Emmy FYC: Marielle Heller in "The Queen's Gambit"

by Cláudio Alves

As we all found out this past October Marielle Heller is a woman of many, perchance infinite, talents. Since 2015, Heller has been dazzling cinephiles everywhere with her work as a writer/director. The Diary of a Teenage Girl was one of the best American debuts of the decade. If possible, Can You Ever Forgive Me? and A Beautiful Day in the Neighborhood were even better, analyzing complicated real-life personalities with as much humanistic gentility as razor-sharp precision. All that, and we now know that Heller is also an amazing actress. Returning to her first vocation in splendorous fashion, Marielle Heller delivers the best performance in the popular Netflix awards juggernaut The Queen's Gambit…

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On the Globes cancellation

You probably heard the news today that NBC has cancelled the Golden Globes for January 2022. The past couple of days have been a flurry of stars and distributors and PR firms condemning the Globes and boycotting them. Or 'stepping back from' to use Scarlett Johansson's gentler euphemism. But we find the timing of this sudden wave of condemnation to be suspicious and more than a little hypocritical of the industry given their own ethics problems and systemic racism and sexism. First and foremost, it's all happening three whole months after the Golden Globes exposé in the Los Angeles Times which touched a nerve with its revelation that the organization, which is made up of 87 people, had no black members. (Exacerbating that particular problem -- though nobody likes to try to understand structural problems as it's easier to simply condemn and move on -- is that they only allow one member to represent each "foreign" country and many aren't as diverse as the US; that 'per country' rule, at least, will have to go.)

Did Hollywood rise up against the Globes after that expose? Nope. They went right on courting their favor until awards season had entirely played itself out! There were awards to be won and films and tv shows to promote. No stars boycotted the ceremony and neither did any studios. But now, everyone is in the clear for another year. Distributors don't have to think about campaigning for awards or promoting their films and television shows in that particular way for a while now...

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Review: "Stowaway" on Netflix

by Matt St Clair

Shamier Anderson is the titular "Stowaway"

One common trope in space movies is daddy issues. Whether it involves trying to find one’s dad in space or a sad father dealing family issues, as this 2019 Vulture article points out, it's a constant in outer-space movies. That's been especially true of this last decade with First Man, Interstellar, Ad Astra, and Netflix’s very recent space venture The Midnight Sky. But a surprise development! The new space movie Stowaway, from writer/director Joe Penna, is the rare film to abandon that trend altogether. The central quartet have struggles but not one of them is a daddy issue. 

Commander Marina Barnett (Toni Collette), botanist David Kim (Daniel Dae Kim), and medical researcher Zoe Levensen (Anna Kendrick) barely touch on their respective home lives as they make their way to Mars for a two-year space mission...

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Review: "Thunder Force" (Netflix)

by Christopher James

Longtime friends McCarthy and Spencer in "Thunder Force."Melissa McCarthy and Octavia Spencer are already acting superheroes. Over their long careers, they’ve stolen scenes from the best, been nominated for Oscars (with Spencer winning in 2011), and headlined comedy, drama and horror films. There’s nothing these women can’t do… until now. Thunder Force is their kryptonite. There’s no superpower in their arsenal that can save this comedy, which is completely devoid of laughs. 

Thunder Force takes place in a world much like our own. The main difference: mysterious intergalactic rays touched down in the 80s and gave a few bad apples superpowers. These super individuals, called Miscreants, use their powers to terrorize everyone in sight. If only bad guys are given powers, how are the good guys ever going to prevail?

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What Other Movies Should Get The Justice League Snyder Cut Treatment?

By: Christopher James

Sequel culture has led to remake culture and now... recut culture?  HBO Max recently released Zack Snyder’s four hour cut of Justice League to subscribers. Snyder left the film in 2017 in the wake of his daughter’s suicide, leaving the project in the hands of Joss Whedon. When the film was released in November, Justice League was savaged by critics and audiences alike. The two hour film had very little character development, laughable dialogue, an unmemorable villain, bad CGI and made very little sense. Sequel culture has led to remake culture and now to recut culture of movies of the recent past.

While we prefer new movies and the classics to reworking old-IP, why not join in on the fun and ponder the alternate realities of what could’ve been had Justice League been 4 hours or had Mrs. Doubtfire been rated R? If streamers have hoards of IP and buckets of money, what other cuts of old movies should they bring to life?

Here are ten suggestions…

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