Beauty vs Beast: Say U.N.C.L.E.

Hello and happy Monday, it's Jason from MNPP with our weekly "Beauty vs Beast" experience - tomorrow is Armie Hammer's birthday, and I don't know if you guys saw but I was kind of a Call Me By Your Name fan. But don't worry - we're never going to make you choose between Elio and Oliver (especially not for Armie's birthday, since he'd most likely lose that one by a substantial margin). No let's take a look back at Armie's other great gay romance (that's what it was, right), Guy Ritchie's underrated 2015 film of The Man From U.N.C.L.E. And yes I know that technically Henry Cavill's Napoleon Solo & Armie's Illya Kuryakin were (reluctant) partners, but do we really think if I put the film's actual villain played with swan-necked gusto by Elizabeth Debicki anybody would be beating her? I thought not. So let's make this a contest...

survey service

PREVIOUSLY Speaking of contests last week's Doubt-match was a bit of a doozy - over the course of the past seven days every time I checked on Amy Adams & Meryl Streep were about tied. But then what always happens happened - Meryl pulled ahead and stayed ahead and ended up with about 52% of the vote. Said Val:

"Does any of it matter once Viola Davis shows up, establishes her family's heartbreaking stakes, and commits grand theft movie all in under 10 minutes!? If nothing else Doubt should be appreciated as a rare moment where Streep seems knocked out by someone else's performance."

Beauty vs Beast: No Doubt

Jason from MNPP here ready to label this place "The Amy Adams Experience" for the day, because not only are we discussing the latest episodes of Sharp Objects but we're wishing her a happy 44th birthday while we're at it with this week's edition of "Beauty vs Beast." Specifically we're looking back at her Oscar-nominated role as the watchful Sister James opposite her Oscar-nominated co-star some-Meryl-lady in John Patrick Shanley's 2008 film Doubt. Can you believe this movie's turning 10 in December? It doesn't seem that long ago, does it? Does the movie hold up, you think? (I mean besides Viola Davis, obviously.) But even besides that I need you to, heaven forbid, brush away your doubts long enough to come down with a vote on...

online polls

PREVIOUSLY My favorite Fassbinder was the subject of last week's poll and my favorite Fassbinder performance therein won - Margit Carstensen's TITULAR ROLE in The Bitter Tears of Perta von Kant sashayed off with about 3/4s of the vote over Hanna Schygulla's user-loser Karin. Said Jordan:

"Just caught this film for the first time recently thanks to a mention about it on this site and had one of those WHERE HAS THIS MOVIE BEEN ALL MY LIFE??!! moments. Stunning across the board. What Fassbinder, Ballhaus, and these women accomplished in a single room is really movie magic."

Months of Meryl: A Prairie Home Companion (2006)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#33 —Yolanda Johnson, a Midwestern songstress and longtime staple of the titular radio show.

MATTHEW: Two of the most revered artists in American cinema history, Robert Altman and Meryl Streep each built their lauded careers by probing into characters from countless corners of the world, driven by an ardent and undiminished interest in the micro — but never minor — idiosyncrasies of collective human behavior. For those who believe in the supernatural forces of fate, there is something undeniably kismetic in Streep and Altman’s first collaboration, which would turn out to be this mighty auteur’s valedictory effort. A Prairie Home Companion, Altman’s final film, is a moving backstage comedy that sketches out the (fictional) final broadcast of the historic and beloved Minnesota radio variety show of the title, created and hosted by Garrison Keillor, who also scripted the picture. (Keillor was fired from his program in November of last year over allegations of sexual misconduct.) Brimming, like all of Altman’s work, with an abundance of people and all their peculiarities, A Prairie Home Companion relies on the character-inhabiting talents of an irresistible and excitingly-paired ensemble, whose every member gets ample opportunity to ingest spirit and specificity into a wide array of oddballs and straight-men, from Woody Harrelson and John C. Reilly’s ribald cowboys to Maya Rudolph’s quietly panicked and heavily pregnant stage manager to the pair of aging songbirds brought to fanciful, rueful life by Streep and Lily Tomlin.

As Yolanda and Rhonda Johnson, the two surviving members of a four-sister singing act, Streep and Tomlin are, quite simply, a match made in acting heaven...

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Months of Meryl: Lemony Snicket's A Series of Unfortunate Events (2004)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#31 —Aunt Josephine, an agoraphobic, grammar-obsessed, hermetic eccentric.

MATTHEW:  Who says Meryl Streep doesn’t make movies for kids? In 2004, Streep lent her talents to Brad Silberling’s film adaptation of A Series of Unfortunate Events, Lemony Snicket’s (née Daniel Handler) acclaimed literary series that, over the course of 13 novels, chronicled the many misfortunes and menacing adventures of an orphaned trio of children...

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Months of Meryl: The Manchurian Candidate (2004)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#30 —Eleanor Prentiss Shaw, manipulative mother of a Vice Presidential candidate brainwashed by an international cabal. 

JOHN: The one regrettable casualty of this feature-film series is, of course, Streep’s Emmy winning performance(s) in Mike Nichols’ 2003 HBO adaptation of Tony Kushner’s Angels in America. Perhaps we’ll have time to dig into that series in the future, but suffice it to say we rank her work in it quite highly. In 2004, Streep signed on to her first-ever remake, Jonathan Demme’s The Manchurian Candidate, playing a role made famous by Angela Lansbury in John Frankenheimer’s 1962 film. Demme’s version updates Frankenheimer’s film and Richard Condon’s 1959 source novel to contemporary times, made amid the the Bush/Kerry election and thematically enmeshed in the U.S.’s “War on Terror.” Denzel Washington stars as Ben Marco, a Gulf War veteran whose puzzling memories and twisted dreams of serving in Kuwait drive him to uncover the sinister forces driving fellow soldier and newly-selected, left-leaning Vice Presidential nominee Raymond Shaw (Liev Schreiber) into national prominence. Shaw’s blandly robotic demeanor is operated by his manipulative mother, Virginia Senator Eleanor Prentiss Shaw, heir to an American political dynasty but now working covertly for the ominous international private equity fund Manchurian Global...

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