What's the best Jane Austen movie adaptation?

by Cláudio Alves

Jane Austen is one of the most celebrated authors in the English language. Fittingly, many of her works have been adapted into films. This year, we got another Emma, which to many felt like an improvement upon the previous major adaptation of the novel, the one starring Gwyneth Paltrow and a desperately funny Toni Collette.

But which Austen cinematic adaptation is the best of them all?  For clarity's sake and a vague sense of fairness, modernized versions of the author's storylines were disqualified from this race for the title of best Jane Austen movie. So, don't expect Clueless to make an appearance despite its genius. Of course, even without Amy Heckerling's 90s teen classic, it was difficult to whittle down the list of films enough to name the three best... 

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Review: The Aftermath

Please welcome guest contributor J.B.

When I saw The Aftermath, the latest from Testament of Youth director James Kent, starring Kiera Knightley, Jason Clarke and Alexander Skarsgård, last weekend, I was seated next to an older man with a notepad who I assumed was a journalist. I chatted briefly with him before the film started, and when the lights went up and the credits began to roll, I asked him what he thought. His response: “I interviewed her [Knightley] when she did Atonement with James McAvoy. She was so good in that.”

That's a pretty fair takeaway from The Aftermath, which casts Knightley as Rachel, a bereaved military wife recently arrived in Hamburg in 1946 to join her estranged husband, Lewis (Jason Clarke), an officer in the British Army tasked with overseeing the rebuilding of the war-torn city and ferreting out any remaining Nazi-sympathizers...

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Sundance: Keira Knightley has "Official Secrets"

Abe Fried-Tanzer reporting from Sundance

As if there wasn’t enough going on in today’s American and international politics, events that happened a decade and a half ago seem to be coming into focus again. The start of the Iraq war and its implications were covered in the Best Picture nominee Vice and are the subject of two new films premiering at Sundance. Murtada just shared his thoughts on The Report, which focuses on the investigation into torture practices used by the United States. Official Secrets takes place across the pond, following the fallout of one British intelligence translator’s decision to leak an NSA memo detailing plans to blackmail United Nations security council members into voting to go to war in Iraq...

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Review: "The Nutcracker and the Four Realms"

by Chris Feil

Yes, Disney’s The Nutcracker and the Four Realms is another attempt to monetize a familiar property into CGI fantasy excess. This time it is the Tchaikovsky ballet (itself an adaptation of an adaptation) getting the family film treatment, often owing more narratively to its cinematic genre predecessors like Alice in Wonderland and the Narnia movies than its actual source material. While it does fall into the garish trappings of those films, the film gets a good bit more mileage out of not taking itself so straightfaced. Within that familiar framework, the film fascinates by letting itself get a little cuckoo.

Mackenzie Foy is Clara, a young girl mourning the death of her mother, bestowed a mysterious egg-shaped lockbox as a Christmastime dowry. Spiritually guided by her godfather, played by Morgan Freeman In An Eyepatch, she ventures into the fantasy land formerly visited by her mother. But now that wintery world is at war with itself, three of its more upbeat realms against a foggy, mouse-infested one lorded over by Helen Mirren’s Mother Ginger.

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What will you give Keira Knightley for her birthday?

...apart from 33 spankings, which Fassy has already claimed.