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Entries in Jean-Louis Trintignant (8)

Tuesday
Jan222013

Podcast Nom Reactions Pt 2: All Category Run Through

I've had bizarre trouble in getting this last two-part podcast up! I am technologically inept I suppose. I never can explain / figure out what happens when things go wrong but nevertheless here is finally part two of that Post-Nomination discussion. In Pt. 1 Joe, Katey, Nick and I (Nathaniel) discussed the big eight categories and answered reader questions.  

Pt 2:  Animated Feature, What happened to The Impossible?, Best Pictures, Small Pictures and Craft Categories, Best Makeup (and Hairstyling!), Costumes, Best Actor,  is Cinematography the "Supporting Actor" of the craft categories this year?, and lots of praise for Amour.

 

You can download the podcast on iTunes or listen right here at the end of the post. 

 

Category Run Through

Saturday
Dec012012

In Case You Missed the European Film Awards...

...which you probably did. 

Jose here, happy to report that Michael Haneke's extraordinary Amour was the big winner at the European Film Awards held in Malta, winning the awards for Best Film, Best Director, Best Actor (Jean-Louis Tringtinant) and Best Actress (Emmanuelle Riva) leaving the film one award shy of having earned the "big five", something that's never happened in the EFA's twenty five year history.

Following the film in wins were Shame and Tinker Tailor Soldier Spy which swept the technical awards with two each. Thomas Vinterberg's The Hunt won the award for Best Screenplay and Helen Mirren received the award for Achievement in World Cinema.

One thing I've always loved about the European Film Awards is how "odd" they are. People in America, used to the glitzy PC-ness of the Oscars and the Golden Globes, would be shocked to see how "real" and even careless their European counterparts are. This after all is the same awards show where I first saw Tahar Rahim's penis and enjoyed reactions of David Kross as he was caught playing with his iPhone.

I screencapped my favorite moments of this year's ceremony for all of you: 

Click to read more ...

Saturday
Oct132012

NYFF: "Amour" & "No" Are Worthy Oscar Contenders

The Oscar race for Best Foreign Language Film is particularly exciting this year. We have more contenders than ever (71!) and so many strong films that the Academy's always controversial foreign language branch will undoubtedly piss various contingencies off when they announce the finalist list and then the nominees. They could lessen the size of the outcry each year if only their finalist list were 12 films long. It's so strange that they make it small enough (9 films) that those films which miss the nomination are in the minority and, thus, look particularly snubbed... numerically speaking. I've already raved about the Pinoy movie "Bwakaw", and here are two other worthy candidates for this annual honor. Don't miss them if you get a chance to see them

AMOUR (Austria)
“Ladies and Gentlemen, people die. That’s all you need to know.” This line, a recurring catchphrase from aging chanteuse Kiki (Justin Bond) in the now departed Kiki & Herb act, used to make me howl with laughter. It was a perfect punchline, soaked as it was in booze and tragicomic matter-of-factness. People do die. Death is a fact of life but we spend so much time denying it that it often feels completely abstract, an imagined fate rather than an eventual one. But as Anne (Emmanuelle Riva), the elderly woman at the heart of Michael Haneke’s new film reminds us:

Imagination and reality have little in common.”

At first Haneke keeps his customary distance. Were it not for early publicity or the disturbing pre-title sequence that shows us a woman's decomposing body surrounded by flowers, we wouldn't even know who the principle characters were during the post-title opening shot, a crowd watching a piano recital. As in the finale of Haneke's best film (Caché) the director doesn't help you decide where to look; it's your job to find the narrative. But one of the strongest directorial impulses in Amour is Haneke's barely perceptible but undeniably tightening focus on the couple. Each scene seems to bring us closer to Anne and Georges (Jean-Louis Trigninant), a happy well-off couple in their eighties who enjoy literature, cultural events, and visits from their daughter (Isabelle Huppert) and Anne's former student (the pianist Alexandre Tharaud who appears to be playing himself). The first close-ups of note, an utterly captivating shot/reverse shot of the couple as Anne all but vanishes from a conversation in progress, is the bomb dropping...

Michael Haneke with his actors on the set of "Amour"

I don’t want to go on

Click to read more ...

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