Ask and Meryl Shall Receive.

UPDATED WITH NEWLY SCHEDULED LIFETIME ACHIEVEMENT INFO

An Imagined Kennedy Center Honors Honor Photo OpDo you think Meryl Streep ever gets tired of hearing how awesome she is?

Do you think she ever has moments of doubt on set or has she ascended to a higher mortal plane? By now, 30+ years into her regularly lauded big screen career, the role she's had the most rehearsal time playing is that of "Gracious Recipient of Compliments". This will only continue this December with this year's Kennedy Center Honors on December 4th. The other recipients this year are all musicians: Barbara Cook, Neil Diamond, Yo-Yo Ma, and Sonny Rollins so I think they should make Streep sing for this particular supper; she's good at that, too. 

[Tangent: In other Streep news this headline about a "10th anniversary screening of Mamma Mia!" nearly gave me a heart attack today. It's 2018 already????? What have I done with my liiiiiiiiffffffeeee.]

The topic of Lifetime Achievement and Oscar is an annual one. Someone gets that treatment every year though it's far from infallible as campaign options go. And every year people get that treatment who aren't even in the Oscar race, which muddies the water in terms of who people are feeling exceptionally generous towards in one calendar year. There will be a limit on how many stars can get a boost from it, or it's younger cousin (the simpler "Tribute"). This year has already seen tributes to George Clooney and Tilda Swinton (both at Telluride), and lifetime honors for Shirley Maclaine (at Deauville) and soon the list will include Michael Douglas (Santa Barbara), Warren Beatty (BAFTA Los Angeles), Mary Tyler Moore (SAG), Glenn Close (San Sebastian) and Meryl Streep (Kennedy Center Honors). It doesn't end there.

We're probably obviously headed straight towards Lifetime Achievement Territory with the campaigns for Gary Oldman (Tinker Tailor Soldier Spy), Vanessa Redgrave (Coriolanus), Christopher Plummer (Beginners) and Nick Nolte (Warrior)?

How many of these not so subtle "It's Time!" or "It's Time Again!" campaigns will really take off? AMPAS almost never goes  with a whole group of already rewarded actors or an "all veteran quartet" in the acting races (though there was The Strange Case of 1994). Care to place your bets?

Q&A: British Ladies, Weary Superheroes, & "The Hours" for Men

I thought we'd experiment with a Q&A column so over the weekend I asked you to ask questions. Despite this summer's attempt to rebrand myself as a mutant telepath to rival Professor X, I can't actually read minds (unless I'm sitting across from you or holding something that belongs to you), so you had to type them.

So here we go. I'm answering half of them chosen somewhat randomly.

Robert: Do you think mainstream audiences will ever tire of superhero flicks? If so, which film will be the straw that breaks the camel's back?
Professor R: Yes, all things being cyclical. I predict it will happen with the Spider-Man reboot after the Spider-Man reboot... in 2019. (The window keeps shrinking, see.) Either that or the Wonder Twins: The Movie in 2016.

eurocheese: We've heard who'll be producing the Oscars (Brett Ratner and Don Mischer). Any guesses on a host?
Professor R:  It would be unfair for me to guess since I can see into the future. But I will tell you it's a solo act this year after last year's debacle and it's unfortunately not Andy Serkis covered in motion capture gear backstage and then projected onto the stage by WETA in a variety of famous beastly character guises from cinematic history: King Kong, Mickey Mouse, The Creature from the Black Lagoon, Charlotte on a web, Jabba the Hut. (Damnit. That would have been so great. Why don't they let ME produce the Oscars? Fuck Brett Ratner!)

Mark: Is Michelle Williams becoming the next Renée Zellweger? She is showing up in 4 or 5 movies a year and seems desperate to win the Oscar.
Professor R: I don't understand the question. That's like comparing apples to oranges lemons. I don't think Williams is desperate to win an Oscar. She wouldn't be making Meek's Cutoff if she was. If she's desperate to win an Oscar she's doing a terrible job of showing it; quiet and serene on the campaign trail is generally not a winning strategy. 

/3rtfull: You're having tea with three famous women. Who are they?

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Your Fav' Eighties Ladies!

Over the past couple of months we've been holding "Best Character" polls for Oscar's Best Actress category history. We asked not who should win the Oscar but which characters own real estate in your memory. Previously you selected Miranda Priestley, Clarice Starling and other iconic bitches as your favorites from the Nineties and the Aughts. 

But what of the 1980s? Here are the results. *asterisks indicate Oscar winning performances.

Three unarguably iconic characters: Sophie, Celie and Aurora

1981-1985

1. *SOPHIE ZAWISTOWSKI (Meryl Streep) from Sophie's Choice
2. CELIE (Whoopi Goldberg) from The Color Purple 
3. *AURORA GREENWAY (Shirley Maclaine) from Terms of Endearment
4. KAREN SILKWOOD (Meryl Streep) from Silkwood
5. VICTORIA GRANT (Julie Andrews) from Victor/Victoria

Diane Keaton's wondrous performance in REDS (1981) has not been forgotten.Runners Up: To complete the top ten you'd need (in descending order) a third Streep with KAREN BLIXEN from Out of Africa, Debra Winger's EMMA GREENWAY from Terms..., Jessica Lange's rendition of troubled movie star Frances, and with nearly a tie for tenth place Katharine Hepburn's *ETHEL THAYER from On Golden Pond and Diane Keaton's LOUISE BRYANT from Reds. 

Observations: The Streepster's reascendance in the Aughts has obviously polished her earlier work to a healthy shine which would partially explain her tremendous lead as "Sophie" (well, that and the performance itself) and Karen Blixen's near top five placement, despite being hardly as memorable as Sophie or the other Streep/Karen. 

Weakest Showing: While Jessica Lange was an Oscar favorite in the 1980s, her JEWEL IVY in Country received 0 votes. But then Oscar's oft-derided "Year of the Farm Wives" fared terribly, with all three of the farm women failing to muster much enthusiasm. And to think they could have had Kathleen Turner's fiction writer Joan Wilder from Romancing the Stone in there. (She would've hit the top five most memorable characters, don'cha think?)

1986-1990

Dangerous Ladies ruled the Late Eighties

1. LT ELLEN RIPLEY (Sigourney Weaver) in Aliens
2. ALEX FORREST (Glenn Close) in Fatal Attraction
3. *ANNIE WILKES (Kathy Bates) in Misery
4. SUSIE DIAMOND (Michelle Pfeiffer) in The Fabulous Baker Boys
5. MARQUISE DE MERTEUIL (Glenn Close) in Dangerous Liaisons

Runners Up: Completing the top ten in descending order are Julia Robert's Pretty Woman VIVIAN WARD (who initially looked like a top three threat but kept fading throughout the course of voting), Cher's *LORETTA CASTORINI in Moonstruck, Streep's SUZANNE VALE (AKA CARRIE FISHER) in Postcards from the Edge, Anjelica Huston's hard as diamonds LILLY in The Grifters and in a tie for tenth place Holly Hunter's JANE CRAIG from Broadcast News and Jessica Tandy's *MISS DAISY the one who who drove right over the Pfeiffer/Oscar dream. Damn you, Oscar voters!

Observations: Looking back it looks like Meryl Streep owned the first half of the 1980s while Glenn Close threatened her dominance in the decade's second half. And to think they might go at it again this year?!? This poll was the most contentious of the six polls we've held with very small differences in rank between the winners and much in the way of surges and drops. A certain formidable alien fighting woman was always out front but Alex Forrest refused to be ignored and wouldn't allow her a huge lead. Spots 3 through 10 shifted repeatedly with my beloved Kathleen Turner's PEGGY SUE just missing the top ten. [Sniffle]

Fonda and Bridges in THE MORNING AFTER (1986)Weakest Showing: Jane Fonda's ALEX from The Morning After  (which Nick and I tried to recall on the "1986" podcast) received 0 votes from the nearly 800 cast. Of Fonda's seven nominations it's her last and (obviously) her least remembered. It's currently available on Netflix's Instant Watch. Sadly Sally Kirkland's ANNA only barely registered. Kirkland is best known to today's audiences as that crazy-dressing lady who sometimes shows up at the Oscars but that surprise nomination for 1987 was hard-earned. Don't believe me? Watch the movie on Netflix Instant Watch.

Should we do the 1970s?  
What do you make of these 80s polls? Did your fellow TFE readers choose well or would you like to stalk them with Alex Forrest's butcher knife, Ripley's flame-thrower or Annie's hobblin' hammer and right the wrongs they done?

Linkbringer

GWB finds Raúl Esparza all villainous

big screen
Broadway.com Raul Esparza, one of our favorite song & dance men, channels his inner gangster for the new film GWB
Pajiba the fifth annual "most bangable celebrities" list. Fun writeups on everyone from Tom Hardy to Emma Stone to Fassy, who tops the list.
In Contention fans can finally choose between Magneto & Professor X for the X-Men First Class Blu-Ray. Nice covers but obviously I'd have to go with Michael Fassbender.
Scene Stealers chooses a top ten of movie super soldiers to celebrate Captain America's arrival. Hey, that's probably what I'm watching right as you're reading this. Wheeeee.
Little White Lies interviews director Mike Mills on his personal and beguiling film Beginners. I love this bit on whether he's nostalgic for old time Hollywood...

Well, I’m obsessed with history. We are the latest chapter in a long story and if we want to figure ourselves out of get out lf the prisons that we’re in then you need to figure out the past. So I’m always looking back. And I do love Louise Brooks and I do love old Hollywood through the teens, ’20s and ’30s, because it was being invented then, it was like this whole new entrepreneurial world that was just being discovered. ...I like these cultures that were born from punk, too. I was around and I watched these things make themselves a little bit and I related a lot to that. Actually Louise Brooks was a fucking punk, man. She was a really interesting, subversive person.

That she was.

Have you seen this new poster for Tinker Tailor Soldier Spy?

It's nifty, yes?

I like that it feels secret messagey and that it isn't loud. But perhaps mileage will vary. I still don't know what to make of it in the Oscar predictions but it's an interesting wild card sight unseen.

small screen
My New Plaid Pants Black Book's wondrous Carice van Houten will play the sorceress Melisandre in Game of Thrones. I wish I loved Game of Thrones because between them giving Sibel Kekilli a plum role and now this (Melisandre is a totally sick character) it's like they're trying to fill their cast with my foreign film harem. Who's next: Franka and Ludivine?
Vulture Lisa Kudrow talks about Web Therapy which she's bringing to regular TV now. My greatest related dream is that she convinces Meryl Streep to reprise her sex-crazed reparative therapist Camilla Bowner because it's so topical now what with those crazy anti-gay Bachmanns flitting about on the news.
Towleroad Where in the world is Anderson Cooper?

Highest Paid Actresses. What Are They Worth To You?

Forbes released a list of the highest paid actresses a few days ago, tallying earnings between last summer and this one. Have you stopped to think it over? As usual there's not much in the way of specifics as to how they earned the money but it's usually a combo of residuals, new movie deals, and commercial endorsements and the numbers are pre-tax and pre-overhead -- their agents and managers get a chunk of this as does the government. (But you know how kind the government is to millionaires so don't worry for their bank accounts! Millionaires aren't expected to help so the ones with true altruism -- hi Angie! -- are even more lauded for it.)

I used to love all lists as I once interpreted all of them as "people love lists as much as I do!" but now of course it only means "crank up the page views!" . Forbes is especially shameless as you actually have to hit arrows and whatnot an incredible 34 times to read every word of the article! Page View Trickery. I'll save you the trouble. The list is as follows:

1. ANGELINA JOLIE - $30 million
2. SARAH JESSICA PARKER - $30 million
3. JENNIFER ANISTON - $28 million
4. REESE WITHERSPOON -$28 million
5. JULIA ROBERTS - $20 million
6. KRISTEN STEWART -$20 million
7. KATHARINE HEIGL - $19 million
8. CAMERON DIAZ - $18 million
9. SANDRA BULLOCK - $15 million
10. MERYL STREEP - $10 million

On first glance it might seem like a boring list of ubiquitous names but if you stop to consider it offers up a few different career trajectories. You've got your TV stars who leveraged that into massive global fame and then steady film careers  (SJP, HEIGL, ANISTON), you've got a woman who became synonymous with Great Acting (STREEP) early in her career and just refused to vacate her throne, you've got an Otherworldly Movie Queen who seems to belong to the entire world less for her movies than for her celebrity and outreach (JOLIE), you've got the RomCom Queens of the 1990s (ROBERTS, BULLOCK) and their natural successor (WITHERSPOON) who all won Oscars as career honors. [Theory: it's much easier to win an Oscar after RomCom riches than to just win an Oscar due to your dramatic gifts. Discuss!]

And then you've got DIAZ who is sort of in the Roberts/Bullock/Witherspoon school but maybe closer to a Meg Ryan in terms of Hollywood's lack of interest in rewarding her for it (other than monetarily). Finally, you've got a new rock star like franchise queen (STEWART). Will Stewart be able to convert her Twilight fame into a career beyond celibacy-advocate vampirism?

You can't just have a gazillion corporate endorsement print campaigns like Scarlett Johannson or Julianne Moore to name two quick examples, you need to get paid a lot to make the movies that you do make. 

Two things are certain about making it to the top ten.

1. You need to have long hair.
2. If you're not a true original (Streep) and if you haven't slept with Brad Pitt (Aniston and Jolie) it's absolutely crucial to headline romantic blockbusters and/or a single blockbuster franchise. (SJP, Witherspoon, Bullock, Roberts, Diaz, Stewart). 

That covers everyone but Katharine Heigl but maybe you'll have better luck explaining her in the comments.