Links

BuzzFeed Netflix not legally responsible for your 'viewing history' - it's so funny that people thought they were
The Hairpin Mission: Impossibly Silly "I Still Don't Understand How Tall Everyone Is"  
Interview Director Marielle Heller talks about the ratings and sexuality of her daring debut The Diary of a Teenage Girl 

Towleroad George Takei once asked Gene Roddenberry about including gay characters on Star Trek. Interesting historical response but what's their excuse now since that franchise is still alive?
IndieWire How to apply for a Women of Color directors and screenwriters 10 day retreat
This is Not Porn Cute. Harrison Ford and Steven Spielberg take a break during Indiana Jones and the Last Crusade 

Tim is the Best
Antagony & Ecstasy revisits Dog Day Afternoon... (great films often generate great writing about film)
Antagony & Ecstasy also revisits the very first unreleased Fantastic Four (1994) and claims its still the best adaptation of Marvel's first family (bad films often generate great writing about film) 
.... moral of combining them: Timothy Brayton often generates great writing about film.  

Off Cinema 
Laughing Squid a feline feeding machine to let your cat be more self-actualized indoors
Gothamist sad news: Annie Lennox's daughter's boyfriend has gone missing after a tandem kayak accident 

"Clobberin' Time"
There's a lot of handwringing going round about what exactly happened between Josh Trank and the studio and the source material to make Fantastic Four so bad. Film School Rejects even felt it needed a six-year timeline. But there's also post-mortems about the opening weekend which are lower than usual for superheroes.Variety argues that audiences are getting wise to money grabs (with tanking reboots like FF and diminished returns for Spider-Man) and studios need to think harder about repackaging known brands. But I personally don't know if that's the case -- I mean audiences are still putting up with needlessly padded "part 1 and part 2" finales which everyone knows are not artistically motivated decisions aimed at providing them with the best possible movie. So until audiences start bailing on those, I'm not eager to give them too much credit for protecting their wallets against Hollywood's 'screw-quality / make another billion quick' tactics. 

08/08 Sense 8 08:08

Happy birthday to the Sensates. Netflix renewed Sense8 for a second season today (the actors seem very happy). To celebrate let's all masturbate simultaneously all over the world at 8:08 PM tonight. 

[If you missed our coverage, Nathaniel talked about the NSFW radical sexuality and Tim reviewed the whole season.]

FYC: Tituss Burgess for Best Supporting Actor in a Comedy

Team Experience is sharing their dream picks for the Emmys each day at Noon. Here's Margaret...

Tituss Burgess' performance as Titus Andromedon on Netflix's Unbreakable Kimmy Schmidt is nothing short of genius. (Before we get any further into this, it should be established that Tituss with two S's is the actor, and Titus with one S is the character. Confusing, yes, but blame Tina Fey and Robert Carlock.)

His vocal control is exquisite, and we see it tested time and again as the writers work up excuses for Titus to belt whenever possible. His grip on his comedy is similarly iron-clad. Every gesture, every line reading, is laser-precise. He never fails to deliver the biggest laugh of whatever scene he's in--he's a dexterous physical comic and quite nimble with Fey & Carlock's twisty punchlines-- but he also lends a distinct pathos to the performance that makes it more than just funny. 

And he's tremendously gif-able. Sweet mercy, how gif-able.

Though often ridiculous, Burgess makes damn well sure we know that Titus is the one telling the joke. Even the most absurd lines fly out of his mouth with self-awareness and complete conviction. (In lieu of apologizing for putting his foot in his mouth, he shrugs: "I am as God made me.") One of the things that makes Kimmy Schmidt so special is its improbable sense of melancholy. Hints about Titus' past point to frustration and pain, and that's present in his performance even as he lives confidently and without contrition.

But most of all, he's just purely and entirely funny. He makes me laugh more than any other TV character, certainly today, maybe ever. To deny him would be like denying Jane Krakowski's Jenna Maroney, which...  well... please don't make that mistake again, Emmys.

Previously: Ann Dowd talks The Leftovers and Nathaniel fusses over the Emmy ballot

Review: Sense8, season 1

Tim here. We've had a little more than a week now to play around with the new Netflix series Sense8, which has hopefully been enough time for everybody to process it. For myself, I'm still working on that: it's a whole lot of show, frequently not to its benefit. But it dreams no little dreams.

The show is the brainchild of J. Michael Straczynski, whose Babylon 5 largely created the "pre-planned serialized television" in the 1990s, and siblings Andy and Lana Wachowski, of The Matrix and its many attempted follow-ups, all of which have been met with widespread derision and a small but freakishly adoring cult. In the interest of full disclosure, I should confess that I'm part of that cult. I even really liked Jupiter Ascending. So feel free to not trust anything I have to say about anything ever again.

Straczynski's achingly earnest liberal humanism blends seamlessly into with the pie-eyed optimism and sincerity of the Wachowskis' post-Matrix work, especially the swooning globalist poetics of Cloud Atlas. The result is a show that wears its politics and its sentiment right out in the open, with actors navigating big mouthfuls of dialogue that sound like an op-ed first, a stoned philosophy student's stream-of-consciousness second, and things that human beings would ever say out loud to other human beings third (another legacy of Babylon 5. I'm not even entirely sure I mean that as a complaint. Artlessness born out of sincere passion is a very different thing than a simple lack of talent. It's charming, albeit in a shaggy way.

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Golden Oldies Rule The Box Office

Fact: People love themselves from prehistoric monster movies. 

Jurassic World (aka Jurassic Park 4) took absolutely no chances whatsoever on losing the collective global nostalgia for Steven Spielberg's original dino-blockbuster, modelling itself almost exactly on its predecessor. The only plot elements and story beats missing in this very very familiar movie are the kind you can't regurgitate: Spielberg's brilliance, Laura Dern's Face o' Wonder, and that scene with the dinosaur poop. As a result its opening weekend was big enough to fund the development of a real life theme park with ½ a billion in worldwide grosses in just 3 days. It's now the second biggest opening of all time after Marvel's The Avengers (2012). Which means that it's fairly certain that Jurassic Park 4 or Star Wars 7 will be the Crowned Champ of 2015 when the year wraps up. Sorry about it Avengers 2, Hunger Games 4, Furious 7, and Originality; you've all lost!

This way towards ridiculous grosses, you monster!

WIDE RELEASE
June 12th-14th Weekend
01 Jurassic World NEW $204.6 Jurassic Park Articles 
02 Spy $16 (cum. $56.9) Rose Byrne FYC
03 San Andreas $11 (cum. $119.3)
04 Insididous Chapter 3 $7.3 (cum. $37.3)
05 Pitch Perfect 2 $6 (cum. $170.7) Review 
06 Entourage $4.3 (cum. $25.8)
07 Mad Max: Fury Road $4.1 (cum. $138.6)  Review & Podcast & Random Articles
08 Avengers: Age of Ultron  $3.6 (cum. $444.7) Review & Marathon & Podcast
09 Tomorrowland $3.4 (cum. $83.6)  Review
10 Aloha $.9 (cum. $18.9) Review

UNDER 800 SCREENS
June 12th-14th Weekend
01 Love & Mercy 573 screens $1.7 (cum. $4.7) 
02 I'll See You In My Dreams 246 screens $.8 (cum. $2.9) 
03 Home 584 screens $.7 (cum. $119.3)
04 Furious 7 357 screens $.5 (cum. $350.7) Review
05 Far From the Madding Crowd 366 screens $.4 (cum. $10.7) Review 
06 Cinderella 270 screens $.2 (cum $199.2) Review
07 Ex Machina 194 screens $.2 (cum. $24.7) Review & Podcast & Random Articles
08 Me and Earl and the Dying Girl NEW 15 screens $.2 Review 
09 Paul Blart Mall Cop 2 234 screens $.2 (cum. $68.8)
10 Woman in Gold 198 screens $.1 (cum. $32.2)

The story in limited release was also oldies but goodies: The Beach Boys & Blythe Danner. Love & Mercy got quite an enthusiastic critical (and audience) response and Mama Paltrow continues to headline the non-story story of the summer in that her movie has received very little press but has somehow found an audience anyway and steadily accumulated a very nice little gross for a septugenarian romantic drama. Do you think Bleecker Street will have the guts to fund her an Oscar campaign? 

What did you see this weekend?
I saw the dinosaurs (guilty), finished up Sense8, and wisely decided not to binge Orange is the New Black but to truly savor it this time. I'm savoring my visitation privileges with these convicts this year for as long as I can manage will-power wise. Maybe I can make it last through Mid July?!?