New York Post has wise words for Netflix on their strange feet dragging for Season 2 of Jessica Jones
Slate Movie Club 2015 closes I'm assuming you read all 18 entries. They were A-MA-ZING. My favorite Movie Club by Slate ever I think. Mark Harris, Dana Stevens, Amy Nicholson, David Ehrlich, and Dan Kois outdid themselves.
Decider great piece by Joe on the rise of the bad seen as villain in Star Wars: The Force Awakens and other blockbusters
Decider Joe also counts down the 10 times Globes were more fun than Oscars (10? This list could go to 1000) but there's a massive typo in his post because it says "7." [sic] by the part about Elizabeth Taylor slurring "GLADIAAAAATOR"
THR excerpt of a new interesting book "Starflacker" from a longtime PR pro Dick Guttman
The Guardian Anthony Hopkins and Sir Ian McKellen remade the Oscar nominated film The Dresser (1983) for the BBC in 2015- how did I miss this news?
The Wrap Annihilation, a female led sci-fi picture from Alex Garland (Ex Machina) may star Tessa Thompson and Gina Rodriguez
Variety 33 people will be honored at the Academy's annual Scientific and Technical Awards
Towleroad So John Boyega is just a wee bit shy of how fun he seems so far in public. He's already put the kabosh on the gay Star Wars rumor saying that it's all in Oscar Isaac's head
The Envelope a video chat with Michael B Jordan about Creed.
Vanity Fair Ryan Coogler would be just the guy to direct the Hamilton movie adaptation. Make it happen world.
Tracking Board looks at series orders from various TV distributors (we don't call them networks anymore, right, since they're are so many ways to get tv?). Netflix has a series called Gypsy. Unfortunately it's not a musical about the stripper.
Pajiba pays tribute to Brie Larson's social media game
Top Tens & Best Of Lists
Yes, they're still going on. Check out: John Oursler's which has Phoenix and Tangerine and The Tribe; Kyle Turner takes a more holistic 'best of' approach of with all sorts of personal notes and thus personal obsessions like Noah Baumbach, Spectre, and such; David Poland published his but without commentary of any kind. I don't even know if they're in order
Oscar Confusions
Voting has closed. I love how utterly perplexed almost every professional and amateur pundit is this year. The guilds and precursors have been all over the place. Kris Tapley tracks the events that happened while balloting was going on. This is an absolute joy if you like the unpredictable AND you don't have a particular film you can't live wihtout. Unfortunately I have two masterpieces to worry (which is more than usual!) so I'm having trouble enjoying the will they or won't they nerves. But I'll start doing final predictions this very weekend so bear with me! If you need to think about this RIGHT NOW though check out Fisti's thoughts (he predicts that both my masterpieces will be shut out. Thanks, man. Argh). Glenn Whipp still thinks that Mad Max Fury Road will lead nominations. I've never been that bullish on it but still crossing my fingers. There's also a Gurus of Gold update. Though honestly I think some of my numbers are from the previous week because I definitely haven't been confident in Redmayne or Mara lately.Hmmm
Video of the Week
It's beautiful that the week Anne Marie began her Judy Garland series another Judy Garland spectacle made the rounds. Obsessed with this Wizard of Oz video am I. It recuts the film to be in alphabetical order by word (post credits though the credits themselves per title card are also quite a trip). I've only watched through to the "home" which took 45 minutes lol... the time flew by. But only two moments I was expecting to be favorites were "because" and "Dorothy." The other best parts aren't at all the parts you'd be expecting. I'm especially fond of "arf" and "back" and "dead" and "doing" and "frightened" and "ha". It really is mesmerizing how the video just naturally gives you these weirdly gorgeous breathing moments between its hyper edited assaults as with "Boo!" and "bye" or even "hhh" -- Judy Garland is a heavy breather, don'cha know! Or how words that are only used once feel weirdly crystalline in this new context like "billowing" and "delicately" or how some super fast strings of words appear to be in conversation with each other like "heroes" "heroine" "herself"
Of Oz the Wizard from Matt Bucy on Vimeo.
I'll stop talking now and leave you with a song, in this format...
a a And are blue come do dream dreams heard high.
I in land lullaby of Once
Over over rainbow rainbow Really skies
Somewhere Somewhere that that the the the
there's true up way you
Friday, July 15, 2016 at 10:47PM 
American Horror Story is one of the only series eligible every year in this category. It was nominated for Murder House, Asylum, and Freakshow onlyA good title sequence is a godsend to any series. The best of them convey the tone and spirit of the show but in a creative rewatchable way (my favorite of the past few years: Marvel's Daredevil). Series are only eligible for this Emmy award in their first year on television. The exception is of course anthology series which tend to change their opening credits each year. For example American Horror Story has had three nominations in this category for Murder House, Asylum, and Freakshow but was passed over for Coven and Hotel. On the odd occasion that a non-anthology totally changes their main titles they can submit again. This limitation makes the category, by default, my pet favorite. After all it's the only one that voters are forced to rethink anew each year. They can still be lazy with their votes, of course, but they can't be lazy in the exact same way that they were the year before. Progress!
