HOT TOPICS


NOW PLAYING

in theaters


all reviews

new on dvd


 

 

Welcome

The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

Powered by Squarespace
Comment Fun

COMMENT(s) DU JOUR
Back to Back Oscars for Eddie?

""The Molly Ringwald Story"?." -Rick

"I can't help but think there is going to be significantly more backlash here after Dallas Buyers Club. Also, is trans the new Oscar-bait? I don't know how to feel about that." -BD

 

Keep TFE Strong

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

Subscribe
What'cha Looking For?

Entries in Hunger Games (46)

Friday
Jan032014

Burning Questions: Katniss in Context

The Year in Review continues with Michael Cusumano on Jennifer Lawrence's box office coronation, a more impressive achievement than you think.

At the sound of the closing bell, Iron Man 3 clings to the title of top grossing domestic release of 2013, but Tony Stark should savor the honor while it lasts. He is all but certain to relinquish the crown to Katniss Everdeen in the early weeks of 2014.

If one wants proof that this is all but a done deal, one need only compare the grosses of the first Hunger Games to its sequel. According to Box Office Mojo, Catching Fire’s 398 million is 24 million ahead of its predecessor at the same point in its release (41 days). Since the first Hunger Games’ final gross of 408 million is nearly tied with Iron Man 3’s 409 million, unless the grosses of Catching Fire unexpectedly crater it’s a safe bet that when we close the book on the 2013 the second entry in the Hunger Games series will hold true to its protagonist and emerge from the arena the final victor.

That a film with a strong, capable female protagonist as its sole lead is the year’s number one film is reason to cheer. That I was unable to recall the last film to duplicate this feat emphasizes the rarity of the achievement. It made me curious:

When was the last time a film led solely by a female character topped the domestic box office in its year? [The answer is after the jump]

Click to read more ...

Sunday
Dec152013

Year in Review: Box Office Bonanzas

YEAR IN REVIEW FESTIVITIES BEGIN NOW! 
Cue: confetti, trumpets, fainting women, ornery cinephiles, and orgasmic actressexuals™. This is Part One of Millions! Hundred$ of Million$

We'll start with the commerce and work our way to the art. So herewith the tops in various money categories for your mental ledgers.

Top Per-Screen Arthouse Opening
BLUE JASMINE $102,011 (6 Theaters)
Runner Up: INSIDE LLEWYN DAVIS $101,353 (4 Theaters)
* Disclaimer both AMERICAN HUSTLE & FROZEN beat these numbers but those were fake-outs clearly on their way to wide mainstream moviehouses, rather than intended as platform specialty films.

Woody Allen's 'Streetcar meets Madoff Scandal' hit started even stronger than his biggest modern hit Midnight in Paris. It didn't end up making as much but then Blue Jasmine was a fair bit more depressing and riches to less riches is elemental to its DNA. Meanwhile the Coen Bros, like Woody Allen but with more regular crossover potential, can always bank on a hardcore fanbase to sell out those initial shows.

Katniss, McConaughey & McCarthy, Iron Men and Naked French Lesbians after the jump

Click to read more ...

Saturday
Dec142013

Oscar Rejects and Finalists: Makeup and Hairstyling

Though it's perhaps unfair to possible future Oscar nominees who are (tentatively) celebrating, the finalist lists that are announced in the categories that have "bake-offs" have an unfortunate side effect: the story by necessity becomes about who didn't make it; "finalist" status is not, we must remember, an Oscar nomination and might not turn into one but rejection is hard fact. The Oscar's makeup branch, though fond of showy prosthetics like old age makeup or fantastical creatures has never nominated a zombie movie and also isn't crazy about horror (despite horror employing so many makeup artists) so I knew the chances weren't great for World War Z or Warm Bodies or Evil Dead or any other genre films though I am a little surprised that Oz: The Great and Powerful was already culled. Yes, Mila Kunis's Wicked Witch looked dumb but this branch's history doesn't always give one confidence that they'll choose well.

Surprising Rejections and Unexpected Embraces after the jump...

Click to read more ...

Sunday
Dec082013

Podcast: Philomena Catching Fire

This week NickNathaniel, Katey, and Joe discuss the blockbuster Philomena and that little arthouse indie The Hunger Games: Catching Fire. Spoilers you might want to avoid for Philomena are here (32:00-32:20 / 35:00-35:30).

Some questions that need your answers in the comments:  Is Jennifer Lawrence better as Katniss than in her Oscar roles? Would The Hunger Games be better as a TV series? What is going on in the Hemsworth family gene pool? Is Philomena at 98 minutes too padded or too short or, paradoxically, both? And how many nominations can it hope for having conquered the auntie demographic?

You can listen here or download the conversation on iTunes

Philomena: Catching Fire

Sunday
Dec012013

Box Office: Hollywood Queen Beats Disney Princess

Amir here, bringing you Thanksgiving weekend’s box office report.

It’s a testament to the popularity and success of The Hunger Games series that Frozen, in its own right a breaker of multiple records this weekend, could not displace it as the number one film. Catching Fire has banked almost $300m in just ten days, leaving virtually no doubt that it will trump Iron Man 3 as the best selling film of the year. One can only imagine how much a Katniss vs. Tony Stark mash-up film would sell, though I struggle to think of any way in which Jennifer Lawrence is not superior to Robert Downey Jr. at the moment. Frozen, meanwhile, is now firmly positioned as the frontrunner for the animated film Oscar, what with positive reviews, strong word of mouth and incredible sales that guarantee every voter will be tempted to pop this screener in.

BOX OFFICE
01 THE HUNGER GAMES: CATCHING FIRE $74.5 (cum. $296.5) Review
02 FROZEN $66.7 *expanded* (cum. $93)
Review | Like Wicked? | Snow Queen History | Jonathan Groff Interview
03 THOR: THE DARK WORLD $11.1 (cum. $186.7) Review  
04 THE BEST MAN HOLIDAY  $8.4 (cum. $63.4) Discussion 
05 HOMEFRONT $6.9 *new* (cum. $9.7)
06 DELIVERY MAN $6.9 (cum. $19.4)
07 THE BOOK THIEF $4.8 *expanded* (cum. $7.8)
08 BLACK NATIVITY $3.8 *new* (cum. $5)
09 PHILOMENA $3.7 *expanded*  (cum. $4.7)
10 LAST VEGAS $2.7 (cum. $58.7)

None of the other new films fared even remotely as well as Frozen. You can now put Homefront in your DVD box of indistinguishable Jason Statham flicks right next to Chaos, Safe, The Mechanic and your pre-ordered copy of Heat. Black Nativity has roughly the same per screen average, and Mandela: Long Walk to Freedom proved that audiences are not hungry to see yet another generic political biopic, especially one so generic that the title literally spells out Name: Dull Greatest Hits Version of Life Events Ending in Triumph. Without a doubt the biggest flop of the weekend was Spike Lee’s Oldboy remake though. I have no desire to see it, mostly because I adore the Korean original, but I can’t help but feel a bit excited about Lee’s misfortune with this one. Yes, yes, I’m petty. Look down on me all you want! But after a series of “incidents” such as this and this, I’m sure I’m not the only person who feels gleeful schadenfreude.

I’ve had a great weekend so far. I didn’t have to leave the house but I caught up with Ain’t Them Bodies Saints, The Grandmaster, The Dirties, At Berkeley and Viola, and with varying degrees of enthusiasm, I can recommend them all. What did you watch this weekend?