Clutch The Pearls! "The Iron Lady" Teases

What timing!

Oscar nominations are exactly 200 days away. Immediately after hearing that Glenn Close's Albert Nobbs now has a distributor, her ostensible "overdue" Best Actress competition -- that'd be Meryl Streep -- starts teasing us with this one minute teaser clip, the first from The Iron Lady.

We'll save the "Yes, No, Maybe So" for a full trailer. But you are immediately forgiven if every line reads as an Oscar tease as well.

You've got it in you to go the whole distance!"

Consider eyebrows raised, but why can't I shake the vocal / aural image of Streep as Julia Child on first glimpse of Streep as Margaret Thatcher? Is it just the Oscar proximity? (Can you?)

P.S. Oscar Prediction Pages updates have begun starting with Best Actress

Meryl Streep, Collecting Our Hearts For Decades

It's always staggering to really stop and breathe in the whole of her career, how long this screen giant has wowed and wooed us. Consider that in 1980 (I nabbed this old pic to the left from the wondrous Simply Streep site), she already had an Oscar and the world was already in love with her! And that was just the very beginning.

There have been bumpy patches in the marriage between audience and star, as there are in all relationships, but for the most part we've all lived happily ever after with Mary Louise Streep (Gummer). The moviegoing public, both domestic and international -- and probably even intergalactic if alien cultures have been observing our screens and stages -- has remained hopelessly besotted with Meryl since the late 1970s when she first sprang up, fully formed, an instant movie star.

Today is Meryl's 62nd birthday and she's been famous for just over half of those! We ♥ her.

Many movie stars peak just as they ascend (sad but true) and are defined by one to three (if they're lucky) signature roles. The beauty of Meryl's career is that she simply refused to peak. It's like she wasn't climbing any mountains of stardom but just floating above us all, serenely. Ironically, given her chameleon reputation, the world's most acclaimed actress's signature role is actually MERYL STREEP.

Here's a video The Film Experience crafted for her 60th birthday... time to share it again!

The eighth wonder of the world.

The Harvey Girl.

 Jose here with one for all of you Streep obsessives.... which is, hmmm, 88% of TFE readers? Last week The Weinstein Company acquired distribution rights for Meryl Streep's Margaret Thatcher movie The Iron Lady. Apparently Harvey Weinstein was so impressed with Meryl (duh?) that he just had to have this movie.

What does this mean in terms of Oscar? Meryl probably has it in the bag. Consider: Back in the glory days of Miramax, Meryl was nominated for Music of the Heart (one of the most forgettable performances in her oeuvre) and people like Émilie Dequenne, Julia Roberts, Cecilia Roth and Nicole Kidman were snubbed. Meryl had no chance of winning that year but still...

Fast forward nine years and Meryl was back to represent Miramax with Doubt. Difference is that by then, the company had nothing to do with the Weinsteins and Harvey was hard at work getting Kate Winslet her Oscar. Meryl was inarguably the runner-up that calendar year but it would be interesting to think how things might have gone, had Harvey been pushing Meryl and not Kate. Let's not forget that back in 01, Miramax (under Harvey) won Jim Broadbent an Oscar for Iris, in the year of Gandalf and Don Logan.

Harvey Weinstein is as much of an Oscar obsessive as we are and 2011 marks the 30th anniversary of Meryl Streep's first Best Actress nomination (The French Lieutenant's Woman). Will he be using this as an angle in his campaign?

Related:
Current Best Actress Chart (next update when Cannes concludes)
Streep Posts and Old Streep Posts

May Flowers: 'The Hours'

Kurt here from Your Movie Buddy. In an intro to cinema studies course, my peers and I were tasked to select and present a three- to five- minute segment from a film for a collegiate show and tell. The terms: choose something that features effective editing and/or noteworthy use of music. With the field so finely narrowed (sarcasm), my mind went...everywhere. Rather than drive myself nuts, I opted for the opening credits sequence of a movie I always feel like I've seen recently: The Hours.

This remains one of my very favorite movies of the aughts, and it's a fine specimen for Nat's "May Flowers" series. The brisk and beautiful introduction culminates with a trio of bouquets, but more on those in a bit. Guided by Phillip Glass's score (by turns elegant, chipper and paranoid), we wake up with three women, all of them linked by Virginia Woolf's Mrs. Dalloway. We have Virginia (Nicole Kidman), the writer; Laura (Julianne Moore), the reader; and Clarissa (Meryl Streep), the character (in a matter of speaking). The sequence sets the stage for the three ladies' storylines, which seem to run parallel, but are decades – and miles – apart.

Click to read more ...

Streep. The Lady Turns Blue

A new photo of Jim Broadbent and Meryl Streep as Mr & Mrs Margaret Thatcher from The Iron Lady [via The Daily Mail]

This is apparently a recreation of her "The lady is not for turning" speech when she was at war with the unions. As much as I hated Mamma Mia! from her Iron Lady director and as much as I am largely suspect about this movie and whether it will lionize (perhaps accidentally?) an über conservative doing the kind of thing everyone is correctly pissed at the Wisconsin Governor for doing, I'll have to admit I'm getting more curious about the movie.

If only because it's so hard to read this far out. Did I underestimate it in my Oscar predictions?