Emmy Analysis: A close race in Outstanding Writing for Limited Series or TV Movie

The Film Experience Team takes a look at the episode submissions for all the major Emmy categories.

by Cláudio Alves 

Unlike the Drama and Comedy writing categories at the Emmys, the Limited Series or TV Movie one can find entire seasons competing against solo episodes or single films. In the recent past, individual chapters of Sherlock and Black Mirror, classified as TV movies, won out against juggernaut series such as Fargo and Big Little Lies. This year, there are no such "movies" nominees. Indeed, despite six slots, only four series are recognized across the board. Wandavision is the nomination leader as well as the only show competing with single episodes instead of seasons. Indeed, with three nods, it thus becomes only the second limited series to score triple writing nods in the same year. The first one was American Crime Story: The People v O.J. Simpson. That Ryan Murphy show won in 2016, despite the threat of vote splitting, and maybe the Disney+ program can do the same. Let's take a look at the nominees…

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Emmys Watch: The Embarrassment of Riches in Outstanding Limited Series

Our team is breaking down the top contenders in all the major Emmy races and highlighting some of our favorites over the next few weeks. Today, we’re looking at Outstanding Limited Series.

Will recent hit "Mare of Easttown" be able to dethrone Emmy favorite "The Queen's Gambit?"

By Christopher James

The Outstanding Limited Series category is perhaps the most competitive category of the year. Shows like The Queen’s Gambit, Mare of Easttown and WandaVision commanded the most (virtual) water cooler chatter of the past year. Even with all this abundance of quality, only five shows can make the cut, compared to eight nominees in the series categories. Prestige TV, streaming sensations and genre favorites all combine in the limited series category. This isn’t the first time that Limited Series has been more competitive than the ongoing series categories. The past decade has seen a modern renaissance of the form, with American Crime Story: The People vs. O.J. Simpson, Big Little Lies and When They See Us as recent examples of incredible and incredibly popular TV. Big stars have also been swayed to this form, primarily because of the rich stories told combined with the less stringent time commitment. This year is no different.

Read on to see what shows are in contention this year... 

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Dorian TV Award Nominations

by Nathaniel R

Pose leads the nominations

The Society for LGBTQ+ Entertainment Journalists, previously known as GALECA, has announced their annual TV nominations ahead of Emmy balloting. A handful of us here at TFE are part of that organization so we had a chance to vote on this. The third season of FX's Pose and Disney+ & Marvel Studio's limited series WandaVision lead the nominations though curiously the latter is not up for the main award in its category. I May Destroy You, It's a Sin, and Mare of Easttown also secured plentiful nominations.

Without further ado the nominees...

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Emmy FYC: The writing of "I May Destroy You"

by Cláudio Alves

If loving I May Destroy You was a party, I'd have arrived late, long after most people had left and only a few stragglers remained, sleepily fumbling their way through a dancefloor labyrinth of abandoned bottles and stale sweat. While most of the world was consuming Michaela Coel's staggering tour-de-force June and July last year, I focused my attention on movies and the Emmy-eligible TV for that particular season. Consequently, I only watched I May Destroy You when it came time to vote for the Independent Spirit Awards. I went into it with great expectations that I feared too massive to be met. In the end, I needn't have doubted the show's masterpiece-like quality, its searing power, or visceral confrontation. Even then, I don't think I was fully prepared for how awe-inspiring Coel's writing turned out to be…

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BAFTA TV Award Winners: I May Destroy You, Welcome to Chechnya

The BAFTA TV Awards were announced yesterday with Michaela Coel's critically acclaimed I May Destroy You winning Best Actress and Best Mini-Series (it had previously taken Writing, Directing, and Editing at the "Bafta Craft awards). The Crown did not fare well (hits too close to home?) and Steve MQueen's Small Axe picked up just one major prize (Supporting Actor for Malachi Kirby). In better news, Paul Mescal won Best Actor for his exquisite work on Normal People and the superb queer documentary Welcome to Chechnya, which Oscar so unwisely snubbed last season, picked up another award. The winners are listed after the jump...

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