Interview: Aly Muritiba on Brazil's queer Oscar submission "Private Desert"

by Nathaniel R

Sometimes the long lead up to a movie's release can alter a story. In the case of Aly Muritiba's Private Desert, most people who come to it will already be aware of its central premise though the movie treats that as a "reveal". Happily the film works either way. Crossing the border can also change how a movie feels. The initial protagonist, Daniel (Antonio Saboia) is viewed sympathetically but his offscreen history (police brutality) is likely to spark different reactions from country to country, depending on societal views on policing and masculinity.  In the minimalist but never simple story, a lonely cop spontaneously drives several hours to finally meet the woman he's been romancing online. She abruptly ghosts him after an implicit request for reciprocal nudes and we glean, quite a long time before he does, that he's fallen for a queer person. 

We had the pleasure of talking to the director Aly Muritiba about the film, the careful casting of his second lead, and Brazil's contentious history of Oscar selections...

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SPOILERS: The Endings of "Passing" and "Power of the Dog"

by Deborah Lipp

So, the title says “spoilers.” And it says “endings” which makes “spoilers” somewhat redundant. Stop reading now unless you’ve seen both of these movies.

Okay. Coast is clear...

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FYC: "Flee" for Best Picture

by Matt St Clair

Flee, now playing in limited release, is transcendent. The animated memoir could break records by competing in three Feature categories: Animated Feature, Documentary Feature, and, because it’s the Danish submission, Best International Feature. Both Collective and Honeyland recently made history recently by competing in the latter two categories simultaneously, but no film has found itself in contention for all three. Flee might accomplish this historic feat, but it should go even further by also being nominated for Best Picture.

A nomination would allow the glass ceiling for documentaries to finally break. In the ceremony’s soon-to-be 94-year history, no documentary has ever competed in the top category...

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Streaming Review: "Single All The Way" (Netflix)

By: Christopher James

Holiday traditions are important. It’s the one time of the year when people slow down and get to make time for families, friends and silly comforting things. It’s no wonder goofy Hallmark/Lifetime-esque holiday movies have spawned into their own genre, with dozens coming out each week. Even within them, there’s subgenres - the so-bad-their-good comedies, what-is-happening-bonkers movies and the depressing drek.

So how does Netflix’s Singe All The Way fare within this matrix? Yes, it marks the streamer’s first gay-themed holiday movie. But does that mean that it’s the perfect bit of holiday junk food for you and your friends and family?

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Dame Judi Dench deserved the Best Actress Oscar for "Notes on a Scandal"

by Matt St Clair

Dame Judi Dench is an international treasure. The legendary actress currently has seven Oscar nominations under her belt, having won once in Best Supporting Actress for her role as Queen Elizabeth I in Shakespeare in Love (recently discussed right here at length). Should the stars align, she might add an eighth nomination to her record for her role as the lovable Granny in current Best Picture frontrunner Belfast. Even at 86 years-old, and with her deteriorating eyesight, Dench is still going strong, managing to get quality roles in an industry notoriously unkind to actresses when they reach a certain age and whose names don’t rhyme with Beryl Deep. 

Astonishingly, Dench didn’t become an official Academy darling until she reached her 60’s. Up until she joined the James Bond franchise as M in GoldenEye, and earned her first Oscar bid for Mrs. Brown in ‘97, Dench was more of a theater mainstay while working sporadically on film. Yet since that one-two punch, she's been a consistent movie presence with Notes on a Scandal being a high water mark. She deserved to win her the Best Actress Oscar that year...

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