Grace & Frankie E4: "The Funeral"

Put on your finest black Willie Nelson T-shirt, cause we're going to a funeral!

abstew here continuing our coverage of Jane & Lily Grace and Frankie. After being separated from their recently gay (well, to our leading ladies at least) and recently shacked-up husbands, the gals must come face-to-face with their estranged spouses for the first time since the first episode. And because they're of a certain age, the gathering naturally happens at a funeral (it's like clubbing for retirees). And nothing says comedy quite like a funeral setting (unless it stars Hugh Grant and is preceded by 4 weddings) and this episode proves it by carrying some pretty heavy dramatic moments and a breakdown from Martin Sheen that shouldn't have made me laugh as much as it did (since he was actually going for heartfelt drama).

The episode begins with Grace interrupting Frankie's art class with ex-cons so that the two can get to the funeral of their mutual friend Larry before Sol and Robert arrive for their "coming out party".

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Grace and Frankie S1:E2 "The Credit Cards"

We'll take the next episode of Grace and Frankie quickly both because it's shorter and it's not as jam-packed with discussables as the premiere. We begin with the women still devastated while "the boys" -- I love that their wives call them that -- are already much more lighthearted, having finally pulled the trigger on coming out. Sol (Sam Waterston), is way more excited about having come out than the more reserved Robert (Martin Sheen). More...

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Grace and Frankie: "The End" (Which is the Beginning)

Another week, another Netflix series debut. It seems like there are loads of them every month, yes? But this one, Grace and Frankie  is right up The Film Experience's alley.

It stars two beloved actresses: double Oscar winner Jane Fonda (Grace) and Oscar nominee Lily Tomlin (Frankie) reuniting 35 years after their comedy blockbuster Nine to Five. What's more Grace and Frankie uses, at least as its launching pad, our favorite genre Women Who Lie To Themselves™ and mixes it with LGBT subject matter and comes from the creator of Friends Marta Kauffman. That's a lot of pluses in its column even before you get to its delightfully sweet opening titles sequence involving a multi-tiered wedding cake.

Don't believe whatever early buzz that had people shrugging. It's a lot of fun and it's damn beautiful to see these two actresses working together again. After the jump a quick recap of the first episode with best lines and MVP moments and such.

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Belinda the rain is falling. Belinda your link is calling ♪ ♫

The Onion "I only like movies where the whole cast dances in the end credits"
Pajiba Hayley Atwell continues to enjoy her Agent Peggy Carter awesomeness even without news of a renewal yet
Esquire an interview with Chris Evans who talks his friendship with the other Chris and his insane Marvel schedule
NY Times Actress Jayne Meadows (1919-2015) RIP
In Contention the moment Michael Keaton knew he would lose the Oscar
Interview talks to Sam Shepard, still acting, writing, and being cool 

Sesame Street The Aveggies: Age of Bon Bon. The Avengers spoof peaks early with the line reading "What happened to my asparagus!?" which sent me into lolz
The Dissolve looks back at Ang Lee's Hulk (2003) 
Variety looks at Netflix streaming data. Daredevil S1 being the biggest immediate hit but House of Cards having a longer tail for streaming. Or something? What does it all mean? It's meaningless without Orange is the New Black data if you ask me.

Happy They're Working But... Sigh
Film School Rejects Wild Tales Damian Szifron's next project is... writing The Six Billion Dollar Man reboot movie for Peter Berg. Frustrating because he can direct circles around Berg if Wild Tales is any indication
Jezebel Viola Davis to star in a Harriet Tubman biopic. Sadly for the Viola Needs An Oscar Fan Club (President: Nathaniel R) it's for HBO and she'll probably already have an Emmy by then

Beefcake
MNPP Why does Zac Efron have a huge bumblebee on his crotch -- What the hell?
Boy Culture Joe Magianello Magic Mike XXL Poster. Co-sign on the blog post title! 
MNPP sharing gifs and the trailer for the Magic Mike ripoff Chocolate City 

Bruce Jenner (in half shirt) and friends in Can't Stop the Music (1980)Former Beefcake
Kenneth in the (212) dedicates "Belinda" (i had totally forgotten about this song but used to love it) to Bruce Jenner
Boy Culture on Bruce Jenner coming out as a... Republican. 

The unfolding Bruce Jennfer story is another reminder, like the superb documentary Prodigal Sons by former high school football star turned trans documentarian Kimberly Reed, that external presentation does not always equal internal truth. Bruce became famous as such a traditionally masculine person in the late 70s, gold medal athleticism and all, which is I think why this whole thing surprised so many people. Including myself. In case you missed it we revisited Bruce Jenner's 1980 movie Can't Stop the Music this very month last year.  

Speaking of Hit Me With Your Best Shot.... does anyone know what happened to the guy RJ who ran "(Home) Film Schooled"? The blog vanished some time ago without a trace but there was good writing there!

Bright Star is Brightest Thursday Night/Friday Morning...
Because of a forgotten scheduling conflict involving, um, superheroes (mom, they're oppressing us again!)  I had to postpone Jane Campion's poetic flowery romance for 'BEST SHOT' which was originally tonight. But here are 4 early entries for A Fistful of Films (which you have to agree is one of the best blog titles ever), Lam Chop Chop, Coco hits NY, and Zitzelfilm to whet your appetite for its visual splendor. 

Daredevil - Final Thoughts on Season 1

Previously on Daredevil. It felt lonely reviewing each of the first seven episodes since there wasn't much discussion here. Presumably those of you who were interested have now finished this series so here are much quicker thoughts on the last half of the season as well as some overall takeaways and dreams for Season 2. 

1.8 "Shadows in the Glass"
We might safely call this episode "Daredevil Origins: Kingpin" but it is admirable how deeply invested the show wants you to be in its characters, even the villains. We begin with a shoutout to "Rabbit in a Snowstorm" and we spend the entire pre-title prologue in the silent company of Wilson Fisk who sees his younger damned self in the mirror. That's before we segueway into his backstory but structurally it's a very smart episode as we see Vanessa disrupting his routines... but in a way that's good for him. Daredevil decides to trust Ben Ulrich but Fisk throws them all for a loop when he comes out publicly as the city's secret philanthropist. B+

final episodes and hopes for season 2 after the jump...

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