Review: "Star Wars Episode VII: The Force Awakens"

This article originally appeared yesterday in Nathaniel's column on Towleroad. It is reprinted here in a slightly longer version

[Please read with the John Williams Star Wars theme blaring in your head…]

 

In the first trailer for The Force Awakens (aka Star Wars Episode VII: The Force Awakens but we’ll go with the shorter title). Han Solo famously announced…

Chewie we’re home.

You’ll be happy to learn that it wasn’t just a well placed trailer byte but a promise to audiences that the film actually delivers on. I can state unequivocably that the The Force Awakens is the best Star Wars film in 32 years. That might sound like a backhanded compliment — for what could be worse than the 1999-2005 prequels? —  but it’s meant with great affection just like the film in question...

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Links

BuzzFeed Netflix not legally responsible for your 'viewing history' - it's so funny that people thought they were
The Hairpin Mission: Impossibly Silly "I Still Don't Understand How Tall Everyone Is"  
Interview Director Marielle Heller talks about the ratings and sexuality of her daring debut The Diary of a Teenage Girl 

Towleroad George Takei once asked Gene Roddenberry about including gay characters on Star Trek. Interesting historical response but what's their excuse now since that franchise is still alive?
IndieWire How to apply for a Women of Color directors and screenwriters 10 day retreat
This is Not Porn Cute. Harrison Ford and Steven Spielberg take a break during Indiana Jones and the Last Crusade 

Tim is the Best
Antagony & Ecstasy revisits Dog Day Afternoon... (great films often generate great writing about film)
Antagony & Ecstasy also revisits the very first unreleased Fantastic Four (1994) and claims its still the best adaptation of Marvel's first family (bad films often generate great writing about film) 
.... moral of combining them: Timothy Brayton often generates great writing about film.  

Off Cinema 
Laughing Squid a feline feeding machine to let your cat be more self-actualized indoors
Gothamist sad news: Annie Lennox's daughter's boyfriend has gone missing after a tandem kayak accident 

"Clobberin' Time"
There's a lot of handwringing going round about what exactly happened between Josh Trank and the studio and the source material to make Fantastic Four so bad. Film School Rejects even felt it needed a six-year timeline. But there's also post-mortems about the opening weekend which are lower than usual for superheroes.Variety argues that audiences are getting wise to money grabs (with tanking reboots like FF and diminished returns for Spider-Man) and studios need to think harder about repackaging known brands. But I personally don't know if that's the case -- I mean audiences are still putting up with needlessly padded "part 1 and part 2" finales which everyone knows are not artistically motivated decisions aimed at providing them with the best possible movie. So until audiences start bailing on those, I'm not eager to give them too much credit for protecting their wallets against Hollywood's 'screw-quality / make another billion quick' tactics. 

Women's Pictures - Kathryn Bigelow's K-19: The Widowmaker

Anne Marie's 'Women's Pictures series' continues with July's subject Kathryn Bigelow...

Films about the Cold War are an unusual bunch. Whereas most war movies have a streak of jingoism necessary to the action ("fight the enemy, kill the enemy, win the war for God and country!"), the point of films about the Cold War - barring any alternate realities - is to actually avoid conflict. Men in these movies are forever preparing for war, even as they frantically try to prevent it. Instead of fighting soldiers, men fight bureaucracy, accidents, and misinformation. Done poorly, these films can feel like a trip to the DMV: too much paperwork and waiting in line. Done well, the looming cloud of Doomsday can overshadow even the most seemingly insignificant decision. There may be no genre more anti-war than the Cold War Film.

K-19: The Widowmaker, Kathryn Bigelow's first war film, is a fictionalized retelling of the misfortunes onboard Russia's first K-19 nuclear submarine that nearly caused World War III. Amidst government negligence, rushed manufacturing, and political malarky, Captain Alexei Vostrikov (Harrison Ford) is assigned to captain the submarine's crew, led by the former captain, Mikhail Polenin (Liam Neeson). 

Neeson & Ford's Gruff-Off after the jump...

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SDCC Day 2: Star Wars Episode VII Mixes Old & New

Anne Marie here, delivering the latest Comic Con news. 

And the word of day two was: Star Wars! Any other events that may have taken place Friday were completely overshadowed by the evening Star Wars: The Force Awakens panel, for which fans camped in line over 24 hrs. (Adorably, JJ Abrams bought the Hall H line donuts.)

The panel was a blend of tradition and technology designed to quell fears and excite fan hearts. New castmembers (not Lupita, alas) made appearances on the panel shoulder-to-shoulder with animatronic puppets AND the original trio: Mark Hammill, Carrie Fisher, and (surprise) Harrison Ford himself. Instead of a trailer, Abrams brought a behind-the-scenes look at the The Force Awakens, which stresses even further the blending of old and new. Watch for a first glimpse of Leia, a lot of practical effects, and Lupita Nyong'o (who appears briefly at roughly the 1 minute mark).

So, Star Wars fans: does this video awaken the force within you? Or do you still fear the film's fall into the dark side?

The Internet Awakens

Not that it ever sleeps. But the arrival of a Star Wars: The Force Awakens teaser, a second one, shook things up. I mean Chris Hayes on MSNBC, the host of a political news hour, devoted a whole quarter hour to this trailer! At one point today all of my feeds were only Star Wars. I wasn't sure if it felt celebratory or oppressive and came to the conclusion that it was definitely both.

The heighth of my own personal Star Wars mania -- everyone seems to go through it though many never come out of it -- was 1983. One entire wall of my young bedroom was devoted to Return of the Jedi with posters, magazine pages, collectible film stills, you name it, stickied on. Princess Leia, Jabba the Hutt and (the shame the shame) ewoks took up the most space. Sorry Han & Chewie!

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