Review: Jake Gyllenhaal's one-man show "The Guilty"

by Matt St Clair

Despite being a proponent of Bong Joon-ho's advice to overcome the "one-inch barrier" of subtitles, I confess that I never got around to seeing the popular Danish film The Guilty (2018) which became an Oscar finalist for Best International Feature in its year. As a result of this blind spot, none of my thoughts on the new English-language remake will pertain to how it measures up to the original. Instead, let's talk about what a tense one man show this is. 

Although Jake Gyllenhaal has actors surrounding him, both in-person and through vocal performances on the telephone, The Guilty is laser focused on his character, 911 dispatcher Joe Baylor. Joe is on the phone trying to save a woman named Emily (voiced by a skillfully elusive Riley Keough) who’s being kidnapped by her ex-husband...

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Emmy Analysis: Netflix dominates the Outstanding Period Costumes race

by Cláudio Alves

All five Outstanding Period Costumes Emmy nominees come from a Netflix, a strong indicator of that streaming titan's dominance over the kind of lavish prestige television that tends to the well in this category. Indeed, this well-appointed quintet is united by a glitzy love of glamour. Realism, or indeed historical verisimilitude, feels as if it's only ever pursued if it coincides with these shows' need for contrast and spectacle. Sometimes this feels at home with the material. In other instances, it comes off a bit forced, opulence for opulence's sake and to the detriment of the dramaturgy. Their wardrobes demand attention, catching the eye of even the most casual of viewers. Whatever the case may be, these are some eye-catching programs, so much so that it's difficult to predict who'll win. All five contenders feel like potential victors. The nominees are… 

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Streaming Review: "Worth"

By Ben Miller

With the 20th anniversary of the September 11th terrorist attacks approaching, Sara Colangelo’s Worth paints a compassionate picture of the victims and their families while attempting to get into the heads of the lawyers in charge of assigning a dollar amount to the victims. While the lead trio are each superb, the host of character actors and actress recounting their lost loved ones tug at the heartstrings.  Poignantly acted and directed, the film lacks the flash and grandstanding of the usual Hollywood fare, but still delivers a heartfelt message on the value of life.

Following the 9/11 attacks, to stave off the potential of economically disastrous lawsuits against the airlines, the United States Attorney General assigns respected lawyer Kenneth Feinberg (Michael Keaton) as the Special Master of the fund allocated to compensate victims and their families of the attacks...

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Review: Sandra Oh in "The Chair"

by Lynn Lee

In my younger days, I wanted to be an English professor.  I was pretty serious about it, too – serious enough to major in English, get a fellowship, and enroll in a Ph.D program.  Ultimately, I realized academia wasn’t for me and left with just a master’s.  I’ve never regretted that decision.  Yet I still wonder occasionally what my life would have been like if I’d stuck with my original dream.

So it’s no wonder I immediately let myself sink into The Chair, a new Netflix (mini?)series starring Sandra Oh as the titular chair of the English department at Pembroke University. That's a fictional Ivy League school in what looks like a permanently snow-covered New England college town, although the show was actually shot in Pennsylvania.  Basically, it’s my alternate-universe existence if I were as cool and charismatic as Sandra Oh and as brilliant and committed as her character, Ji-Yoon Kim...

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Emmy Analysis: A close race in Outstanding Writing for Limited Series or TV Movie

The Film Experience Team takes a look at the episode submissions for all the major Emmy categories.

by Cláudio Alves 

Unlike the Drama and Comedy writing categories at the Emmys, the Limited Series or TV Movie one can find entire seasons competing against solo episodes or single films. In the recent past, individual chapters of Sherlock and Black Mirror, classified as TV movies, won out against juggernaut series such as Fargo and Big Little Lies. This year, there are no such "movies" nominees. Indeed, despite six slots, only four series are recognized across the board. Wandavision is the nomination leader as well as the only show competing with single episodes instead of seasons. Indeed, with three nods, it thus becomes only the second limited series to score triple writing nods in the same year. The first one was American Crime Story: The People v O.J. Simpson. That Ryan Murphy show won in 2016, despite the threat of vote splitting, and maybe the Disney+ program can do the same. Let's take a look at the nominees…

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