Showbiz History: "Roots" takes America by storm and Tom Cruise nabs a "Magnolia" win

7 random things that happened on this day, January 23rd, in showbiz history

1962 François Truffaut's new wave classic Jules et Jim is released in France and Canada. It makes it to the US a couple of months later though it's not immediately embraced in the US. In the UK it's a different story and the film receives two BAFTA nominations: Best Film and Best Foreign Actress... 

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Smackdown '87: A Fatal Attraction to Moonstruck

The Supporting Actress Smackdown series picks an Oscar vintage to explore. Now it's time for the season finale featuring the year 1987. 

THE NOMINEES 1987's shortlist of supporting characters featured three very different moms (victim/monster/old-soul-wiseass), one selfless caretaker, and a gossipy neighbor. The actresses gathered were all mature talents, enjoying what would turn out to be their sole brush with Oscar.

THE PANEL  Here to talk about the performances and films are, in alpha order, the actor Ato Essandoh (Away, Tales from the Loop, Chicago Med), critic/author Manuel Betancourt (Judy Garland's Judy at Carnegie Hall), critic Naveen Kumar, critic Kathia Woods, and your host Nathaniel R. Let's begin!

1987
SUPPORTING ACTRESS SMACKDOWN + PODCAST  
The companion podcast can be downloaded at the bottom of this article or by visiting the iTunes page... 

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If I Could Turn Back Time... How Cher Ruled 1987

by Baby Clyde

I’m not sure if I believe in life after love (whatever that means) but I definitely believe in love at first sight. I first saw the love of my life in a dingy dive bar 1981. She stood there, pint in hand surrounded by an intimidating girl gang, dressed to the nines in black leather with gold hoop earring and Jungle Red nail varnish. I watched in awe as she slunk over to the jukebox all back combed hair and gum chewing attitude. Her name was Cherilyn Sarkisian and she changed my life forever. 

I was not even 10 as I watched the video for Meatloaf’s single Dead Ringer For Love. A notorious flop in America it was a Top 5 smash hit in Britain at the tail end of 1981 in no small part because of Meat’s duet partner...

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Performing Spectatorship

by Cláudio Alves

As people who love cinema, I think we can all understand the power art can yield over those who experience it. Whether finding refuge in an escapist dream or seeing an ugly truth reflected at us, the act of being an audience has the potential to startle and surprise, to devastate and entertain. I can often recall those moments when a film overwhelmed me in such ways that I ended up making a spectacle of myself. There were my sobbed laughs at a Whitney Houston karaoke in Toni Erdmann, the breathless shock at Hereditary's peanut panic, the miraculous tears when faced with Parasite's perfect montage and so much more. Those memories are like precious jewels, bright reminders of why I love cinema.

Because of this, I have a special fondness for films that try to capture that inchoate ecstasy that happens when an audience is similarly enraptured…

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Over & Overs: Moonstruck (1987)

In our new Team series, members of The Film Experience wax rhapsodic on movies they can't help watching frequently and can't turn away from if they stumble upon them. Here's Deborah Lipp...

 

I ain't no freaking monument to justice!

As with many of my favorite movies, I find Moonstruck endlessly quotable. I open with a quote in the hopes I can restrain myself from doing nothing but quoting in the course of this write-up.

We are here to ruin ourselves and to break our hearts and love the wrong people and die!

Oops.

Moonstruck is infinitely watchable because it works on so many levels... 

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