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Entries in Hit Me With Your Best Shot (159)

Tuesday
Jun172014

Visual Index ~ Goldfinger (1964)

For the mid season finale of Hit Me With Your Best Shot, and since we've been revisiting 1964 for its 50th, we're looking at the James Bond classic Goldfinger (1964). After selecting the movie I began to worry that perhaps the early image of a dead beauty suffocated in gold paint was too iconic to have people looking elsewhere but trust this crowd to keep their eyes open and receptive to varying beauties. Or maybe the Best Shot club (open to all -why haven't you joined?) was just purposefully avoiding it due to its fame? 

Click on the images for the corresponding article...

GOLDFINGER'S BEST SHOTS
9 shots chosen by 12 secret agents of blogging
(in chronological order within the film)

The image, created by Robert Brownjohn is nearly prophetic and totally inadvertently so... 
-The Movie Scene  *new participant* welcome!


Girls, Girls, Girls..."
-The Film's The Thing 


The all-time perfect collision of the things that, to my mind, make Bond Bond..."
-Antagony & Ecstasy 

Margaret:  Sexy, sexy violence.
Anne Marie: I suppose that’s what happens when you bring your work into the bedroom.
-We Recycle Movies 

What I always loved about James Bond is his ability to get under the skin of his opponent - to instinctively know which buttons to push..."
-The Matinee 

 A cramped space that nonetheless is full of detail...
-Drew Byrd *new participant* - welcome! 

Hamilton and director of photography Ted Moore shoot much of this film from wide-angles, which makes the film look "big"..."
-Entertainment Junkie 

There's something beautiful about the Bond movies when they slow down..."
-Basket of Kisses via TFE  *new participant* - welcome!

Three layers of depth here..."
-Allison Tooey 

One of the most fascinating things about this iteration of James Bond is how ineffective he is...
-Film Actually 

Goldfinger, however, does know how to pop some colors..."
-Coco Hits NY 


We need to talk about James Bond's cock in Goldfinger..."
-The Film Experience 

Please check out these fine articles. I really enjoyed this finale - some really funny and interesting pieces this time. This is our midseason finale. If you'd like 'Hit Me' to return in July, please do comment and support the series through comments, shares, tweets, and likes.

Tuesday
Jun172014

We Need To Talk About James Bond's **** in "Goldfinger"

[This article contains 50 year-old spoilers.]

Goldfinger (1964) Directed by Guy Hamilton.

If you're alive and semi-conscious about pop culture you know the James Bond template even if you've never seen one: Action Prologue, superfluous; Bond Girls, multiple not all of whom survive; Locations, multiple across the Globe; Talkative Villains; Impressive Gadgetry; Salty Quips; Fancy-Ass Title Sequence (with its own mandatory template items). Much of that was established or fine-tuned right here in the third Bond film Goldfinger (1964).

But we need to talk about James Bond's cock. By my count, imagination, and visual cross-checking [ahem] he is exceptionally virile, has an impressive rock-hard member, and beds three women in Goldfinger.

And yet...

Click to read more ...

Tuesday
Jun172014

Best Shot: Deborah's Choice From Goldfinger (1964)

Hi, Deborah here, from Basket of Kisses.  We're currently experiencing a site outage, but will be back up soon! Meanwhile, Nathaniel is graciously hosting my entry in Hit Me With Your Best Shot.

Best Shot is one of my favorite blogging series anywhere, but I've never participated until now. Nathaniel tempted me unbearably, though, by selecting a Bond movie. Goldfinger is a movie filled with iconic imagery; imagery that springs immediately to mind. So I should warn you right now.

This is not my best shot... [more]

Click to read more ...

Sunday
Jun152014

"A Matter For James Bond"

Have you watched Goldfinger (1964) for the Hit Me With Your Best Shot mid season finale on Tuesday night?

a Life cover 50 years ago... in a verybig year for Bond with two movies in US release

Auric Goldfinger, Pussy Galore, Jill Masterson and 007 himself await your curious eyeballs in what is surely one of the most definitive of Bond films on Amazon Instant or Netflix Instant.

Tuesday
Jun102014

Visual Index ~ "Orange is the New Black" S2

Netflix, embolded by the success of their first few shows, is currently ordering up a ton of new series. But how will they ever compete with this one? Orange is the New Black will be to Netflix what The Sopranos was to HBO, the show that grants them legitimacy for years and years to come whether the follow ups are zeitgeist hits or duds. It's the show that'll make the creative talent come running to the company.

I know you've all been binge-watching so I selected Nicky (to the left) to send you a message since you DIDN'T send me your choice for "Best Shot" from any one episode. And it's not like you weren't watching, mister sister! Not that this Best Shot was a particularly easy assignment... [More]

Click to read more ...

Tuesday
Jun102014

Best Shot: OITNB Season 2

No sophomore slump for this sensation. Orange is the New Black's second season arrived on June 6th for the masses to binge watch on Netflix. We ended Season 1 with a cliffhanger battle between Piper and meth-head hilbilly Pennsatucky (Taryn Manning,) which landed Piper in the SHU (solitary confinement) and as Season 2 begins she's being hauled off in the dead of night, completely unaware of what's happened, whether Pennsatucky is dead or alive, and where she's headed. The unfamiliar guards act as if she isn't even there.

Please tell me where we're going."

It's a sensible enough question, and a perfect one for a new season which no longer has the source material to work from (Chicago was the end of Piper's jail term in the book and here it lasts just the first episode of the season). Untethered to adaptation, and with the rich often fictionalized world of the prison already established where will Jenji Kohan take us? [More...]

Click to read more ...

Tuesday
Jun032014

Hit Me With Your Best Shot: Zorba the Greek (1964)

This week's 'Best Shot' film Zorba the Greek (1964) was a first-time watch for yours truly.  Oscar chose it for us since it won Walter Lassally's the Best Cinematography (Black and White) statue in the year we happen to be celebrating this month. At one point in the picture Zorba (Anthony Quinn and Anthony Quinn's giant expressive face), catches his employer Basil (Alan Bates, in young, stuffy, super pretty mode) sipping at alcohol. Zorba, a man of big appetites, forcefully tilts the bottle higher to get more booze down his boss's throat.

Don't be delicate..."

He tells his boss. That's good advice if you're watching Zorba the Greek which is, and I cannot understand why no actressexuals warned me of this, a fairly reprehensible motion picture. If this series were called Hit Me With The Shot That Shows Your Feelings About This Movie, my choice would be a tie between this suspicious side eye from Irene Papas as 'the widow...' and the moment a few beats later when she spits at the men and exits the scene.

[SPOILER] The film has two major female characters. One is referred to as a "silly old bitch" and the other has no name or voice. This film's treatment of the latter, "a wild widow" is disgusting. It views her only as a sexual conquest and then as a corpse that's not even worth remembering (she's never mentioned again). The heroes can't save her but, as it turns out, they don't care anyway. Back to our jaunty score and the story of laughing dancing men bonding and building things. She is robbed of identity. Her murder is reduced to local texture, nothing more than a setpiece. [/ SPOILER]

Zorba was a massive hit in 1964 and probably helped popularize the very familiar trope of the Life Force who shakes up the Staid Hesistant Protagonist and convinces him to Engage With Life. You know how that goes. The picture is fuzzy about the why, and what good it does anyone, but it's all about the journey anyway. The film peaks right in the middle with strong playful scenes about a mine, a monastery and Zorba's famous dancing. The first dance is the film's most beautifully lit scene, all shadowy impishness and physically stout feeling.

The next day Zorba confesses to deeper truths about his life and tells Basil he doesn't understand -  men, women, war... the whole lot. Basil objects that he does understand but Zorba retorts:

With your head, yes. You say this is right. This is wrong. When you talk, I watch your arms, your legs, your chest. They are dumb. They say nothing. So how can you understand?

Which is why it's so smart narratively, and also visually, that when Basil tries (awkwardly) to recreate Zorba's uninhibited passionate dancing later in the picture the shadows render him headless.

In these admittedly frequent moments when the film is all gesture and the body takes center stage, Zorba the Greek has a certain potency. It even has masculine charm. But some of the ideas jostling about in its brain aren't worth the widow's spit. Better it loses its head. 

OTHER BEST SHOTS FROM THIS FILM
click on the photo to read the corresponding article!

Monks refer to him as "the devil." When Zorba dances, he moves like a man possessed...
- The Entertainment Junkie 

The dark silhouettes made the women look like vultures scavenging for food... 
-Film Actually 

 

For dance is an important narrative motif here; it is the metaphor for how much vivacity and vitality one possesses, and how much one is willing to pull the utterly English stick out of one's utterly English ass...
-Antagony & Ecstasy 

all the people on this island are always in packs...
-The Film's The Thing 

 

NEXT TUESDAY NIGHT: A special one-off TV episode of our series. Since everyone will be binge-watching Orange is the New Black Season 2, you can choose the best shot of whichever episode (or episodes) you most want to talk about. Why fight it? It's all the internet will be talking about that week.

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