Box Office Playbook: Jessica vs. Jennifer

As if doing battle like Best Actress Gladiators both Jessica Chastain and Jennifer Lawrence are all over the nation's theaters. They'll be horns locked for the next 5 weeks in the media, I'll bet. JLaw was joking about beating JChas to the Oscar on SNL -- too gently? -- but it was Jessica who won the box office. And twice over. The last time I remember that happening was Leonardo DiCaprio at Christmas 2002 I think (Gangs of New York and Catch Me If You Can?)  [UPDATE: Sharp-eyed TFE Reader Brian Z actually reminds us that it happened in 2011 too... also with Jessica Chastain for The Help and The Debt]

On a related side note: I just know I'm going to start calling them Jessica Lawrence and Jennifer Chastain before long; name slippage is coming!

Box Office Top Ten
01 MAMA $28.1 *NEW* Jose likes the wig
02 ZERO DARK THIRTY  $17.6 (cum. $55.9) Top Ten List  
03 SILVER LININGS PLAYBOOK  $11.3 (cum. $55.3)  Beau's Review
04 GANGSTER SQUAD  $9.1 (cum $32.2) 
05 BROKEN CITY $9 *NEW* 
06 A HAUNTED HOUSE  $8.3  (cum. $29.9)
07 DJANGO UNCHAINED $8.2 (cum. $138.3) More on Django
08 LES MISERABLES $7.8 (cum $130.3) Top Ten List
09 THE HOBBIT $6.4  (cum $287.3)
10 THE LAST STAND $6.3 *NEW* 

In other movie/money news: Skyfall became only the 10th movie to break the $300 million barrier in the US box office this decade (Alice in Wonderland and The Hunger Games are the only non-sequels in that list... though both are franchisey in that remake or kick-off kind of way); Two very expensive movie gambles Life of Pi and Rise of the Guardians will inch over the $100 million mark in the next few days which must be a relief even if it doesn't quite spell "big profit!"; Chasing Ice, a nominee for Best Original Song, crossed the $1 million mark which is a big deal for documentaries; Sony Pictures Classics are still being really conservative with Amour -- it's only in 36 theaters despite 5 Oscar nominations last week though they grossed nearly ½ a million this weekend; And despite nobody caring about it or talking about it whatsoever Tom Cruise's latest actioner Jack Reacher crossed the $75 million mark this weekend... Oscar season always makes it easy to forget that a huge portion of the moviegoing public never even thinks about "Oscar Season".

WEIRD, RIGHT? 

Speaking of the public -- though the specific and not the general --  what did you see this weekend?

the three most popular movie musicals since Cabaret. Les Misérables is nearing their lofty box office heights

P.S. Les Misérables only needs a few more weeks of heat -- which Oscar season will surely provide -- to pass Mamma Mia! and become the third most popular movie musical of the modern era stateside (after Grease & Chicago). Of course the atrocious Mamma Mia! has the absurd distinction of being so popular around the globe (over ½ a billion) that it's actually the most successful modern musical if you include the entire world in your overview. Usually we prefer to be international but Mamma Mia!? Blargh!

Golden Globe Predictions (+ Shirley Maclaine's Third Jack)

The Golden Globes are tomorrow night, so I'll surely be here tweeting or live-blogging. One wonders if any of the HFPA's oft wined and dined members were treated to Christmas carols from one Jack Black over the holiday break? If not he missed quite an opportunity. If you've seen Bernie you know the man can sang. Though I doubt anyone can work around what's shaping up to be a Silver Linings Celebration tomorrow night (The Globes do love their Weinstein Co. product) the Comedy/Musical categories are typically home to the biggest Globe surprises throughout the years so Jack Black as a surprise winner has crossed my mind a time or two during the season. Remember when Sally Hawkins and Colin Farrell won in 2008? No one was expecting that! If Silver Linings were a little less beloved I'd assume that the Comedy or Musical prize would be going to "24601" himself Hugh Jackman but I'm guessing that now it's Bradley Cooper's to lose.

But back to Black. The comic's awards campaign for Bernie started fairly early-- there's something to be said for early launches -- and when I met him very briefly da few months ago he was so completely casual he almost seemed like a member of the press himself, just there for the free food which he kept recommending. I immediately broached the topic of working with Shirley Maclaine because, well, I am me. They bonded over the musical genre and Jack implied that Shirley kinda takes credit for Bob Fosse's film career basically under the from her movie clout at the time 'I'll do Sweet Charity but I want Bob Fosse to direct it!' I was told that Shirley referred to Jack Black as "My Third Jack"  

Me: Fine company to be in. LEMMON. NICHOLSON. Nerve-wracking! Or maybe you're confidently okay with it?
Jack Black: Not too shabby. I'm okay with it! It's hard to choose between the two. Lemmon kicks so much ass in "The Apartment"... but Nicholson in "Cuckoo's Nest"!

It didn't occur to me until his Globe nomination arrived that both of the performances he name checked were Golden Globe Winners in their days. Coincidence or subliminal sign of his nomination to come?!

Is it annoying that I always bury the lede? Golden Globe predictions are after the jump. 

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You Link Me. You Really Link Me!

The Wrap Sally Field (Lincoln) is the talk of the Palm Springs festival with her lively speech.
The Playlist has a clip of the new Pixar short The Blue Umbrella but be forewarned. It's really not much bigger than a new film still it's so short.
EW in another break with tradition Seth MacFarlane rather than an AMPAS official will be announcing the Oscar nominations on Thursday morning with the requisite actress (this year: Emma Stone)

Letterbox'd Vadim Rizov isn't terribly impressed with Zero Dark Thirty
Pajiba has amusing standards when it comes to red band trailers. (Hansel & Gretel: Witch Hunters)
The Advocate promises that actress Busy Phillips is as awesome as she appears to be. (Michelle Williams has always had such good taste!)
Slate's movie club beginswith Dana Stevens, Wesley Morris, Stephanie Zachareck and Keith Phipps talking up Zero Dark Thirty and Django and moral ambiguity in film
The Carpetbagger talks to Baltasar Kormakur about The Deep

It turns out that there is a reason most directors don’t film shipwrecks in the open water”

Ha.

Smash!
29 DAYS UNTIL "SMASH" RETURNS!'

I'll be recapping as I did last year. I'm not crazy about this sneak peek which sadistically continues to pretend that Megan Hilty is NOT the true star of Smash (LIES. ALL LIES). She's not even #2 anymore according to this trailer which seems to suggest a season all about American Idols Jennifer Hudson  and Katharine McPhee. Meanwhile the cast album of "Bombshell", the stage musical within the tv musical series, will be out in mid February. If Hilty doesn't get the Marilyn solo numbers on the "cast album" than they shan't have my moneys! 

Que Sera Sera, Whatever We'll Link, We'll Link

Roger Ebert delivers his top ten list with Argo up top. Ebert's always been a fairly mainstream Oscar-Friendly voice so it's no surprise to see three of the (presumed) top six Best Picture nominees at the very top. But it's nice to see lesser discussed titles like End of Watch and Oslo August 31st getting their due.
In Contention details a prestigious win that I didn't know about for the French film Farewell My Queen, one of my favorites
IMDb the most pirated movie of 2012 was... Project X. Huh. 

NPR ooh, I missed this interview earlier in the year. Doris Day reflecting on her life and career 
The Guardian here's a fun top ten list if you're feeling that new holiday weight: the best onscreen personal trainers from Mr Miyagi (The Karate Kid) to Pai Mei (Kill Bill)
/Film Test footage for animation/live action hybrid crimes against my childhood: Hong Kong Phooey and Marvin the Martian 

Les Línkables
Vulture Kyle and Amanda argue over Les Misérables with a side of Disneyland
Kelli Marshall pummels considers Les Miz of which she is (previously) a fan
The New Yorker on the consistent greatness of the property and "a continuity of culture" in which the old stories can still be the best
Guardian looks back on Tom Hooper's career. I always forget that the much-loathed director (at least on the internet) made so many wildly acclaimed TV films before moving to the big screen
International Business Times reports that the soundtrack is selling briskly -- I received mine yesterday (thanks Universal peeps!) -- and looks back at the most popular film soundtracks ever. Speaking of which...
Atlantic Wire the music is stuck in our heads forever... again.

Pretty soon everyone will be humming "One Day More" or "Master of the House" and will not be able to stop, and there will be nowhere to escape it. We will all become Les Mis zombies like it's the '80s or something. It might be fun for the first few days, communal and all that, but after a couple of weeks, we'll all be wishing for the same sweet sickness that sent Fantine to heaven.

It's true. Just yesterday I sang the most amazing Les Miz MegaMix in the shower.

Click on the photo if you missed my earlier post on Zero Dark's screenplay

Today's Must Read
Salon Andrew O'Hehir has written the piece on Zero Dark Thirty I've been longing to read. This provocative essay looks at all sides of the argument and the confusing evasions of Mark Boal and Kathryn Bigelow, and doesn't retreat to the frustrating polarized agendas we've been reading like "it's Reifenstahl-level evil and totally pro-torture!" or "people who think so aren't paying any attention" (Subtext: it just can't be pro-torture because I've already expressed my love for it and what does that say about me?!?)

Interview: Eddie Redmayne Talks Live-Singing, Skinny-Dipping, Name-Calling

If there's a surprise name called out as one of the Best Supporting Actors this year on Oscar Nomination morning, might it be Eddie Redmayne? The rapidly ascending 30 year-old actor, a recent Tony winner for "Red" on Broadway, stood in as surrogate for our enduring communal crush on Marilyn Monroe (Michelle Williams) in My Week With Marilyn just last season but the spotlight is even brighter now. Les Misérables' entire second act romantic structure spins on his swooning revolutionary Marius. In one of the quirks of movie awardage, male actors aren't generally honored for their facility with romantic drama, but Redmayne's secret weapon could well be his rendition of the grief stricken show-stopper "Empty Chairs at Empty Tables" in which he mourns his fallen brothers who died at the lonely barricades... at dawn. He'll undoubtedly jerk at least some tears from the Academy's acting branch this week as they finalize their ballots (due on January 3rd).

Marius is getting married! Eddie Redmayne in "Les Misérables"

I asked Redmayne about the massive pressure he must have felt approaching this famous number in Les Misérables and our conversation stretched back to Oliver! The Musical on stage and on through his non-musical duets with Cate Blanchett, Julianne Moore, and Michelle Williams in his young but vivid filmography. [More...]

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