A League of Their Own, Pt. 4 - The World Series

Here is the conclusion of our 25th anniversary retrospective of A League of Their Own!

Part 1 introduced us to the team and Part 2 showed us their success and struggles on the field. In Part 3, the sibling rivalry between Dottie (Geena Davis) and Kit (Lori Petty) got Kit traded to the Racine Belles and the return of her husband from the war caused an exhausted Dottie to quit the team. Where will that leave the Rockford Peaches as they go on to the first all-women World Series?

Part 4 by Chris Feil

1:30:15 - It’s the first game of the first AAGPBL World Series and it’s our beloved Rockford Peaches against the Racine Belles. And wouldn’t you know Doris has some fawning fans in the stands (including “that guy” actor Joey Slotnick in his film debut)!

Click to read more ...

A League of Their Own, Pt 3: Winning the War but Losing the Game

25th Anniversary Four-Part Mini Series Event

In Part 1 we met a slew of talented female ball players as they escaped the doldrums of their lives to join the All American Girl's Baseball League during World War II. In Part 2 we got invested in their funny personalities and rivalries and watched as former star and booze hound Jimmy Dugan slowly rose to the challenge of actually managing them. When we left off, the girls were warned that the league might be closing just as its begun unless they could generate more publicity and sell more tickets.

The Peaches are in love wih the game already. They step up when they're asked to give it everything they got...

Part 3 by Jazz Tangcay (on loan from Awards Daily)

1:01:55 ...time to see some ball. Kit pitches and we cut to Dottie displaying her catching skills spilt style. It’s an absolutely amazing shot of Geena Davis and much like Jimmy’s reaction, you’re sitting there, jaw open, thinking wow. “What the hell was that?” Jimmy asks. Don’t we all want to know how she did that? 

Dottie even makes the cover of Life magazine

1.03:00 After a quick church prayer, and another quip from Jimmy, “God knows we have a game,” Hans Zimmer’s score starts up 🎵

Click to read more ...

A League of Their Own, Pt. 1: Cow Girls & Charm School

25th Anniversary Four-Part Mini Series Event

Welcome sports movie fans. Or, in a pinch, actressexuals who will watch largely female casts do practically anything.

Twenty-five years ago on July 1st, 1992, Penny Marshall's period comedy A League of Their Own (1992) opened in theaters. It wasn't quite an immediate blockbuster but word of mouth was spectacular -- in its second weekend it grossed practically as much as its first, which as you know is exceedingly rare. The female led comedy proved another home run for the director of Big, eventually grossing over $100 million domestically. It ended 1992 as that year's tenth biggest hit, just behind Basic Instinct and shutting Clint Eastwood's Unforgiven out of the moneyed top ten.

For the next few days we'll be revisiting this beloved classic tag-team style like we did with Who's Afraid of Virginia Woolf (1966), Thelma & Louise (1991), Rebecca (1940), and The Silence of the Lambs (1991). Please join in the conversation if you love this movie (and who doesn't?). - Editor

Batter up...

Part 1 by Lynn Lee

01:22 Inside an old-fashioned cape-cod house, a tall, slender, elegant older lady with reddish blonde hair (Lynn Cartwright, but with Geena Davis’ unmistakable throaty voice dubbed) is packing a suitcase.  As we’ll learn, she’s Dottie Hinson, one of the (fictional) first women to play in the (real) All-American Girls’ Professional Baseball League, and is getting ready to attend a special event honoring the AAGPBL at the baseball Hall of Fame.  She seems oddly less than excited about it, even when her daughter turns up with her old baseball mitt...

Click to read more ...

Some Came Linking

Vulture dreams up sequels for The Fault In Our Stars. We'll obviously take the Laura Dern one
The Awl "The Tortured History of Entertainment Weekly" - god I was so in love with that magazine when it debuted in the 1990s. The first issue I remember buying was #5 with Jamie Lee Curtis on the cover for Kathryn Bigelow's Blue Steel
Pixar Times Pixar teases the first five minutes of Inside Out their June 2015 release
Theater Mania Laura Benanti auditions for Peter Pan Live! 

Boy Culture RIP supporting actress Martha Hyer, Oscar-nominated for Some Came Running (1958) 
Kenneth in the (212) teases a new stage production with the music of the The Go-Gos?
Comics Alliance a giant statue of Spider-Man in Korea is causing a stir thanks to its Spider-Manhood
Empire there's a new trailer for The Boxtrolls
Variety expects crazy ladies to dominate the Guest Actress race at the Emmys 
THR has a lengthy cover story on the suicide of the director of Searching For Sugar Man 

Foreign Film Oscar Watch
The Great Beauty, Italy's Oscar winner just lost its home-field Oscar race to a film called Human Capital which also won three acting gongs. Human Capital wasn't eligible for submission by Italy last year (since it hadn't yet opened by the cutoff date) so it could well be Italy's submission this year.

P.S.
I'm not sure how I missed this excellent interview with Lori Petty over at The Daily Beast on Sunday but it's a must read if you have any affection at all for Lori or the 1990s when she just kept doing her inimitable thing all over now classic movies like A League of Their Own, Point Break, and... well, the interview weirdly neglects Tank Girl but what can you do? She talks working with Jodie Foster, Madonna, discovering Jennifer Lawrence and how she got her cameo part in Orange is the New Black despite definitely being off the radar in recent years. 

Lori Petty & Naomi Watts in Tank Girl (1995)

Why do you think the roles started drying up after Tank Girl?

Well, because I was thirty-something and I hadn’t married my agent, married any guy co-stars, or gotten fake titties or Botox. I never wanted to be a bombshell; I wanted to be an actor. I would much prefer to be a woman than a man, but if I was a dude, maybe I’d have Johnny Depp’s island because women in this industry after a certain age definitely don’t get to do Pirates of the Caribbean. Poor Keira [Knightley], they even airbrushed huge tits on her on the poster, and she’s flawless! I was trying to play football with a baseball, and you can’t really do that.

20th Anniversary: POINT BREAK (1991)

By the time Point Break emerged in the summer of 1991 I was already a fan of Kathryn Bigelow having obsessed over Near Dark (1987) on VHS in, I think, 1990? I was not disappointed since Point Break has at least a couple of sequences in it that made good on Near Dark's terrifying bar massacre for the sheer "finger lickin' good" adrenaline that pumps through them. When I think of great action direction the foot chase sequence in Point Break always comes to mind if I don't get stuck in James Cameron oeuvre. With the recent rebirth of both Bigelow (The Hurt Locker) and Cameron (Avatar) perhaps there is hope for action cinema still?

Online searches for Point Break screencaps reveal yet again the dearth of movie images online from the early 90s (just before the internet took over, natch) so we can't marvel at Kathryn Bigelow's generous attention to Keanu Reeve's wetsuit ass or the way his wet bangs cling so perfectly to his forehead in slow motion as if entire action sequences were shot as frame-by-frame meticulously as any frozen fashion shoot meant to be blown up on billboards everywhere.

I asked Team Film Experience to share their most vivid memories of the one arguable classic in the pretty-FBI-agent-meets-new-age-bankrobbing-surfer-guru genre. Shut up! It is so a genre.

Kurt (Cinema de Gym): Collectively, my most vivid memory of Point Break is definitely the skydiving scenes. In my teens, I went through a phase where I was totally obsessed with extreme sports and extreme sports movies, perhaps because extreme sports don't exactly require the same hand-to-eye coordination of regular sports, which I extremely lacked. Point Break was one of my big, masculine extreme sports movies, along with Airborne and Drop Zone, the Wesley Snipes skydiving movie. I totally had it my head that I would skydive as soon as humanly possible, especially since my dad had done it back in the day. My thoughts have since...changed. Now I can't imagine just jumping out of an airplane. Maybe if I magically ended up in Point Break 2...

Editor's Note: If we get 150 new subscribers today (see sidebar for TFE's budget to 'dream a little bigger darling') Nathaniel will personally foot the bill to convince Kurt to skydive and share the video for your viewing pleasure. Kurt is very handsome so wouldn't you love to see him terrified and screaming in the clouds as he plummets to possible death?!? If we reach 300 paid subscribers this week (the goal) Nathaniel, whose father has also sky-dived and who is also terrified at the thought of leaping from a plane, will do it with him. Editor's Note Pt 2: The Film Experience accepts no responsibility if anyone dies while trying this.

Craig (Take Three): What I remember most is Kathryn Bigelow showing 99% of her action-filmmaker peers of the time exactly how action cinema is done 100% of the time. 

Michael (Unsung Heroes): All my strongest memories of Point Break involve Nick Frost's anguished Keanu interpretation in the movie Hot Fuzz, so methinks I may be due for a refresher viewing of Bigelow's surf/heist opus.

JA from My New Plaid Pants: I've been meaning to revisit it but I was never a big Point Break fan as a kid. Even back then surfer talk set my nerves on edge. But the first thing I think of is that post-coitus shot of Keanu and Lori Petty in bed where she's about a hundred thousand percent butcher than he is. He looked like a pretty porcelain doll and she was this motorcycle mama that was just gonna pick him up and smash him on the floor.

Ha! I love that image, too. Whatever happened to Lori Petty? Ah well. At least she'll always have the early 90s see also: A League of Their Own and Tank Girl.

P.S. Team TFE is looking for a couple of new members to gear up for Oscar season. If you consider yourself a fine writer who is able to get interesting fun points across in short bloggy doses (no current blog is necessary if you have samples), understand TFE's voice (i.e. you "get" and enjoy the site) and live in a major market (and can thus get to screenings or festivals), contact Nathaniel at film experience (at) gmail (dot) com.