Beauty vs Beast: Saoirse and Her Sisters

Jason from MNPP here with another round of "Beauty vs Beast" for you people. This weekend Mary Queen of Scots hits theaters and I'm sure you'll hear more about it here being, you know, a movie starring two impressive young actresses being impressive once again - one of those actresses, the one called Saoirse, well she's spent 11 straight years now impressing us, and today we're looking back at the place that started, i.e. with Joe Wright's Atonement. Saoirse should face down female relatives more often - her "cousin" Queen Elizabeth, her mother Laurie Metcalf, her sister Keira Knightley... it works out well for her.

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PREVIOUSLY We tackled the parental figures of Moonlight last week (they could both use a good tackling, honestly) and y'all clearly thought the Oscars got it right, giving Mahershala Ali almost 70% of you vote. Said AlexD:

"Performance wise they're hand in hand for me. Both superb, both brilliantly adding depth and emotion to their characters. Ali shines all the dark and less flattering qualities of a character with whom we mostly sympathize on screen, while Harris humanizes a character with whom we don't (on screen)."

Beauty vs Beast: Black Boys Looking Blue

Jason from MNPP here, still a little stuffed with turkey but ready for this week's "Beauty vs Beast" poll nonetheless - Barry Jenkins' fine new film If Beale Street Could Talk is hitting screens in a couple of weeks, and so we turn our eyes upon 2016's most deserving Best Picture Winner Moonlight to prepare. It seems likely that the film's Best Supporting Actor winner Mahershala Ali will at least be nominated again this year, if not win, for his best-in-show work in Green Book, which I have few qualms with. But it does remind that I never understood why Naomie Harris' work in Moonlight went unrecognized at the Oscars, as she was best in that show for me. Granted her character is much more difficult to root for than Ali's conflicted dealer is...

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PREVIOUSLY Before the holiday we had ourselves a Fassy-Off, facing down two of Michael Fassbender's best perfomances for director Steve McQueen, and I guess TFE loves itself a sex addict because Shame's Brandon swung himself three-quarters of your vote. Said Sarah:

"I love both of these performances but I went with Hunger in the poll mostly because of the "foal" speech he gives which I love but Shame is a real powerhouse performance. It's a shame (heh) how people were so preoccupied with the full frontal that they don't give the performance (and the film and Mulligan) the credit it deserves."

Blueprints: "Moonlight"

To celebrate Pride Month, every week of June Jorge has been highlighting the script of a movie that focuses on a different letter of the LGBT acronym. For “G”, he looks at the poetry in Moonlight. 

When La La Land took the Best Picture statue at the 2016 Oscars for about five minutes, it wasn’t an Earth shattering surprise. It was the kind of movie that wins Oscars. The twist, from a mixed up envelope, was the fact that a small independent film about queer people of color had actually managed to go above all the other nominees for the big trophy was what had made the Earth shatter.

Moonlight is not a traditional Best Picture winner, in everything from themes to distribution model to narrative structure to protagonist. It won three Oscars in total, including Best Adapted Screenplay. It is also not a traditional screenplay. Let’s see how the script transmitted emotion through descriptive lines...

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Middleburg Farewell: Nicholas Brittel, Greta Gerwig, and "American Crime Story"

Day 1 (Darkest Hour), Day 2 (James Ivory, Mudbound, A Fantastic Woman) in case you missed them, Day 3 (Last Flag Flying)

Ann Hornaday and Greta Gerwig talk after a screening of Lady Bird. photo src

The last moments of Middleburg were a blissful blur that it's taken me a week to recover from. Before I left the splendor of the country at this under-the-radar festival in Virginia, I managed to attend three more events.

Lady Bird
I caught some of Lady Bird again (one viewing is definitely not enough). Just enough to give me that rush of pre-college feels again before meeting one-on-one with Greta Gerwig. We'll share that interview next week as Lady Bird begins its theatrical release. Gerwig is such a singular actress that we don't want her to give that up (please never leave our screens!) but it's a joy to know that she writes and directs just as beautifully. 

The Assassination of Gianni Versace: American Crime Story
Since Middleburg largely takes place at a single resort, there are several panels and discussions in their coziest event space. The last on the menu was a discussion about the forthcoming miniseries The Assassination of Gianni Versace: American Crime Story which is the second season of that anthology series which began with the Emmy-winning The People Vs Oj Simpson...

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Middleburg Finale Pt 1: "Last Flag Flying"

Day 1 (Darkest Hour) and Day 2 (James Ivory, Mudbound, A Fantastic Woman) in case you missed them.

Saturday at Middleburg started really slow but then the tempo and key changed. And then it got chopped and screwed and tessellated... and became truly special. If you don't know what any of that means, it's okay; neither did I. I shall explain when we come to the topic of Oscar nominated film composer Nicholas Britell of Moonlight fame.

But first Last Flag Flying...

Richard Linklater is America's most distinguished auteur in the subgenre of movies in which a tight knit group of men just kind of hang out for two hours. He's back quickly after his delightful college baseball comedy Everybody Wants Some!! but this time he's trained his lens on three men his own age... 

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