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Entries in Kim Novak (13)

Tuesday
Aug122014

Beauty vs Beast: All About the Blonde

JA from MNPP here. At this point it feels more than a little cliche to call Alfred Hitchcock your favorite film-maker. Tomorrow is his 115th birthday and it feels like we've spent at least double that amount of time writing about and reacting to how great, twisted, funny, pervy and technically masterful he was. Hitch is often the gateway drug, the little puff of movie marijuana that leads true cineastes on to the hard stuff.

I'll always come back to my first taste. It was the sweetest, the purest, and it still sends that shiver down my spine. I remember the first time I realized that movies, Movies, these are the thing I love, laying on my cousin's floor watching a camera sweep across across a boxy Manhattan backyard filled with windows into another world, stories in shorthand of life on top of life, all at once. It was everything. It still is everything.

So let's pay our respects by devoting this week's "Beauty vs Beast" to the man who made me interested in the ambiguities of the "good" guys and the "bad" guys in the first place, and let's do it with the movie that finally tossed Citizen Kane down the staircase.

 

You only have six days to vote this week since we're running a day behind (sorry about the delay) so get to it - bleach yourself, slide into a gray dress, wander through a redwood forest or some neon green light, do whatever it takes - just pick and make your case in the comments!

PREVIOUSLY Last week we were talking about the blonde presuasion as well - Charlize Theron and Patrick Wilson faced off again in a Young Adult redux. Wilson's Buddy might be the nice guy, willing to clean up baby burps and all that, but he never stood a chance against mean girl-woman Mavis. CMG put is succinctly:

"Mavis. Buddy is blind and seems dumb. The end."

Saturday
Apr122014

TCM's Opening Night Red Carpet: Jones, O'Hara, Novak, O'Brien

Diana reporting from TCM Film Festival's Opening Night Red Carpet. The classic stars came out and Anne Marie and I talked to them.

Oscar winner Shirley Jones with her husband and the Oklahoma! premiere. [Photo: David Buchan/Getty Images]

4 P.M. Hollywood Blvd.
The red carpet is rolled out in front of Grauman’s, but crewmembers are still finagling with the Oklahoma! stop-and-turns as the press begins to descend on the barricades. Within a few moments, we chosen not-so-few (journalists, cameramen, bloggers) swarm to our allocated spaces along the carpet, with The Film Experience smack dab in front of the Grauman’s entrance. Tip sheet in hand and audio recorder on standby, we stand and wait.

5 P.M. The Red Carpet Opens
We are told that Shirley Jones has arrived. In the distance and with some squinting, you can see the Oklahoma! songbird looking bubbly yet elegant in a dark pantsuit with Marty Ingels, her husband of 37 years (a fact highlighted by him carrying a placard reading “37 YEARS”), by her side. As Jones makes her way down the press line, we press are prepping and mentally repeating our opening lines (mine involved her splendid performance in the 2005 revival of 42nd Street and her recent one-woman show at a Maryland Boscov’s), but alas she is called to take photos with Robert Osborne and then bypasses our section.

Leonard Maltin stops by. Being a fledgling critic myself, I jump to ask his advice to young critics and film journalists. Maltin says simply, almost pointedly, that aspiring critics just need to write, and read, but mainly write. He elaborated that he began writing criticism as a by-product of his passion for film history and that if he could have, he would have stayed solely a film historian. In regards to the festival itself, Maltin is there in an official capacity, moderating multiple talks (including Friday’s Club TCM talk with Quincy Jones) and hosting the Hubley Animation tribute, but is also looking forward to seeing as many of the screenings as he can, including Zulu.

Hitchcock ladies Kim Novak (Vertigo) and Diane Baker (Marnie) hit the opening night

Tiffany Vasquez, the TCM Ultimate Fan winner, is brimming with excitement at not only being on the red carpet but being there as a guest programmer, she will be introducing the 1948 noir The Naked City. Like most TCM fans would be, she was very nervous and intimidated by working with Robert Osborne in her onscreen introduction, but Osborne was so welcoming and gracious that he immediately eased her nerves [insert warm, fuzzy feelings]. Funnily enough, the New York City native originally wanted to submit Sunset Boulevard as her TCM Ultimate Fan entry, but decided to utilize her location, with The Naked City springing to mind, and shot the whole thing on the border of Queens and Brooklyn.

6 P.M. The Clock is Ticking
With only a half hour until the show begins, two Hitchcock blondes whizz by with protective publicists/companions in tow -- Kim Novak and Tippi Hedren (both breathtaking and in pantsuits, the former’s dark and the latter’s light blue-and-green floral).

"Meet Me In St Louis"'s Margaret O'Brien who won the Juvenile Oscar of 1944 at the after party [Photo by Stefanie Keenan/WireImage]

Margaret O’Brien, in a stunning royal blue full-length gown and with tinted blue hair to match, says hello. As tiny and peppy as Tootie, even 70 years later, she said that Meet Me in St. Louis was her favorite filming experience, her most challenging performance was in Little Women but because she adored the role of Beth so much from the book and wanted to do it justice more than anything else. Lining up nicely with the festival theme of “Family: The Ties That Bind,” she also credited her mother as her biggest support throughout her career.

Trying to lob at least one question at the legendary and still fiery Maureen O’Hara, I asked how her evening was going (sometimes small talk can work wonders in easing to a star’s red carpet schedule). “I won’t know until the evening’s over,” the quick wit threw back.

Alec Baldwin with the legendary Maureen O'Hara who turns 94 this summer

6:30 PM Closing Time
Everyone is getting settled in for Oklahoma! and here’s Anne Marie’s write-up on the screening itself. More on the festival to come!

 

Tuesday
Mar042014

And the Link Goes To...

Mashable "12 Ways June Squibb is the New Jennifer Lawrence"
Kenneth in the (212) Indiewire article on The Normal Heart appears to be outing Taylor Kitsch. Typo? Weird punctuation? Odd sentence structure?
Yahoo Movies premieres the Paddington teaser. But don't get too excited Nicole Kidman is nowhere to be seen
/Film The Avengers Age of Ultron scrambling to rethink shooting schedule. They start shooting next month when Scarlett Johansson will totally be showing (4 months pregnant at the moment)


MNPP do dump or marry: two Hemsworths, one Ben
Dark Horizons Hugh Jackman planning to hang up the Wolverine claws soon. YES! I 100% co-sign everything my friend JA says about this one on his blog:

Honestly at seven films down I'm kind of ready for Jackman to do something else, too. As long as he keeps taking his clothes off, of course! But the bulging vein Wolverine look has gotten to be too much. Smaller and sleeker but still naked - that's what he should do.

Oscar Hangover
Self Styled Siren a must read on Kim Novak's industry history and her Oscar appearance
LA Times a Memo to Hollywood on Lupita Nyong'o's future. (Her slate is pretty much free now -- Who's going to sign her to what?)
MNPP is this the best picture from the Oscar after parties? The expressions!
The Wire "We All Have To Get On The Same Page Of What Oscars Year This Is" I'm so happy Joe Reid has joined me on this lonely battlefield  
Variety 5 brands that deserve an Oscar for marketing. Arby's certainly made a brilliant move on Oscar day

Today's Watch...

Idina Menzel remembering to have fun with the third defining song of her career on Jimmy Kimmel. (If you haven't been paying attention -- her two other huge cultural moments were "Defying Gravity" in Wicked and Maureen in general in Rent & "Take Me or Leave Me") 

Wednesday
Oct302013

Coven: Bell Book And Candle

Team Experience is assembling our own coven of preferred witches for Halloween. Here's Anne Marie on Kim Novak and her kitty.

 

How does a studio follow up one of the most iconic thrillers ever made? With a supernatural rom-com, of course! Bell Book And Candle was released in 1958 a few months after Vertigo. Jimmy Stewart and Kim Novak once again play a bewitched man and the woman who desperately loves him, but this time Kim Novak wields magic and doesn't die twice.

As Gillian Holroyd, Kim Novak is the sexiest sorceress to ever sling a spell. By day, Gil sells "primitive art" from her chic New York art gallery. By night, she weaves powerful enchantments to ensare her rival's fiance and exact her revenge. One thing that never changes is her sense of style: Gil pulls off this double life in some stunning (Academy Award nominated) ensembles.

Broom - Who needs cumbersome transportation in New York City? A true Greenwich girl can walk most anywhere she wants. (Preferably barefoot.)

Favored Spell - Love potions with a tendency to backfire.

 

Pointy Hat - Instead of a drab dull hat, why not this gorgeous backless gown?

Familiar - A communicative siamese cat named Pyewacket. Bonus - he matches her eyes.

"Only Bad Witches Are Ugly" - If Glinda is right, then Gil must be the Queen of the Good Witches. Never mind that she ruined an engagement through her witchcraft - she looks fabulous! Besides, she gets her comeuppancce: Gil falls in love and loses her powers as a result. Karma can be a real witch.

Sunday
Aug052012

Introducing... In "Vertigo"

I've only written about Alfred Hitchcock's immortal Vertigo (1958) once for an episode of the old series "May Flowers" so I thought I'd dig up that old piece now that Vertigo is in the news having been named "The Greatest Film" by Sight & Sound. I always think of Vertigo as an early summer movie. What other movie besides its closest descendants Robert Altman's Three Women and  David Lynch's Mulholland Drive feel more ruled by twin sign Gemini? Hitchcock films generally deserve complete dissertations but we don't have Scottie Ferguson's (Jimmy Stewart) stamina when it comes to fetishizing doppelgangers. So today let's merely glance back at his introductions to Madeleine/Judy (Kim Novak).

Ferguson has been hired to follow Madeleine and as he first spots her in a deep rose red restaurant. [Click here to open a panoramic shot in a new window]. Hitchock slow zooms out from Scottie (far right) at the bar and pans left, following his gaze, into the dining area filled with flowers and well heeled customers and even a painting of a floral arrangement framed by floral arrangements before it finally stops at Madeleine (tiny, far left) in her emerald green dress.

As she leaves the restaurant we get Kim Novak's first bewitching close up, carefully calibrated and emphasized by Hitchcock's editor George Tomasini and cinematographer Robert Burks. Scottie likes what he sees but this is a job.

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