Entries in Hunger Games (59)
Michael C here with what I suppose is part one of my review of Mockingjay.
“I wish she were dead,” says Finnick Odair at the start of the third entry in the Hunger Games series. “I wish they were all dead and we were too,” he adds to include himself, Katniss, and all the tributes that remain in the clutches of the Capitol after the events of Catching Fire.
If that seem like a dispiriting way to start an action blockbuster rest assured it perfectly establishes the tone of The Hunger Games: Mockingjay – Part 1, a grim, disjointed film that is short on thrills and long on misery. Francis Lawrence’s sequel progresses from torture to bombs dropped on hospitals to the wreckage of towns strewn with skulls, all of it scrubbed down to a bloodless PG-13. Our big reward for wading through this suffering is to see our beloved Katniss strangled within an inch of her life.
I expect fans of the series will like it a lot...
Margaret here to talk about Hollywood casting directors' collective infatuation with the actors on Game of Thrones. HBO's fantasy epic is a ratings juggernaut and has been Emmy-nominated a hundred times over. Its enormous cast (more series regulars than any other show on television) is getting a lot of attention, and many of them are landing high-profile movie roles. The prestige cable effect, so often noted for its ability to bring movie stars to TV, seems to be working in the other direction for Game of Thrones.
Let's check in on the upcoming projects from our Westerosi friends:
Carice van Houten
NY Daily News truly absurd photos of John Malkovich recreating famous images of Marilyn Monroe, Bette Davis, and less glitzy iconic art, too, like Piss Christ and American Gothic
Slate great piece on why we need less reboots and more original genre fiction - interesting points made that aren't just the usual bitching
Pink is the New Blog Channing Tatum inviting fans to be part of Magic Mike XXL
The Film Stage an interview with director Pawel Pawlikowski on his Polish hit Ida
Interview talks to the director of Wild Tales, which I loved at TIFF, Damián Szifrón
Shark Robot Avengers as cold cereal t-shirts. The best ones are clearly Thorrios and Loki Charms 'bifrosted!"
In Contention another reason to love Virginia Madsen besides that immortal wine monologue from Sideways - she loves the classic Network. She loves it lots
Variety Looks like it's Rachel McAdams, Vince Vaughn, Colin Farrell and Taylor Kitsch as the four leads directing by Justin Lin for True Detective Season 2. Vaughn is a crime boss, the rest are cops. I love Farrell but this does not excite me as much as the promise of Cary Fukunaga directing Harrelson, McConaughey and Monaghan but we'll see
Twitter ...if you must know my general feeling on Rachel McAdams
Variety Julie Delpy's next effort as a triple threat is a French language comedy called Lolo. She's asked the very funny actress Karin Viard to co-star
Awards Daily Freida Pinto's latest vehicle, Desert Dancer, will open the Santa Barbara Film Festival
Rope of Silicon Interstellar is Chris Nolan's longest film yet. This always worries me with directors. If your films get progressively longer it's often indicative of hermetically sealed bubble trouble. Or believing your own hype and forgetting about the actual story you're telling.
Coming Soon ... speaking of. New stills from the film
The Film Stage listen to the score for Gone Girl
NY Daily News Rumors abound that Quentin Tarantino wants Viggo Mortensen for Hateful Eight. So weird that no cast is in place yet given that we've already had a teaser
Today's Must Read/Watch
Extension 765 Steven Soderbergh is goofing around with Raiders of the Lost Ark - it's now a black and white silent - to teach film staging
I value the ability to stage something well because when it’s done well its pleasures are huge, and most people don’t do it well, which indicates it must not be easy to master (it’s frightening how many opportunities there are to do something wrong in a sequence or a group of scenes. Minefields EVERYWHERE....
Oh and remember that time when people were talking up a Costume Design nomination (which of course didn't happen) for Fantastic Mr Fox? Now there's coverage of the costumes for The Boxtrolls. Hey costume designers are needed on stop motion films.
In Contention Casting Society of America nominations and honors. The weird part is that Rob Marshall who just generally casts big stars whether or not they're right for musicals, is being honored. But on a happier front, for the TV Pilot honors Looking was nominated and that show was definitely well cast.
Variety The Cinematographer's Guild are honoring a handful of folks too
I had myself a final getaway last weekend to Fire Island before I am chained to the computer and Oscar coverage for the next four months. While I was there I met Robert Chang who was a lot of fun and we argued* about this article he wrote on Hunger Games and Gary Ross's use of breaking the 180 line. It's an interesting argument but it personally drives me crazy when directors break rules largely because they can. It always looks sloppy to me. Still the argument is interesting that it's only used for emotional reasons rather than action reasons which is where you usually see it. What'cha think? Maybe if there was only that and the action sequences were actually well filmed I'd like it.
* I know you're probably not supposed to debate film theory when you socialize with the gays on Fire Island but I am who I am.
I can't resist putting these images in dialogue. Are the two esteemed actresses thinking of each other in their grey flat-ironed wigs, or is this a subliminal cry for a sequel to the sapphic wonders of The Hours? As Christian so correctly observed on Twitter, Nicole is never going to let a grey hair near her scalp. But she died in The Hours so she can't be in the sequel anyway.
This twinned image was fun to discuss on Twitter but after the fact it reminded me of an earlier conversation with Anne Thompson and Kyle Buchanan about why there are so many aged lady villains in YA adaptations. My contention is that it's their ageist way of playing both sides. So many stories about young girls that pay lipservice to "girlpower" are, just like stories centered on men and boys, still scared of the power and agency of (adult) women; these prejudices are deeply ingrained.