Les Miz Opens Big. But Don't Expect That to Silence The Critics!

I started a link roundup but by the time I was two hours into surveying my Google Reader, the post had morphed into a rant as long as Les Misérables running time (which I'm about to indulge in again). It began with these three links:

Antagony & Ecstasy ooh, a list right up our alley: ten best adaptations of stage musicals, to celebrate the release of Les Miz. Interesting disqualifying comments on Cabaret
Slate "I Dreamed a Tween" Excellent excellent piece on Les Misérables' appeal to tweens and its long hold on its young fans once they've grown up
Advocate And another essay on our long histories with this particular musical phenomenon.

All of which are Pro Les Miz so buyers beware.

Eddie Redmayne takes aim. The critics have too.

As y'all know I've been quite touchy about this film. More...

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Flaws and All... The Worst Within The Best (Pictures)

Does a movie have to be perfect to be deemed a masterpiece or a grand success? That's a rhetorical question of course since the answer is no. What's perfect after all? Sometimes mistakes and flaws in judgement (which are, of course, in the eye of the beholder) can make a movie more organic and lively than something that is technically irreproachable.

Encore Entertainment was recently ranting about the weird and unfortunate trend of people rooting for movies to fail... in many cases even before they've seen them. It's a weird truth about Oscar season and I'll admit right here and now before we begin that I've also been guilty on occasion. It's how I've been feeling about The Hobbit: An Unexpected Journey from the moment I heard they were splitting one book into three movies. It rubbed against all of my core beliefs about what's wrong with Hollywood and their willingness to sacrifice good storytelling and goodwill to shake down eager fans for every last penny.

It's easiest to spot this kneejerk HAHA YOU SUCK mentality in the ongoing attacks on Les Misérables around the internet and the almost sadistic joy you could feel rippling out when it debuted to unexpectedly harsh reviews. More...

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Best Actor Battles and Hugh Jackman's Oscar Obstacle

Though most of my Oscar prediction chart updates have to wait for today's screening of Zero Dark Thirty (eeeeeeee! Bring it, Bigelow) it was safe to go ahead and revamp the Best Actor chart since Jessica Chastain can't compete there without significant alternate universe alterations. The chart has all new text, new rankings, links to reviews and past articles, and thoughts on locks, dark horse campaign angles. There's also an extensive list of vote siphoners that probably won't factor in but for random ballots from their most ardent admirers. That doesn't mean they aren't worthy of attention. It never does and never will since "Best" will always remain in the eye of the beholder.

HUGH vs. DANIEL
This weekend's debut of Les Misérables sent numerous industry professionals and media types (including myself) into a frenzy. (lots more after the jump)

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I Dreamed a Dream That The Film Version of Les Miz Would Be Awesome.

It came true.

Tom Hooper, looking very confident, took the stage at Alice Tully this afternoon to welcome everyone to the screening with a Happy Thanksgiving and a confession that he had finished the film at 2:00 AM in time for today's all guild screenings, the very first! If we were sitting there "It must mean I've finished it," he quipped.

Though reviews are embargoed until December 11th, let it suffice to say (for now) that my fears about the film adaptation of the classic musical were alleviated quickly. MORE...

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Playing Dress-Up: Jodie Foster in "Bugsy Malone"

[For Jodie Foster week, I invited a few guests to write about pivotal Jodie Foster movies for them. Here is Susan Posnock, who you may remember as a regular on Awards Daily a few years back. - Nathaniel R]

With Jodi Foster turning the big 5-0 tomorrow, Nathaniel asked if I would come out of my semi-retirement from film writing to help celebrate the actresses’ oeuvre. He offered up a number of films to reflect on, but the one I immediately thought of – despite the fact that I hadn’t seen it in about 30 years – was Bugsy Malone.

Long before the Internet, DVDs and even videos, I remember catching the film as often as I could (and my parents would allow) on HBO. In addition to Foster in a relatively small part, as tough-talking gangster’s moll Tallulah, it starred then-unknown Scott Baio in the titular role. Watching it this week I was struck by how completely odd it is – something I didn't pick up on as a kid. But as an adult, its unique flavors stand out. [More...]

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