Streaming Roulette, Jan: Gremlins, Fairy Tales, and Brothers from Another Planet

After the jump you'll find a listing of everything that's new to streaming this month (January 2021). But first we pick two handfuls of titles and randomly freeze them with the scroll bar. Whatever comes up is what we share. Do these images make you want to see (or rewatch) the movie?

[Voice offscreen]: All right, let's go.

THE AUTOBIOGRAPHY OF MISS JANE PITTMAN (1974) on HBOMax
People don't really talk about this in the days of the common false proclamation "everything is available online" but TV from previous decades is much harder to get a hold of than feature films (which have it bad enough). So it's always cool when a streaming service plays one. This telefilm was a big deal in the 1970s winning 9 Emmy awards including Best Actress for Cicely Tyson. In the UK it was released as a feature film and Tyson received a BAFTA nomination for Best Actress (losing to Joanne Woodward in Summer Wishes, Winter Dreams)

These are the keys to perfect posture.

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Review: The Midnight Sky

by Tony Ruggio

The Midnight Sky is a mild return to form for director George Cloonney. It’s simultaneously a greatest-hits album of science fiction filmmaking of the last ten years and a beautiful, melancholic story about regret. In the midst of a global pandemic, with more proof arriving every year of what danger might await us in our planet’s future (or even right now), we’re all more aware than ever of what terrible things are possible in this world. Somehow, decades of apocalyptic cinema did not prepare us.

Clooney is Augustine Lofthouse, a scientist who has spent his life finding habitable planets at the expense of his personal life, pushing away those closest to him to devote his life to saving our future...

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The legendary Ann Roth does it again!

by Cláudio Alves

89-year-old Ann Roth is a living legend in the world of costume design. With a filmography that has long ago surpassed 100 productions and a curriculum further filled with numerous stage shows, the Oscar and Tony-winning Roth is a figure that demands respect and adoration. The best part is that she shows no signs of retiring and, this year, the designer is back with another showcase of her talents. The Denzel Washington-produced adaptation of August Wilson's Ma Rainey's Black Bottom features gorgeous 1920s fashion.

Every character in Ma Rainey is trying to say something with their clothes, be it to project self-worth as a shield or visualize their aspirations. No one does it more than the leads, Viola Davis' Ma Rainey and Chadwick Boseman's Levee...

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Review: "Ma Rainey's Black Bottom" does August Wilson proud

by Nathaniel R

"Deep Moanin' Blues" - Ma's introduction

We see black suffering so often in films that the slightest purposeful subversion of that expectation can stun. You could easily mistake the first shot of Ma Rainey's Black Bottom, for instance, for a slave drama. It's a wide shot of a dark quiet forest, crickets chirping, that's punctuated by two men running breathlessly through it, and then the sound of dogs barking as if in pursuit. Two lit torches at the end of the shot, however, don't spell doom but joy. The only escape these men are currently after is communal experience. They're headed for a tent concert where folks are already lined up to pay their coins (a sharp detail) before the camera swoops up to see "Ma" Rainey (Viola Davis) humming those "Deep Moanin' Blues" before a joyful crowd.

Not, mind you, that Ma Rainey's Black Bottom replaces suffering with joy. It just nods to their connection before announcing everything else it has on its mind. Which is quite a lot...

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The Astronaut Dramas of the 2010s

by Juan Carlos Ojano

Two-time Oscar winner Goerge Clooney directs and stars in Netflix’s final awards contender to drop to streaming during this calendar year, the science fiction drama The Midnight Sky. Based on a novel by Lily Brooks-Dalton, the film follows a lone scientist (Clooney) in the Arctic who must contact a group of astronauts to stop them from returning to earth. This is Clooney’s first film as an actor since 2016’s Money Monster and his first as a director since 2017’s Suburbicon. The film will join a curiously large cinematic trend of 2010s Hollywood: the astronaut drama...

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