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The Grammy Awards were announced today with Kendrick Lamar (11 nominations), Taylor Swift and The Weeknd (7 nominations each) leading the nominee pack. But here at The Film Experience we're only really concerned with the visual categories.
I'm not including Grammy's Spoken Word category as I am sometimes prone to do because there aren't actors involved this year beyond Amy Poehler who is nominated for the audiobook of her "Yes Please" memoir. But don't get too excited about her nomination. The brilliant Poehler seems to be a statue repellent; she's not anywhere close to an EGOT since she's never even won a damn Emmy despite years of TV brilliance.
New contributor Coco here, very happy to be joining the Film Experience team. Have you seen the latest Adele video?
Isn't it only logical that Adele's almost four-year hiatus was broken thanks to one of the most prolific auteurs of our times? It's unclear how much of a role Canadian wunderkind Xavier Dolan played in getting Adele to record her long-awaited third album, but he directs the video for first single "Hello".
It's clear from this video that Adele is a huge fan of Dolan's Mommy, that she saw it, and that it was so trasnformative it inspired her to get up and finally record the follow-up to her megaselling and Grammy-winning album 21. That might be giving Dolan too much credit -we'll have to wait for the 25th anniversary oral history to find out the details- but the influence is there. Not only does it feature Dolan's trademark exhuberance, it also sounds a lot like the kind of song that would have been part of the Mommy soundtrack, especially with those "I'm sorry" chorus toward te end.
What do you think? Was Adele totally inspired by Dolan? Do you think the song will win all the Grammys?
I've been struggling for inspiration today which is a good reason to clear my head via the dispensing of a whole lot of randomness. And by randomness I mean, compilation lists.
We have so many Oscar races to discuss and a few more interviews and I don't know what's keeping me but until the next post, please to enjoy these marvelous tweets from the week that was, divided into helpful subcategories for your skimming pleasure. These are the only posts you are allowed to skim. Otherwise you should read. Reading is fundamental.
RANDOMNESS
Jupiter Ascending: I found 90% of it incomprehensible but the other 10% seemed to be a sci-fi remake of Maid In Manhattan.
Annie takes us to church, then puts a spell on usWith Taylor Swift's cheekily titled "1989" the music world's best-seller of 2014, and a least half of all movie franchises with their roots firmly embedded in the "me" decade is pop culture forever frozen in 80s amber? We hardly needed another reminder that the 1980s are still roaring but what were the chances that the two best performances of the Grammy's would come from Annie Lennox and Madonna?
I don't ask this as someone with significant ties to loving the 1980s (though I am someone like that) but from genuine surprise. It's not that there aren't great performers that are very now but they all seemed conspicuously absent last night or visibly subdued within the long procession of funureal ballads the Grammys showcased. Hell, even Pharell's boppy "Happy" which memorably gave us Streep shimmying and Nyong'o jumping to her feet at the Oscars last year, was performed with 'everything is not awesome' minor key ominousness.
After the jumpmovie & Oscar related Grammy stuff and big wins. But first a few words on Madonna and the delicious deep red new video from the undeposed Queen of Pop.
First image of Meryl Streep as a rock star in Jonathan Demme's Ricki & The Flash via People magazine. Very Melissa Etheridge. (Is it just me or is Meryl getting younger?) So excited for this movie. Demme is always at his best when he focuses on actresses (Married to the Mob, Rachel Getting Married, Silence of the Lambs) and who doesn't love to hear La Streep sing?
Uh oh... I feel a list coming on
10 greatest silver screen uses of Meryl's astounding pipes... 01. "You Don't Know Me" - as Suzanne Vale in Postcards from the Edge (1990) 02. "He's Me Pal" - as Helen Archer in Ironweed (1987) 03. "Stay With Me" - as The Witch in Into the Woods (2014) 04. "I See Me" - as Madeleine Ashton in Death Becomes Her (1992) 05. "Amazing Grace" - as Karen Silkwood in Silkwood (1983) 06. "My Minnesota Home" - as Yolanda Johnson in Prairie Home Companion (2006) 07. "I'm Checkin' Out" - as Suzanne Vale in Postcards from the Edge (1990) 08. "The Winner Takes It All" - as Donna in Mamma Mia (2008) 09. "The Last Midnight" - as The Witch in Into the Woods (2014) 10. "Goodbye to My Mama" - as Yolanda Johnson in Prairie Home Companion (2006)
Meryl was singing before she ever hit the movies... here she is on stage in her Drama Desk nominated Broadway role in 1976's "Secret Service" the year before her first movie came out (Julia).
Heartily agree with Louis Virtel that she should have released an album by now. I mean, come on. I'd be fine with "Meryl's Greatest Hits" so I didn't have to build my own playlist. How reinforced are her shelves at home do you think what with the 3 Oscars, 8 Golden Globes, 8 People's Choice Awards, 2 Emmys, 2 SAGs, 2 BAFTAs, 2 Critics Choice, 1 Cesar, 1 Theater World, and multiple festival and critics prizes (though those are often less statues than scrolls or certificates or whatnot)? Despite being an awards & nominations magnet she hasn't had much luck with theater or music trophies so she hasn't made any progress on her EGOT since her Oscar win for Kramer vs. Kramer (1979) which followed her Emmy win for Holocaust (1978). She's received four Grammy nominations (all for Children's records) and 1 Tony nomination (and multiple Drama Desk nominations) but no wins from those.
Monday, December 7, 2015 at 11:00AM 
The Grammy Awards were announced today with Kendrick Lamar (11 nominations), Taylor Swift and The Weeknd (7 nominations each) leading the nominee pack. But here at The Film Experience we're only really concerned with the visual categories.
