Hailee Steinfeld loves herself, okay?

Did you hear that the now 18 year old True Grit and Pitch Perfect 2 star has released a single? With "Love Myself" she becomes the first Oscar nominee to launch a music career since... um... wait, wait, it'll come to me.

Bruce Willis, Brie Larson, and Linday Lohan tried it years ago but they weren't Oscar nominees. Eddie Murphy and Kim Basinger did it briefly in the 80s but that was long before Oscar paid them any mind. Russell Crowe did it before becoming a movie star and kept on doing it. Jamie Foxx started recording years before the musical biopic Oscar win in Ray. Jared Leto abandoned the movies for quite a long time to be a rock star but that was also before Oscar love. Most recently Scarlett Johansson started a recording career but Oscar has yet to notice her. (sigh). Post Oscar Examples will come to me after we get back to our topic.

Anyway...
Hailee has gone for an "I Touch Myself"/"She Bop" style single what with that Self-Service tank in the video for "Love Myself"

Hey, you'd turn yourself on, too, if you were Oscar-nominated for your debut film. Do tell us what you think of the video in the comments, won't you? (You may also recall that Hailee was the star of my choice for "best shot" from Taylor Swift's Bad Blood video)

Previous Actors To Launch Music Careers After Their Oscar Nominations
I'd love this to be a comprehensive list but I'm sure I missed someone. Help if you can...

2000s

Minnie Driver's latest album "Ask Me To Dance" Toni Collette . Oscar nominated for The Sixth Sense (1999). Released one album "Beautiful Awkward Pictures" in 2006. You can also hear her great pipes on the Original Broadway Cast Album of Michael John Lachiusa's "Wild Party"
Minnie Driver. Oscar nominated for Good Will Hunting (1997). Released her debut album "Everything I've Got in My Pocket" in 2004. Beautiful voice. She's since released two more albums.
Juliette Lewis. Oscar nominated for Cape Fear (1991). Juliette and the Licks released their debut album in 2004 with their first hit "You're Speaking My Language" - damn that track was goood. She's since released three more albums. I miss her music. I listened to "Uh Huh" so much in 2010!

1980s

Isabelle Adjani. First Oscar nominated for The Story of Adele H. (1975). After a Cannes win for 2 roles and two Cesars for best actress in the early 80s she released her only album "Pull Marine" in 1983. Supposedly Luc Besson directed the only music video but it doesn't seem to exist on YouTube. *sniffle*

1970s

Bette Davis. Oscared twice over in the 1930s, she continued to rack up nominations through 1962's Whatever Happened to Baby Jane?.  She's a bit of a black sheep in this list though because she wasn't trying to start a recording career with her only album. She was nearing 70 years of age when producers asked her and she cut the album "Miss Bette Davis" which includes a few movie songs she's already sung onscreen.

1960s

Patty Duke. She won the supporting actress Oscar at 16 for her co-lead role in The Miracle Worker (1962). Afterwords she got her own television show, recorded albums and had two top forty hits. 

1950s

Sal Mineo. First Oscar nominated for Rebel Without a Cause (1955). Released one pop album in 1957 at the heighth of his teen idol fame, from which he even had a top ten single. After that it was all acting again and another nomination for Exodus (1960).

Podcast Smackdown (Pt 2) Nixon & Georgia & 1995 Takeaways

You've read the Smackdown proper and heard Part One of the companion podcast. Now we're wrapping things up with Part Two in which Nathaniel and guests discuss a movie they all loved (Georgia) and the most divisive movie of the batch (Nixon). Big thanks again to this month's panelists: Nick Davis (Nicks Flick Picks), Guy Lodge (Variety), Kevin O'Keeffe (Arts.Mic), Conrado Falco (Coco Hits NY) and Lynn Lee (The Film Experience)

Part 2: 39 Minutes
00:01 Mare Winningham and Georgia’s Screenplay
08:45 Oliver Stone’s excesses -- extremely split opinions on Nixon
19:15 Off-Oscar: Other performances we loved from 1995 and another round of Emma Thompson and Sense & Sensibility
30:00 Best Original Song ???
33:40 Final Thoughts, recommendations and takeaways

You can listen to the podcast here at the bottom of the post or download from iTunes tomorrow.

Smackdown. Pt 2

Random List-Mania: 40 Best Original Movie Songs of the 1990s

I can't let Dick Tracy go quite yet! All that discussion and no tremulous ode to Stephen Sondheim's brilliant song score? It won't stand! Every moment when Breathless Mahoney (Madonna) and 88 Keys (Mandy Patinkin) are in frame together is gold. 

(Eagle-eyed early 90s obsessiveness will know that Mandy Patinkin also pops up briefly in a celebrity-filled party scene in the Madonna documentary "Truth or Dare")

BEST ORIGINAL MOVIE SONGS OF THE 1990s
Beautiful Song Craft and/or Cheesy Epic Ballads For the Wins
* Oscar nominee ** Oscar winner 

1. "Wise Up" -Magnolia (Aimee Mann)
   technically this song first showed up on the Jerry Maguire soundtrack which is why it wasn't eligible for the Oscars for Magnolia but let's make an exception
2. "Sooner or Later"** - Dick Tracy (Stephen Sondheim)
   
   
   
   
3. "Gangsta's Paradise" - Dangerous Minds (Coolio)
   deemed ineligible by Oscar due to sampling -- people were obsessed with the scary new "is this songwriting?" world of sampling back then. What to make of it? 
4. "Stay" - Reality Bites (Lisa Loeb)
5. "Be Our Guest" - Beauty & The Beast (Alan Menken & Howard Ashman)
6. "More" - Dick Tracy (Stephen Sondheim)
7. "You Must Love Me"** - Evita (Andrew Lloyd Webber & Tim Rice)
8. "God Help the Outcasts" - Hunchback of Notre Dame (Alan Menken)
   
   32 more tunes after the jump

Click to read more ...

Beauty Break: Random Oscar Night Gowns You Might Not Have Seen

Because they weren't on the stage but at after parties. Many beauties after the jump...

Click to read more ...

AFI Fest 2013 - Part 1 Disney, Actresses, and Accidents

I would like to personally thank Anne Marie for being an awesome L.A. tour guide, personal GPS, and screening companion during my week long trip. Here's her first of two roundups from the festival that just wrapped. I'll have more to say myself over the weekend - Nathaniel

Walt courts Mrs Travers for the hand of Mary Poppins in cinematic marriage

Last week AFI invaded Hollywood Blvd for the 2013 AFI Fest, a free film festival presenting a handful of buzzworthy features and old classics. Though it may not be the largest festival in Los Angeles, it is one of the flashiest given the star-studded evening galas and tributes, and it made good use of the newly renovated and renamed TCL Chinese Theater. This, my first festival on the job, saw me running up and down Hollywood Blvd like a film-obsessed Alfred P. Doolittle yelling, “Get me to the Chinese on time!” By the time I’d wiped the glitter from my eyes and caught my breath, I’d seen 9-ish movies in 7 days. Not bad for a neophyte with a day job! Here’s what I saw:

Day 1: Saving Mr. Banks - A Disney movie about a Disney classic is going to be heartwarming and sweet in all the ways you’d expect. Emma Thompson and Tom Hanks have delightful chemistry. Considering how long we’ve been missing these two (am I the only one who feels like Emma Thompson’s been mostly absent since at least An Education?), having both Thompson and Hanks triumphantly return together in the same film is a Disney-manufactured miracle. Nathaniel actually chatted with Emma Thompson and Colin Farrell, so he can fill in the rest.

Day 2: August: Osage County - I saw the play in 2008, and I’m still wondering if that helped or hurt my viewing of the film. Tracy Letts blessedly adapted the play to the screen, so the biting language that made the original so good remains intact. There’s a definite nomination in store for him. Of course the most buzz surrounds the actresses: Meryl is Meryl is Meryl so enough said there. Continuing this year’s trend of strong performances from actresses I don’t usually like (the first being Sandra Bullock in Gravity), Julia Roberts gives her best performance in a long while. I think that fact is what might be overshadowing Margot Martindale buzz-wise, which is unfortunate because Martindale rips through her role like a tornado on the prairie.

Julianne & Juliette at the AFI premiere

As for the sisters: I was partial to Julianne Nicholson, while Nathaniel seemed to prefer Juliette Lewis. One thing on which we both agreed was that nobody does the film festival dress like Juliette. Hot. Damn.

Day 3 Part 1: Cleo From 5 to 7 - The Godmother of the New Wave Agnes Varda was AFI Fest’s honored icon this year. Here's more on her pre-screening interview. But I would like to take this opportunity to say again that Cleo From 5 to 7 remains a masterpiece. If you haven’t seen it already, watch it while you’re waiting for the rest of these movies to open.

Day 3 Part 2: Out of the Furnace - The second film by Crazy Heart director Scott Cooper is a relentlessly bleak portrait of the death of smalltown America. Christian Bale and Casey Affleck play two blue-collar brothers, one imprisoned for a mistake and the other out of the army and into illegally boxing for money. Both play their parts admirably (assisted by Zoe Saldana and Forrest Whitaker) but are overshadowed by the shockingly terrifying Woody Harrelson playing a sociopathic redneck. Harrelson’s performance, as well as haunting desaturated cinematography and gritty production design, made this a movie that stuck with its audience after the film ended.

Day 3 Part 3: When Evening Falls on Bucharest or Metabolism - A happy accident led me to this film by Romanian writer/director Corneliu Porumboiu. I stood in the wrong line, and was surprised to find myself watching a movie perfectly suited for people who are on their fourth movie in twenty-four hours. When Evening Falls… is a simple movie framed in unbroken master shots: a fictional director and his lead actress discuss nudity in film, eat together, have sex, and argue over a single wordless scene they’re supposed to shoot the next day. The motivations of the scene are so constantly debated back and forth - why would she eavesdrop coming out of the shower? why does she put on clothes? - that the audience is primed and waiting. Eventually, the much-debated action happens in reverse - the director steps out of the shower to eavesdrop on her - and the audience comes to its own conclusion. As concept films go, this is the simplest I’ve watched in a while, and I appreciated it for its simplicity.

Thus concluded the first half of AFI Fest. Old Hollywood and New in Part 2!