Foreign Film Race.

by Nathaniel R

We're now up to 31 Oscar submissions so, a third of our way to the finish line. Here are the new announcements since the last post. 

• The Cakemaker- Israel 
  A gay drama about a man who becomes friends with his dead lover's wife (who didn't know they were involved). It just won the Ophir for Best Picture (along with Best Director, Actress, and more). This had a theatrical release in the US over the summer. Have y'all seen it? 
• Gutland  - Luxembourg  
  We recently mentioned that this noir starring Frederic Lau (Victoria) and Vicky Krieps (Phantom Thread) is streaming on Amazon Prime. But when we mentioned it we had no idea it would be Oscar submitted.
• The Resistant Banker - The Netherlands 
  WW II drama about a Dutch banker funding the resistance under the noses of Nazis. That sounds right up the ally of how Oscar used to play the Foreign Film category but times have changed. Will it be good enough to appeal to their WW II drama-loving previous natures?
• Offenders - Serbia
  A thriller about university students out to test a theory that human nature inevitably leads to anarchy.  
• Burning -South Korea
  The Cannes hit which gets a US release in early November. Oscar is notoriously resistant to Asian cinema which is a total shame since this one has received rave reviews and its South Korea's third time choosing a  Lee Chang-dong picture and he's such a talented filmmaker but Oscar has yet to recognize that. Or South Korea in general despite their awesome cinema.
• Champions - Spain
   A film about a team of disabled athletes starring real disabled people. It's apparently a huge crowd-pleasing hit in Spain

Related:
FOREIGN FILM PREDICTIONS
FOREIGN FILM SUBMISSION CHARTS