In the Links

• The New Yorker Kathleen Turner is singing... yes, singing, at Cafe Carlyle for a week or so. OMG I'd love to cover that for y'all but that place is pricey.
• Film School Rejects the troubled history of the film adaptation of Lin-manuel Miranda's In the Heights may finally be ending with Warner Bros snatching up the rights
• MNPP on the trailer for the art slasher flick Knife + Heart premiering at Cannes

 

• The Guardian thoughtful piece by Xan Brooks about provocative cinema, Cannes, and Lars von Trier in our new age of moralizing
• Playbill California readers take note. At the upcoming Hollywood Bowl production of Annie, Megan Hilty, Ana Gasteyer, and Lea Salonga star. Fun casting! And those voices!!
• Boy Culture Trinity Taylor makes over Nico Tortorella who now identifies as gender fluid, or as he says 'sort of cisgendered but not so... CISSY
• AV Club Jordan Peele producing a series set in the '70s about Nazi-hunting in NYC. What now?
• DListed obsesses over a strange Cannes moment with John Travolta and 50 Cent
• MovieMaker profiles Geena Davis's Bentonville Film Festival 
• W Magazine interviews Brie Vinaite on her busy post-Florida Project life
• Film School Rejects "How Marvel Broke Storytelling" a good piece on exactly what the problem is with how they've trained audiences and deferred endings
• Playbill This is so heartbreaking. Just a few months ago Tony-winning actress Ruthie Ann Miles (The King and I) lost her daughter (to a driver who hit five pedestrians including Miles) and now due to complications from that tragic event she's lost her unborn child
• ExtraTV silly bro clip of Josh Brolin talking about his naked ad for Fish Love

Exit Video
Here's the trailer for the series finale movie of Sense8. Sad that this singular series from the Wachowski sisters and J Michael Straczynski is ending but glad we'll have closure.

Captain Marvel Begins. Infinity War Promises. Black Widow Waits.

by Nathaniel R

Brie Larson training with a real pilot

As you've undoubtedly heard given that half the internet (at least) is a conveyor belt for Marvel Studios propaganda news, Captain Marvel began shooting yesterday. Brie Larson headlines Marvel's first female driven superhero film. Despite the company's cultural prominence they didn't get to female heroes first. That honor actually belongs to the all but forgotten Supergirl (1984). If you only want to count the modern superhero film era (i.e. post X-Men, 2000) the honor belongs to the much-reviled Catwoman (2004), which was followed by the also-reviled Elektra (2005), and the also-also reviled My Super Ex Girlfriend (2006). If you want to only count the post-Marvel Studios world (i.e. 2008's Iron Man,was ground zero) they still didn't manage "first!" dibs but we shouldn't dwell on their priority problems. Thankfully Warner Bros / DC's Wonder Woman (2017) was beloved and hopefully signalled a turning point in the fate of the female hero subgenre...

Click to read more ...

Review: "Spider-Man: Homecoming"

by Chris Feil

It’s another go around the spider’s web again. With Spider-Man: Homecoming, the second reboot in under a decade, Peter Parker cashes in some MCU cache in attempt to regain audience enthusiasm after a string of disappointments. The good news is that director Jon Watts (Cop Car) and team have delivered a distinct revamp that may be far off from the cinematic heights of Sam Raimi’s first films, but is still one of the most entertaining. As we last saw him in Captain America: Civil War this is our youngest Spider-Man yet, and he may not be ready for his crime-fighting responsibilities yet.

Click to read more ...

Linkbug

Before we get to the links please click on this photo to your left, the teaser poster for Yorgos Lanthimos's The Killing of a Sacred Deer. (Lanthimos last brought us the incredible The Lobster so we hope he's on a roll.) The poster is so beautiful we don't even mind that Nicole Kidman isn't on it! That's high praise if you haven't been paying attention.

Links 
Los Angeles Times Jimmy Kimmel will return to host the Oscars again in March. Same team this year, producers too.
Interview Ethan Hawke talks to his friend Alessandro Nivola (easily one of the best stars among the under-famous and under-celebrated division) about his current hot streak
Fathom Events will broadcast the current London production of Angels in America to select US movie theaters in late July. Click there for ticket sales in your area
Awards Daily keeping Oscar buzz alive all year for Cannes contenders is a tricky feat - I agree with most of this but disagree with the example of Midnight in Paris. I'd argue it wasn't the Cannes launch that made that film an instant Oscar contender but its big box office at home (for Woody) the month after the festival --another reminder that it can be really advantageous to strike while the iron is hot though few films dare and instead let their Cannes hype dwindle into nothingness before theater launches half a year or longer later. 
Playbill ABC will air a live Little Mermaid special on October 3rd which combines the 1989 classic with live celebrity performances with "cutting edge technology." What the what now? This sounds potentially awful and disastrous but also, because of that, a 'must see'

Script Notes, a writing podcast, talks to Chris McQuarrie about moving from being a writer to a writer-director and the difficulties of moving from indies to tentpoles
Criterion Corner David Hudson aunched his new column "The Daily" which I will surely be stealing links from at some point for these roundups unless I got to them first. Let's start now with these two...
Reverse Shot has a new series called Executive Order which takes a deep dive into the individual  T****'s EOs and fuses them with a film that is in conversation with those ostensible ideas or power plays. This link is about the Muslim ban and segueways into a discussion of the fine gay drama Henry Gamble's Birthday Party
NYT how action roles have changed for women (with Theron, Jovovich, Yeoh & Rodriguez)

I object!
/Film "Why Marvel Can't Fail" I'm linking this piece not because I like it but because I have to take issue with it. There has literally never been a long-running franchise or a single studio that has never failed. James Bond had flops. Tarzan had flops. Disney was once dying! Superman eventually fell out of the sky (though he's flying again). Marvel and Pixar, the current studios who inspire this type of article/argument, will not change that. It is an impossibility to always succeed. It's wiser to understand this because one of the quickest ways to insure failure is to assume infallibility. (Also I take issue with the use of "stickiness" here. Sticky as a concept in business may be morphing but it didn't mean 'traps you into brand loyalty' originally. I know because I bought a whole book on the concept when "sticky" became a thing ten years ago.

TV
New York Magazine (classic link since Roseanne is topical again) Roseanne Barr on the addiction of fame, her eponymous show, Hollywood sexism and Charlie Sheen
Esquire Corey Atad ranks every episode of Twin Peaks. This brought back so many memories and it's true that the show's quality varied wildly
Coming Soon Netflix is adapting the fantasy novels The Witchers Saga to series 

Off Screen
The Atlantic "My Family's Slave" incredible long read about slavery, shame, family demons, cultural norms, and more

Captain Marvel might not be imaginary after all!

While I remain skeptical about Marvel Studios commitment to their female heroes, they took a small step forward in making Captain Marvel a reality by signing directors to the project. That's right, directors, as in plural. The writer/director duo of Anna Boden and Ryan Fleck won the gig. They're not doing the screenplay this time (which is new for them) but still co-directing. They debuted with the searing Half Nelson for which Ryan Gosling earned a well deserved Best Actor nomination. Their subsequent films (Sugar, It's Kind of a Funny Story, and Mississippi Grind) weren't quite as acclaimed but were respectable outings. They've recently been directing performance-centric shows like Looking, Billions and The Affair.   

What does this mean for the film? Well it bodes well for the acting (not that Brie Larson needs a lot of help there) since they always do right by the talent but we hope they have amazing first-timer intuitions in terms of helming action setpieces and doing a ton of greenscreen. What's the learning curve like on that?

Captain Marvel will supposedly open on March 8th, 2019.