'Critics Choice' Winners List & Oscar-Calling Post-Mortem

the night doubled as a live tribute to Amy SchumerDespite the disdain many members of the media, including some within the BFCA, seem to hold for the HFPA, the organization that runs the Golden Globes, everyone seems to want to be them. The Critics Choice Awards, now in their 21st year, have had trouble emerging from that institution's shadow.

Though the CCMAs had seemed to be on a slight upswing around the turn of the decade (the Meryl Streep years of Doubt and Julie & Julia seemed to go well in terms of media interest, comparatively at least), things have been since trending downward and went truly haywire this year.  In addition to the "never take us seriously!" self-sabotage to change a nominee lineup after nominations had been announced, there are the strange impulses that can only come from not trusting the voting body such as the need to give Amy Schumer a special prize in the year when she's already going to win a normal prize.

Meanwhile the continued expansion of categories over the past several years has created a clusterf*** that requires that very few of them be televised live. Which is a pity because if they were they might be worth discussing. Mad Max Fury Road won 9 prizes but it didn't even remotely emerge from the night feeling like a big winner since only one of the nine was televised! [More...]

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Team Experience: Personal Favorite Oscar Nods

While I update the charts I asked the team to share their single favorite Oscar nomination of the day. And I hope you'll pick a single nomination to praise in the comments to. What most delighted you?

And now the favorite things hoopla begins... 

Mad Max: Fury Road - Best Picture
Back in May, critics and cinephiles, myself included, fell in love with Mad Max: Fury Road. It wasn’t just lust or infatuation. It was the kind of love that breeds doubt that others could see in the movie what we saw. Perhaps for that reason, a chorus of moans immediately went up about how not only is the Academy so often forgetful of Spring films, but that Mad Max was probably too fun, too action-y, too daring, hell, too feminist, for the academy to acknowledge it come Oscar season. Then, over the course of the summer, it didn’t even become the blockbuster many expected it would. Domestically speaking, it barely recouped its $150 million budget. (That may sound like a lot, but in the summer of “gigantosauri,” as Mark Harris called it, it was runtish.) How wonderful then today, to see a movie as exciting as it is smart get its due. - Kyle Stevens

Lenny Abrahamson, Room - Best Director
Every moment is so carefully considered. His touch is so gentle that he earns every tear he's coaxed out of us by patiently setting up character and context. He makes Room feel so big and the real world so oppressively small. You can feel that the film was constructed by someone with a deep well of compassion and a profound understanding of what presentation the story demands to impact us. I had hoped that he could make it in, but so rarely does the director's branch award solid quiet observation. - Chris Feil  

more after the jump... 

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Curio: 2015's Most Artistically Inspirational Films

Alexa here looking back at 2015 along with the horde. As I've noted before, some films seem to inspire visual artists and crafters more than others.  Of course science fiction and fantasy will always result in legions of geekery, but some films seem to go further, initiating a dialogue for visual artists that proves ongoing, often for decades. Certain directors' work will always be on the list (Woody & Wes), while others are more hit-or-miss (e.g. the endless fan art tributes to Polanski's Rosemary's Baby, relatively few for Polanski's Chinatown). Reasons are elusive, but it seems some films just serve up a perfect storm of elements that visual artists crave reinterpreting.

So Nathaniel (who chose the ten runners up) and I (who chose the top five, and maybe they're wishful thinking, as they're some of my favorite films of the year) looked into our crystal balls and choose

15 Films of '15 That Are Most Likely To Inspire Future Artists

Nathaniel's Honorable Mentions

15 Diary of a Teenage Girl
14 Tangerine 

"Favorite Movies 2015" by Hulyen

Neither of these films have really caught on yet with the online art crowd -- at least a web search of the usual places doesn't reveal much happening -- but they will.  Diary of a Teenage Girl is about a cartoonist so it starts with an easy identification hook. Plus it's got memorable period trappings, gutsy performances, and an uninhibited libido for unhealthy sexual relations.

I'm even more sure that Tangerine will catch on and here's why...

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Eight Hateful Links

• New Now Next Jesus. I can't believe we haven't mentioned this but the First Wives Club actresses are finally reuniting - Goldie, Bette, & Diane will star in a Netflix film called Divanation, as a former pop trio reuniting. I was going to shout "when can we buy tickets?" but it's Netflix so...
• Salt Lake Tribune the Utah Film Critics took Fury Road to Best Picture but how's this for fun: They gave Rose Byrne in Spy their Best Supporting Actress prize.
• Cinematic Corner Sati doesn't like Carol (wha!?!?!) but she still makes great lists so we'll pretend we hadn't just learned this about her. Anyway... this one is on her favorite things about Mad Max Fury Road

• Forbes suggests that Chris Evans, Scarlett Johansson, Chris Hemsworth etc... give you the most ROI at the box office given their salaries per film. The list is kind of interesting but bankability is so intangible since many of today's stars don't have colossal box office because they are selling tickets but because they are playing characters who sell tickets -- notice how many Marvel superheroes make this list.
• MNPP Colton Haynes and Luke Evans have something in common
• /Film Star Wars may be the only franchise getting ink this month but James Cameron won't want to see his records destroyed. He is still promising Avatar 2 for 2017
• The Wrap has been experimenting with Oscar math for years trying to see if we'd ever get a 10 wide year under the new system. This year their experiment ended with 10 pictures. And this plays like sound reasoning on what type of year we'd need to get ten nominees:

A larger-than-usual number of films got votes, but a smaller-than-usual number of them had strong support.

So the question is: do you think it's that kind of year? Here's our current Best Picture Chart

• and finally... 
I don't plan to review Quentin Tarantino's The Hateful Eight since I've been slagging it off on Twitter and gave it the #2 spot in my Worst of 2015 list and who needs to be so toxic during the holidays? In short my review goes like this: "the best part was intermission". So to make amends to the Tarantino devotees among you, please enjoy Joe Reid's 50 Best Performance in Tarantino Movies list. I would naturally quibble with the order. Bridget Fonda's awesome "Melanie" in Jackie Brown and Amanda Plummer's hysterical "Honeybunny" from Pulp Fiction are among my favorites and neither even make the top 35! Both are lower than Jamie Foxx in Django Unchained which is puzzling as he gives the weakest of leading performance in the Tarantino filmography (think about it). The top three are all marvelous Oscar worthy choices and I'm pleased that most of the Kill Bill players rank highly. Over the years Kill Bill has sliced such a distinctive but clean and familiar path through the center of Tarantino's filmography that I now consider it his best work, hands down. Or limbs off as the case may be for so many of its unfortunate extras.

If you must know I'd rank the principle performances in The Hateful Eight like so: Samuel L Jackson ≥ Walton Goggins >>> Kurt Russell > Demian Bichir >> Jennifer Jason Leigh (sorry, she's never done much for me as an actor. I'm aware that this is an unpopular opinion amongst film critics) > Bruce Dern > Tim Roth >> Michael Madsen (who sadly is given very little to do). If you plan to see the sadist western over the Christmas break, we would be interested in hearing your opinion despite feeling hateful ourselves. 

Contrarian Corner: Mad Max Fury Road

Lynn Lee test-drives a new, potentially recurring feature wherein TFE members voice dissent on Oscar hopefuls and critical darlings.

If you’re on this site, it’s safe to assume you pay attention to movie critics. It’s also a fair bet you’re likely—or at least more likely than the average person—to agree with the critics when they coalesce around a particular movie. But if you’re like me, every once in a while a film comes along that generates a level of critical enthusiasm you just don’t get. You’d like to share or at least understand it, but instead find yourself feeling like the lone non-believer in a church full of the radiant converted.

That’s how it’s been for me and Mad Max: Fury Road, which met with rave reviews and solid box office when it hit theaters this summer. More recently, it’s picked up a raft of critics’ awards and nominations that have kept it in the Oscars conversation - not just in the technical categories but the majors, including picture and director. Any doubt about its chances stems from the fact that it’s a “genre” film, not its intrinsic merits, which most agree transcend its genre. [More...]

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