Best Shot Collection: Gone With the Wind (Pt. 1)

Seventy-five years ago this December (yes, we'll celebrate again...albeit in a different way) Gone With the Wind premiered. No, that isn't quite right. This epic about a selfish Southern Belle surviving the Civil War and beyond ARRIVED IN STYLE with a three day celebration in Atlanta which reportedly drew one million visitors -- how'd they fit them all into the theater? (Hee). 1939's Best Picture winner arrived with roughly a bajillion times the anticipation that today's blockbusters get because pop culture was far less fragmented back then and everyone was obsessed with it. It would stay in theaters for literally years (the first couple of them at twice the normal ticket price) and become the biggest cinematic smash the world would ever see. To put it into perspective only Star Wars ever came close with The Sound of Music, E.T. and Titanic fighting for a distant third.

To look at something this large for a single defining image is an impossible task (or two images rather since we've split it in half). My favorite recurring visual motif of the film, Scarlett moving against the current of the crowd as befitting her singular tetchy anti-heroine nature and her duties as protagonist just doesn't look magnificent in freeze frames, but my favorite instances are two: First, when war has been declared and she walks up the stairs calmly through a sea of pastel dresses running down them (bless the film's first fired director George Cukor - that's obviously his work!), and second, her selfish exit from the scene of an amputation when she moves from the sweaty interior nightmare of a hospital to the shock of an exterior nightmare of chaos outside in the streets. Other favorite images were too small or atypical. For instance, there's this calming exquisitely lit shot of Mr and Mrs Ashley Wilkes. [more...]

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Gone With The Wind... Blown To Wednesday Night!

For all your procrastinators, a gift. I'm having an issue with my copy of Gone With the Wind which will postpone my own choice for "Best Shot" until tomorrow. So we'll move the Best Shot party until tomorrow night giving you an extra 24 hours to get on that if you wanted to but were having trouble cramming it in.

If you're shaking your fist into the sunset eager to read about iconic shots from Gone With the Wind (1939) do not fret. Some of our favorite bloggers are already on it:

Timothy -" one of those movies that's so much bigger than anything you can measure it against that even calling it a "movie" seems inadequate..."
Lam - "one of the first English-to-Vietnamese literary translations that my mother read as a child..."
Jason -"The film has no shortage of sumptuous images of the war's destructive power..."
Kacey- "In the seventh and eighth grade, I had this social studies teacher. We’ll call her Ms. B. [she] announces to the class that we’re going to spend a week watching Gone With the Wind..."
Shane - "No matter how you feel about the film, there's no denying its visual grandeur...."

And a brand new participant who starts with this wonderfully funny promise!

Clover - "I barred myself from anything that has been or ever will be used in an Oscar montage..."

Scarlett is NOT pleased that you aren't planning on picking your own "Best Shot". Get on it, people!

Reminder: This "Best Shot" episode is a two-parter. Choose a Best Shot from somewhere between the opening credits and the "I'll never go hungry again" intermission. Next Tuesday, August 26th, we'll complete the film with our Part 2 selections.

Frankly, you should all give a damn. Join us. There's still time.

Gone With The Summer

Hattie is judging you. Stop with your fiddle-dees and choose a 'BEST SHOT' alreadyI'm like one of those horrible teachers that gives you endless homework. But I hope in the end when you graduate you'll be all 'he was the best. O Captain My Captain' and whatnot.  But here's what you should be watching for maximum participatory glee here at The Film Experience as the summer draws to a close.

Retro: To close out "Best Shot" we'll be celebrating Gone With the Wind in two parts for its 75th anniversary year on August 19th (pre-intermission) & August 26th (post-intermission) and The Matrix on September 2nd (if you've always wanted to participate, why not now?); Anne Marie will look at Long Days Journey Into Night and Guess Who's Coming To Dinner as she hits the glorious 1960s in "A Year With Kate". And we'll be celebrating a few films from 1989 leading up to the Supporting Actress Smackdown on August 31st: Julia Roberts (Steel Magnolias) vs Dianne Wiest (Parenthood) vs Brenda Flicker (My Left Foot) vs Lena Olin + Anjelica Huston in (Enemies: A Love Story). Make sure to get your votes in on those since you are the 7th panelist! 

The Now: Emmy countdown madness. More on Boyhood. Reviews of The Giver, Frank, and The Congress. And coverage of two must-see indies Love is Strange with John Lithgow and Alfred Molina and The One I Love with Mark Duplass and Elisabeth Moss. 

Elisabeth Moss in "The One I Love"

And then we hit The Toronto International Film Festival to start September off right. This fall is going to be so exciting. I can feel it. More interviews. More festivals. More guest star actors. More. Whoo-hoo! 

Film on Film: 5 Classics That Deserve a Film of Their Own

[Editor's Note: Here's abstew with 5 Hollywood on Hollywood pitches. Co-sign!]

It's no secret that one of Film's favorite subject matters is, well, itself. The past two Best Picture winners (The Artist and Argo) have had Hollywood and the art of film-making at their core. And this weekend another film-on-film, Saving Mr. Banks, about Walt Disney's decades long struggle to bring Mary Poppins to the big screen expands across the country in its quest to join those previous films in Oscar glory. The story seems ready-made for the movies - beloved source material, larger-than-life characters/personalities, and, just because it can, a hard-knock-life childhood back-story thrown into the mix. (If the old Hollywood angle doesn't win them over why not add the Academy's other irresistible allure: the biopic. It's two films for the price of one!)

I'm sure many people were unaware what went into trying to convince author P.L.Travers to sign over the rights to Disney and I'm sure even fewer people knew about Travers' back-story. But so many classic films have equally fascinating behind-the-scenes stories that would make just as compelling films. In honor of Saving Mr. Banks, here are 5 other classic films that deserve their own film treatment. So, quiet on the set...Action! 

The Wizard of Oz 

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Interview / Giveaway: "Vivien Leigh: An Intimate Portrait"

TFE's Vivien Leigh Centennial Celebration (November 2-6) 
Here's David with an interview and book giveaway 

Vivien Leigh was only nominated for two Oscars, but she won both of them. More impressively, both of her winning performances are still frequently said to be among the finest of all-time. If she’d done nothing else in her career, that would be a legacy to be proud of. It’s even more extraordinary when you consider the personal struggles that the actress went through: constantly striving to feel worthy of acting alongside the love of her life, Sir Laurence Olivier, and an undiagnosed and mistreated bipolar disorder that increasingly overtook her. In Vivien Leigh: An Intimate Portrait, Leigh scholar Kendra Bean digs into the actress’ dramatic life story, using a myriad of photographs both legendary and rare to imbue Vivien’s life with the vulnerability of her delicate beauty.

book contest and interview after the jump

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