Box Office Special - Broadway Grosses Post Tony Nominations

by Nathaniel R

With the movie box office being so boring these past two weeks (surprise: Avengers: Endgame is still sucking up all the money in the world) we're turning to Broadway grosses, which we never discuss, for a detour. Why? Well, just to see how quickly the Tony nominations make a difference. This is purely anecdotal but on the various discount apps and sites that you can belong to you start noticing the shows that fared poorly on each year's nomination morning almost immediately popping up at discounted rates. If a show sells out, even through heavily discounted tickets, it surely kills the sting of being shunned for awards.

If you aren't well-versed in Broadway the grosses are a bit complicated so bear with us as we try to explain...

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Auditions: "La La Land"

Our new series from Ginny O'Keefe, who knows from auditions as an actress in Los Angeles...

One of the most notable audition scenes in recent years comes from the sugar-coated musical hit film about how hard it is to make it Hollywood, whether you’re an aspiring actress or an attractive White guy who (for some reason) really wishes jazz music would go back to its roots. [I can’t even tell you how many White guys I’ve met in LA who constantly preach about how we need to save jazz music ... /sarcasm]. Yeah, you guessed it. This week's audition is from La La Land.

This film has its flaws. One of which is casting two A-list actors who pretend to be struggling artists in the unforgiving Tinseltown. (I personally think this film would have come across better if they cast two unknowns for the lead roles. Keep John Legend though, he’s good).  

But one particular sparkly gem in this film is an audition scene which puts Emma Stone’s character, Mia, in the spotlight to show her talent and how good she really is. Sometimes (most of the time) in Hollywood, good just isn’t enough...

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Stage Door: Burn This, Hadestown, and King Lear

by Eric Blume

It’s pre-Tony Awards time here in New York, which means new shows are opening left and right.  Here’s a quick look at three of them…

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1972: The founding fathers musical "1776"

We're looking back at the 1972 film year before the Smackdown.

by Anna

Peter H Hunt's 1776, based on the stage musical of the same name, chronicles the many woes that went into the Declaration of Independence’s creation. At the forefront of its writing are the “obnoxious and disliked” John Adams (William Daniels), the dry-witted Benjamin Franklin (Howard Da Silva), and the homesick Thomas Jefferson (Ken Howard). Amid the clash of words and egos of the other delegates of Congress, will they succeed?

Recruiting many of the names involved with the original Broadway production (Producer Jack L. Warner’s attempt to atone for casting Audrey Hepburn over Julie Andrews for My Fair Lady), 1776 had the misfortune of being released the same year as another period piece musical. 

Would 1776 have won more acclaim had it been released a different year?

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"West Side Story" Casting Pt 1: Meet the Sharks

by Nathaniel R

David Alvarez will be taking on George Chakiris's Oscar winning role of "Bernardo" in the remake of WEST SIDE STORY

We'll have to take the West Side Story casting, which is now complete with filming to begin this summer, in two parts. It's a LOT to process. Though we are skeptical of the project given that West Side Story (1961) is so perfect despite its imperfections (you know how art works), but the material itself is so brilliant that perhaps we'll get two classics for the price of one? 

With the casting complete, meet the Sharks... 
There's a lot of Broadway talent (especially from Hamilton, On Your Feet, Carousel), some people from the Miami ballet world, and even some who've done West Side Story before in other forms. Links go to their instagram pages if we could find them...

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