The Lady of the Link

Off Oscar. Should You Need a Break
Boy Culture attends Madonna's royal premiere here in NYC for W.E.  
David Bordwell "a guide to the perplexed" for Tinker Tailor Soldier Spy 
Stale Popcorn We need to talk about "Katniss". Good question: What is it with archery these days? 
THR Two Beauty and the Beast related projects coming. Because in Hollywood there always must be double dipping on the limited idea pool. 

Okay. Back to Oscar. Stop Slacking!
Tom and Lorenzo on Jennifer Lawrence's unfortunate morning as the nominee announcer.
Ultra Culture on the best typography among the Best Pic Nominees. Love this.
Towleroad "Hot Movie Moment" from one of my favorite Best Pictures Wings (1927) the first one!
Indiewire The Oscars are moving to electronic voting in 2013. Cue: thousands of articles about whether or not This. Changes. Things. Oscarologists are so excitable.

In Contention looks at the Art Direction category
Examiner plays an "Oscar Replacement" game for the nominations 
Carpetbagger on Glenn Close and her makeup and wig team for Albert Nobbs 
MNPP A rarity: JA sounding off on the Oscars. Yay. He's one of the only blogging voices we love that have virtually no interest in them. (No interest in the Oscars? I know. I know. Difficult to comprehend.)   

Finally... a sad goodbye to British actor Nicol Williamson (1936-2012), my very first "Merlin" (though I've lost track of how many actors I've seen as the sorcerer since).

Mirren and Williamson owning Excalibur (1981)

Daily MUBI has the roundups of obits for the Excalibur (1981) actor. My most vivid memories of that film, aside from the Lancelot nudity (gasp) was the Merlin/Morgana Le Fay rapport. I was way too young to know that Helen Mirren and Williamson had... history. 

Oscar Morning Jitters and Madness

7:50 Good morning! I woke up with a start. In my dream, which we'll call a nightmare, it was 12:59 PM and I had completely forgotten about the Oscar nominations at 8:30ish and I was already HOURS behind. Bless the clock for talking me down. It was only 6:59 AM. All was well... for the moment.

Things I'm dying to find out: 1) What Supporting Actor will look like since it seems ripe for upheaval. 2) Which of the six Supporting Actresses with major awards traction will be left on the cutting room floor. 3) Whether The Artist or Hugo will lead the nomination count. 4) Whether The Descendants will follow in Previous Payne footsteps and miss some key expected nomination. 5) Whether The Girl With the Fincher Tattoo is really the big deal the guilds positioned it to be. 6) Everything.

You?

8:06 The radio just said "The Artist, Descendants and War Horse are expected to be nominated". Ummmm. I'm not sure Joey the horse is "expected" at this point. And leading with that film? NPR needs help.

8:14 I actually did yoga right when I woke up this morning. That's how much I'm seeking a zen place as this madness begins. Namaste. Etcetera.

8:34 The live comments on this feed from YouTube are crazed. It's all HARRY POTTER for the win. Poor muggles. They'll be so sad in a few minutes.

8:38 THE MUSIC. HERE WE GO. Bring on Jennifer Lawrence, Tom Sherak.

8:45 Holy crap. So many surprises and 9 best picture nominees. I'll update as fast as I can.

This &That: Makeup Finals, Foreign Beauties, Rule Changes

So I spent all of last night exuberantly "Oh No You Maggie Smith'nt!"* with friends over the 2 hour season premiere of Downton Abbey. Then I spent the better part of today at a table full of Oscar voters picking their brains (in a polite conversational way, mind you) at a luncheon for The Artist. More on both of those events soon but between last night and today, so many OscarQuakes or at least golden tremors.

*joke stolen from Patton Oswalt

Let's discuss four of them immediately! 

1. Hunger Games beauty Jennifer Lawrence will announce the Oscar nominations.
Usually people dress somewhat sedately for that super AM event but we're hoping Jennifer pulls out another one of those va va voom numbers she kept finding for last year's awards circus. The nomination event happens so early in the morning and if Jennifer wears skin tight white or form fitting red again, that's better than a pot of steaming coffee as an eye opener.

P.S. Is the publicity team behind Hunger Games the hardest working team in showbiz? You know this is all part of that evil world domination blitz. 

2. Documentary Rule Changes
Michael Moore and others proposed some Oscar Rule changes to the Academy and they've been adopted. The most controversial one, which we're totally fine with, involves requiring a review from the Los Angeles or the New York Times. The idea behind this rule is that the papers have a policy of reviewing each film that opens for a full week engagement. But it seems silly to stipulate that a review is required when the whole point is to get the movie in theaters for a full week. Why not just say "must play a week in Los Angeles and New York City to qualify?" Seems strange to put the qualification requirement on newspapers. According to Michael Cieply at the New York Times documentarians are not on board with these changes which would drastically reduce the number of qualifying entries.

I take a rather hard stance on this topic all the time and I assure you that it is not an anti-filmmaker stance. My stance is only a pro audience stance. I do not believe that films should be eligible for awards if they are not playing for the public. I'm tired of this elitist film culture where people only show their films in very discreet ways for very select audiences and hope that they'll win awards by which they will then try to lure paying audiences. On an individual case by case basis it's easy to see why the vast majority of pundits and filmmakers side with filmmakers on this topic and back these rules that make peekaboo engagements possible. But if you back up and look at the full picture it is much healthier for the survival of cinema if theatrical engagements are required and the audience is included. If movies aren't made to be seen there is no point in making them. If you want an engaged audience you have to create one. And to create one you've got to get the films out there in the marketplace. 

3. Makeup Citations
The bakeoff for Oscar's continually confounding Best Makeup category has finally happened and seven films are moving on to compete for the 3 wide nomination list. I've never found any reasonable explanation as to why this category has such a tiny amount of nominees given that a huge portion of movies require wig and makeup and prosthetics work but it is what it is. Despite "Best" often equating with "Most" J. Edgar and Green Lantern did not make the cut. Neither did that much talked about Michelle-to-Marilyn transformation wow them.

So your finalists go like so...

• Albert Nobbs
• Anonymous
• The Artist
• Gainsbourg: A Heroic Life
• Harry Potter and the Deathly Hallows Part 2
• Hugo
• The Iron Lady

I am not remotely a fan of The Iron Lady but I think it'd be a very deserving nomination in that category since the makeup work on Streep is just flawless / transformative. The rest of the field I don't have strong opinions of. Do you? It's worth noting that no Harry Potter film has ever been nominated for Makeup though a few of the previous films have made it to pre-nomination lists like this one. 

4. Foreign Film Finalists Will Be Announced on... TBA?
I wish I knew when. If so I could plan better. Every day I wake up in fear that I will miss my chance to tell you how much I liked movie A or B before Oscar cuts them in the winnowing process, he says pessimistically. And every day I run out of time. I need a deadline! Last year they announced a week ahead of the regular nominations so I guess that gives me... 5 or so more days?

Left (France's Declaration of War) Right (Denmark's SuperClásico with the always awesome Paprika Steen)

For the record in case I get no other chance to say it should the Academy not respond well to them the 'Movie A' in question is France's cancer dramedy Declaration of War which is super lively, passionate, funny, and tearful (Take that 50/50... You are nothing to me now!) and the 'Movie B' in question is Denmark's divorce comedy SuperClásico starring the inimitable Paprika Steen (Applause) who you already know I 'stan for whenever I get the chance.

I interviewed her recently (we'll get to that eventually) and much to my delight she dubbed me a "nerdy film blogger!" Her exact words! Now I love her even more. I wish American directors would hire her because she speaks English fluently and is a great actress who can do both intense drama and spiky comedy. What more do they need? Why should the Nykqvists, Mikkelsens and Skarsgaards be the only Scandinavian actors Hollywood has on speed dial? Paprika can act circles around so many people. Get on that, Hollywood! Time is a wasting.

Yes, No, Maybe So: "The Hunger Games"

We watch trailers. To avoid entirely selling our souls to marketing experts or entirely caving to our preconceived biases, we try to stay balanced as we do so. Sometimes we fail with unqualified "holy hell yes" or "dear god, no!" reactions but it's good to try and keep an open mind. 

On the subject of The Hunger Games, I haven't always had one. Though I live for the movies, the past decade has been rough going for me in franchise-land as Twilight and Harry Potter fandom have reigned for so long that I've begun to feel like an outcast from my own church, the church of the cinema. And now yet another YA appeal genre franchise which promises endless movies that will not be judged on their cinematic merit but on how well they fill fan cravings for beloved characters? I CAN'T DEAL.

I felt abused by the marketing, which has released so many morsels that we know they're building not just a bread crumb trail to the box office but a superhighway.  But that wasn't the problem. It was the way each crumb, no matter how inconsequential, was treated as if it was a seven course meal. Entire movies don't get the kind of attention each little blip from this movie gets.

But then this trailer arrived and it's either so brilliantly cut together that they've finally brainwashed me, or I've just now opened my heart to The Hunger Games or, possibly both. 

YES...

While I've never really thought of Gary Ross (Pleasantville, Seabiscuit) as an inspired visual stylist that might be mere forgetfulness since he doesn't direct features too often. There are quite a few shots I love in the trailer. I mean look at the palette, focal precision, and direct but subdued emotion of those tense crowd scene. Jennifer Lawrence, so strong in Winter's Bone and so sympathetic in Like Crazy looks to continue making good on her promise.  

If the story beats are as economically and fluidly expressed in the movie as in the trailer we're in for a treat. What great buildup and release. Too few trailers understand that the set-up is what's crucial, not the whole package. If you give us the whole movie, what's left to see in the theater? This feels as exciting as any "ready. set. go..." ever did  and I bet we're not even seeing anything beyond the 45 minute mark. 

NO...

I haven't read the source material (I know I know) so I can't be sure what is being metaphored up for us -- if it's reality television, shouldn't they all be volunteers out for fame and fortune and thus willing to exploit themselves? Personal potential pet peeve: I hate when theatricality obviously equates with evil -- and all the excessively theatrical people in this trailer appear to be the villains -- since theatricality is so fun and never hurts anybody. If this is one of those movies were physical aptitude is glorious and noble (even if used in the service of killing people) while entertaining showmanship is a sign of evil, I'm gonna be annoyed!

This is just on my mind because people worship sports and winner-takes-all competition to a scary extent and that seems to be a-ok with everyone, no metaphoric condemnation required. Just the other day I was watching the news and a crowd was literally rioting, turning over cars because Coach Paterno was fired. Never mind the sexual molestation scandal at Penn State that wasn't properly handled under his watch that prompted it... SPORTS ROUTINE INTERRUPTED? CUE: MASS CHAOS. Sports being naturally more important than the well being of children.

MAYBE SO...

The subject matter -- 24 people enter the games, only 1 can survive by killing the others, I take it ? -- has the potential to be totally icky in lots of hypocritical "are you not entertained?!?" Gladiator ways and also, if we meet 24 people are they going to divvy them up and make them easily good or evil so that it will be easy to "enjoy" as mainstream movies tend to be. Or is it actually a nuanced portrait of desperate people in which case... isn't it going to leave one feeling sick afterwards that the hero has to murder other potential heroes? The topic just seems so... ewww.

But the trailer works in that ready set... don't you wanna see what happens... go!.

So I'm now a yes. Are you a yes, no or maybe so? But more importantly... were you one of these things before the trailer arrived?

Best Actress Finale: Dresses, Reactions, Questions

Like we did with supporting actress, I've displayed the most lauded ladies of 2010 in the order of your preference: Natalie Portman stabbed all competition with a nail file "IT'S MY TURN" to the tune of 47% of your votes; Annette Bening (19%) just barely edged out Nicole Kidman (18%) in the last day of voting for second place and second place is always where Bening seems to end up (more on that tomorrow); Michelle Williams (11%) and Jennifer Lawrence (2%) followed. But look at Lawrence. She doesn't care. She had a grand time at the Oscars apparently, turning heads in the red tank dress and relaxed enough to quip to the press about bringing her brother as her date.

I'm from Kentucky, so that's normal.

It's interesting that her distinction  "Second Youngest Best Actress Nominee Ever" has been so ignored by the media; She's only 20. We might be seeing a lot more of her on Oscar's red carpet. She's already too old to nab the "fastest to two nominations in any acting category" since Angela Lansbury was 20 when she accomplished that. But theoretically Lawrence could still beat Joan Fontaine's record of fastest to two Best Actress nominations (Fontaine did the double by 24 and won) if good lead roles come soon. Up next are three supporting roles: The Beaver, Like Crazy and X-Men First Class.

Reaction shots, questions for readers and Portman's speech after the jump.

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